Following on from an earlier blog, and with several days in between to reflect more realistically, the sense of post-filming blues vanished by the morning after (as I've already said). That day I uploaded the footage, and save for a few audio problems in the first few minutes (didn't matter as I wasn't using the audio anyway) and a few blown shots (in a swarm of people it's sometimes hard to avoid kid's faces getting in the shot - so said shots have to be ditched) it was actually all good.
Come Sunday, two days after the actually event which was on the Friday, I set about editing the footage into the final 5 minute piece that was required. The actual filming session was a challenge - poor weather, limited different things to film (icons of the evening, if you will) and it being a 'last minute' job that I'd accepted - so it made the editing process tougher than any filmmaker would prefer. However, I was still able to cut together a solid five minutes (obviously, there's things you'd change or would have liked to do better, but that's the power of hindsight...something which doesn't take into account the 'then & there' of the situation).
Anyway, afterwards I decided to punch up the visuals a bit, so I turned to the trusty Magic Bullet - a superb software plug-in you simply must have if you're an editor. Notice in the credits of shows/documentaries where it says "colourist" - that's where Magic Bullet (or similar softwares) come in...a prime example of it's use would be a personal favourite of mine - "Top Gear".
So yes, I used one of my own presets that I'd created, and now all the colours were stronger. The blacks were deeper and the array of multicoloured lights on display now all kicked out a nice shimmer of white diffusion. While DVX100B footage looks great, if you add Magic Bullet to the mix, it looks even better.
Magic Bullet - once you use if, you wonder how on earth you managed without it! If only they made glasses so you could see the world through the eyes of Magic Bullet...ahhhh...one day maybe.