“One Hunter. One Killer.” During the 1970s and
80s it was boom time for Italian cinema, and one of its most popular and
enduring creations was the “giallo” film. “Giallo” means “Yellow”, which was
the colour of the covers for lurid murder mystery paperbacks. A few
cinematic highlights of the genre include: What Have You Done To Solange?,
The Strange Vice of Mrs Wardh, Tenebrae, and The Case of the Bloody Iris. Such was the effectiveness of giallo, they went on to inspire
the slasher film. Come the 1990s however, the giallo movement ground to a halt,
but in recent years there has been a resurgence of the form – the 'neo-giallo'.
Films such as Tulpa, Sonno Profondo, and The Strange Colour of Your Body's Tears have shown that there is still a distinct taste for
killers clad in black leather, gleaming razors, and beautiful victims.
Click “READ MORE” below to continue the review and see more
screenshots…
“I have sinned again.” Also part of this
new-found neo-giallo movement is Yellow – a 26 minute short film from
Future Past Films – which has earned comparisons to Drive (Nicolas
Winding Refn) and the work of Michael Mann. Set amidst the perpetual neon
night-time of Berlin, the film follows a greying man who doggedly prowls the
motorways and office blocks of the city, stalking his target – a leather-clad
killer with a psycho-sexual modus operandi.
“You cannot stop me, you need me.” Doused in
bold shades of red and turquoise, or harsh fluorescent whites, Yellow is
a visually striking piece of filmmaking (cinematography by Jon Britt).
Making effective use of formal framing, Antoni Maiovvi's ominous electronic
score, and some choice locations (an underground complex with orange pillars
is a stand out), Ryan Haysom confidently captures the gorgeous design and
artistry that helped define the genre in the seventies.
“There will be another.” It's not all gleaming
reflections and slow-burn dissolves though, as the film brandishes some remarkably
effective gore set pieces. From a sliced eyeball that references that of the
infamous Un Chien Andalou (1929) to a brutal scissor stabbing, Yellow
balances beauty and brutality. Featuring minimal dialogue, the film (written
by Haysom and Britt) drags us into the loneliness of the city at night – of
the hunter's existence – and refuses to let us go. Crafted with precision and a
genuine love of gialli, fans of the genre would do well to seek out this
delicious treat.
“We are one and the same, hunters in the night.”
The DVD features crisp audio and video (it was shot on a Canon 5DII),
although there is some stutter evident on occasion (such as in the opening
shot that glides overhead the city). Extras wise there is a lobby card,
stills gallery of behind the scenes photos, a range of subtitles, teaser
trailers, and a festival trailer (which is followed by a hidden trailer for Tulpa).
Boasting fantastic cover art by Graham Humphreys, you can purchase the DVD (limited
to 666 copies) or a DVD & VHS combo release (limited to 66 copies)
by visiting www.yellowthemovie.co.uk
– you'll be glad you did.
Update: Also note that "Yellow" appears as an extra feature on Arrow Video's excellent Blu-Ray release of Mario Bava's superb 1964 giallo Blood and Black Lace.
Update: Also note that "Yellow" appears as an extra feature on Arrow Video's excellent Blu-Ray release of Mario Bava's superb 1964 giallo Blood and Black Lace.
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