Monday, 21 May 2018

FWOAN Surrey Screening...

This past weekend - on Sunday the 20th of May - we had our first big screening of For Want Of A Nail, which was followed up with a Q&A featuring Ali Causon (Producer), Lucy Joan Barnes (Director), Clark Alexander (Lead Actor), Kasha Khan (On-Set Advisor), and me (Writer). The screening and Q&A went really well, and there was a lot of audience engagement afterwards - during which a silent auction was held to raise money for OCD Action (the charity which endorsed our film).

We received lots of positive feedback, with many members of the audience remarking that they'd learnt a lot about OCD that they had no idea about prior to the screening - and that's the main drive behind FWOAN, to spread the word about what OCD actually is, rather than the stereotypical representations that we've seen for so many years and, unfortunately, continue to see. With FWOAN we're seeking to break down all those stereotypes, to crack through the barrier of fear surrounding mental health, and to inform as well as entertain.

Taken as the audience were entering the theatre.

The screening followed an article in the Epsom Guardian about the film - you can read it HERE - as well as another article on the OCD Action website in which Lucy, Clark, and myself were asked about the making of the film - you can read that one HERE.

You can view more information and pictures from the screening at our Facebook page. Don't forget to like and follow us to keep up-to-date with the film's progress!

Wednesday, 16 May 2018

Thriller: A Cruel Picture (Bo A. Vibenius, 1973) DVD Review

Find more exploitation reviews here.


“You better start praying, One Eye.” Perhaps better known under the title They Call Her One Eye, Bo A. Vibenius' stripped-back revenge thriller is an unusual sight to see come from Sweden, where serious art house cinema is more the norm. Mixing overt stylistic flourishes with hardcore sleaze, the tale of Frigga – a mute young woman recovering from a horrific ordeal in childhood – proves to be a tough but rewarding viewing experience, wrought from highly charged emotion and brutality...


Click “READ MORE” below to continue the review and see more screenshots…

Thursday, 10 May 2018

Sleaze Fiend Magazine - Issue 3 is here...

It's been a bit of a while since our bumper size Issue #2, but finally - after finding a new print company - we're ready to put the new issue out there!

The long awaited Issue #3 has finally arrived! This issue is filled with BIKES, HIPPIES, LSD, SAVAGERY BEYOND YOUR WILDEST IMAGINATION & MUCH MUCH MORE!

You can pre-order it HERE.

Friday, 4 May 2018

The Last American Virgin (Boaz Davidson, 1982) – a quick review...



What's it about?
Raunchy comedy/drama about a group of L.A. teens trying to pop their cherry, but embarrassing misfortunes and harsh realities get in their way.

Who would I recognise in it?
Lawrence Monoson, Diane Franklin, Steve Antin, Kimmy Robertson.


Great/Good/Alright/Shite?
The summer of 1982 saw a glut of saucy teen comedies – chief among them being Bob Clark's Porky's and Amy Heckerling's Fast Times At Ridgemont High – but another, The Last American Virgin, stood out by daring to go different. Produced by the infamous Canon Film Group as their first entry into American filmmaking (check out the documentary Electric Boogaloo), TLAV was a remake of Davidson's hugely successful Israeli film Lemon Popsicle (like a proto American Pie franchise of the 70s and 80s), but it found itself somewhat swept aside in movie theatres by its populist competition. But while Porky's and Fast Times At Ridgemont High had memorable encounters (the shower scene, Phoebe Cates in the red bikini) mixed with sprinklings of seriousness (anti-Semitism, abortion), TLAV's similar mix of light and dark found a larger audience on home video and cable TV in the years that followed...

Click "READ MORE" below to continue the review...

Wednesday, 2 May 2018

FWOAN's first award...

For Want Of A Nail has picked up its first award - Editor of the Month - from The Monthly Film Festival (April 2018). Congratulations to our editor Ryan Tian, and hopefully this will be the first of many awards!


FWOAN was also nominated for Film of the Month, Original Score of the Month (Alex Williamson), and Cinematogragher of the Month (Yana Ritz-Cairns).

You can see the results and nominations HERE. Our film's page on TMFF is here.