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“Let's make a hypothesis – two dead girls and a single
killer.” Umberto Lenzi (Eyeball, Oasis of Fear)
traditionally kicks off his films with a quick-firing few minutes to get the
audience's pulse racing, and Seven Blood-Stained Orchids is no
different. A black-gloved killer driving through the night accompanied by
composer Riz Ortolani's laid-back grooves, the ever-present flick knife
gleaming in the moon light, a home invasion, and then the savage bludgeoning of
a prostitute – Lenzi isn't one for hanging around during his opening act.
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