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Otherwise known as Off Balance, Ruggero (Cannibal Holocaust, The House on the Edge of the Park) Deodato's vengeance-fuelled thriller, co-written by Vincenzo (New York Ripper) Mannino and Gianfranco Clerici, tells the story of Robert Dominici (Michael York) – a piano virtuoso – whose previously dormant Progeria condition (a disease that ages the victim at an accelerated rate) sends him spiralling into an insane thirst for blood.
Otherwise known as Off Balance, Ruggero (Cannibal Holocaust, The House on the Edge of the Park) Deodato's vengeance-fuelled thriller, co-written by Vincenzo (New York Ripper) Mannino and Gianfranco Clerici, tells the story of Robert Dominici (Michael York) – a piano virtuoso – whose previously dormant Progeria condition (a disease that ages the victim at an accelerated rate) sends him spiralling into an insane thirst for blood.
At first he seeks to hide his condition from those around
him, but soon – as the disease warps his mind – he descends into a
cat-and-mouse game of chase with Police Inspector Datti (a typically skewed
and bewildered performance from Donald Pleasance, well known for his role as
Doctor Loomis in the Halloween franchise), whose obsession at one
point drives him onto the streets to scream out “Where are you, bastard?! I
kill you!” over and over in front of a passing crowd of perturbed Italians.
Click "READ MORE" below for the rest of the review and more screenshots.
Also starring the gorgeous giallo gem Edwige Fenech (under-used
as Robert's lover, and previously seen in the likes of The Strange Vice of
Mrs Wardh, and Strip Nude For Your Killer), and featuring genre
legend Giovanni Lombardo Radice, Phantom of Death boasts a handful of
gore-soaked kills where, in typically Italian fashion, blood never oozes, but
rather explodes in a crimson geyser. That said, it isn't all sex and death –
far from it – as Deodato chooses to focus more keenly on Robert's months-long
suffering at the hands of his terrible affliction. It is a transformation
vividly cast upon the screen thanks to Fabrizio Sforza's make-up, which turns
the Basil Exposition we all know and love (before Austin Powers
rolled around, of course) into a grotesque and decrepit shadow of his
former self.
However, being that the viewer knows quite early on who the
killer is – and indeed why he's killing – there is a noticeable lack of tension
for the most part. On the plus side though, there are a couple of beautiful
sojourns to Vienna, and focusing on Robert's personal tragic story of gradual
decay, makes up for the lack of tension and occasionally sparse moments of
sleaze that you might be expecting more of, initially anyway, from a film
called Phantom of Death.
This was Shameless Screen Entertainment's second release (dating
back to 2007), and as such the restoration of the film – both visually and
aurally – isn't quite up to the same standard as many of their later releases.
That said, an element of grain is always welcome with fare such as this, and
being that the film is presented here fully uncut for the first time on UK
shores, fans of Italian killer thrillers should be served well, even if the
final result isn't quite as exuberant as you might have hoped – but it's
definitely worth checking out.
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