This is an experimental mood-piece about someone who may, or may not be, a Crime Scene Photographer. It was inspired not only by Antonioni's "Blow-Up", but also "Another Way of Telling" by John Berger and Jean Mohr, in which they wrote about, and illustrated, the idea that there is a friction between the photographed moment, and the memory of the moment itself, which the photograph resembles.
It was pieced together from a disparate range of various photographs and footage that I have gathered over the years (specifically, in this case, between 1999 and the present day). Enjoy.
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