Evil Dead Burn (Sébastien Vanicek, 2026) Review

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“To your perfect family.” Hey kids! What do you want out of an Evil Dead movie? Well, if it's a colour scheme that looks like three-day-old porridge and weighty themes about miserable personal relationships, then you've come to the right place...

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Faces of Death (Daniel Goldhaber, 2026) Review

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“DIY horror is trafficking right now.” How do you resurrect and reinvent a semi-obscure horror franchise that focused on 'real' death and destruction to shock its audience many years before anyone had even heard of something called the World Wide Web and viral videos? In the case of this unexpected 2026 rebirth of the 1978 original, the approach is to make things timely to meet our current world of social media...

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Jason Goes To Hell (Adam Marcus, 1993) Review

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“I don't think so.” What does an audience want from a Friday the 13^th movie? Not too much, for we're not a particularly demanding bunch when it comes to the machete-wielding franchise – Jason Voorhees in his iconic hockey mask hacking up some campers with style and verve will do nicely, thank you: real meat and potatoes stuff. It shouldn't be difficult to not fuck that up, right? … Right?!...

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Silent Night Deadly Night (Mike P. Nelson, 2025) Review

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“Just don't forget who you are and what you do.” One of the most notorious slasher movies of the 1980s, torn from theatres after a fervent protest by concerned mothers, Silent Night Deadly Night (Charles E. Sellier Jr., 1984) nonetheless survived with a sheer bloody mindedness that produced four sequels and not one but two remakes. But how far can you really stretch such a straight forward, but admittedly vivid, concept as a serial killer in a Santa suit?...

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Space Cop (Jay Bauman & Mike Stoklasa, 2016) Review

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“Ugh, he'll be fine. I accidentally set my gun to stun.” Years in-the-making by a band of fan favourite B-movie reviewers from the Internet, sci-fi comedy Space Cop has turned into something of a punching bag by its own creators, but is that a fair assessment?...

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Flavours of the Months: November & December 2025...

A long-awaited return, shredding the streets, and burning rubber are just some of what's been setting the tone of my November/December 2025...

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Deathstalker (Steven Kostanski, 2025) Review

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“I've already eaten all of my good boots.” A cheap-as-chips sword and sorcery franchise that has been dormant since its fourth entry in 1991 has now been resurrected decades later by the director of Psycho Goreman and the rock and roll legend Slash in the form of a movie that begs the question: how many ways are there to destroy a human head?...

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V/H/S/Halloween (Various, 2025) Review

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“Enjoy the spooktacular taste.” In what has now become an annual October outing for the portmanteau horror franchise, V/H/S takes on the subject of Halloween through six tales filled with gruesome gore and frenzied bursts of terror-fuelled chaos. But as a franchise with a reputation for inconsistent quality, can V/H/S/Halloween stand proud like a jumbo-sized chocolate bar or will it fumble the sugar-coated candy ball?...

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Attack of the 60 Foot Centerfolds (Fred Olen Ray, 1995) Review

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“You know, I have a funny feeling that you're not going to find 'giant woman specialist' in the Yellow Pages.” Think Land of the Giants, but in reverse, and with busty glamour models the size of buildings wrestling their way through Hollywood...

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8MM (Joel Schumacher, 1999) Review

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“Not many people have been inside this room.” When a wealthy industrialist dies, his widow discovers a disturbing reel of 8mm film, so she employs a Private Investigator to verify if it's real or fake. Plunged into a downward spiral of depravity, this movie takes the viewer on a Grimm fairytale set during the dying days of the 20^th Century just before the World Wide Web was able to spread unlimited perversions on a grand scale...

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We Are Zombies (RKSS, 2023) Review

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“The magnificent head spinning zombie dude!” The dead are back, rising from the grave; even the living aren't dying any more – but despite expectations, they're not into all that flesh gobbling malarkey … they're just here, getting under everyone's feet, but for how long?...

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The Bikini Car Wash Company (Ed Hansen, 1992) Review

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“Look at the improperness of your attire, young lady!” There's always been a joke about Playboy magazine from the mouths of those caught red-handed with a copy – “I read it for the articles” (and not for the ladies with their jubblies out) – and yet the publication was known for its quality writing on a whole range of subjects, giving many new writers access to a wider audience. Without those articles, though, what do you have left? And that's kind of what The Bikini Car Wash Company is – Playboy without the articles...

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V/H/S/Beyond (Various, 2024) Review

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“That's why everyone likes filming spooky things with VHS cameras.” A few years ago the terror-fuelled streaming service Shudder took over the portmanteau horror franchise V/H/S, one that has always produced mixed results, from soaring heights of inventive and gore-drenched scares to crushing lows of misplaced fumbling for direction. Now onto their fourth entry in the long-running series, does Shudder's alien-themed V/H/S/Beyond deliver the gruesome, gruelling goods?...

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In A Violent Nature (Chris Nash, 2024) Review

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“Animals don't get too hung-up on reason.” Taking the typical story of a slasher movie and inverting the POV to instead focus on the monstrous killer, debut feature writer/director Chris Nash sets out with a bold hook, but can it be sustained over 90 minutes?...

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Mosquito (Gary Jones, 1994) Review

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“My God – this looks like a proboscis!” Your common or garden mozzies have sucked the blood of an alien lifeform that has crashed to earth, and now they've mutated into giant man-killers and they've got a mad thirst on for some juicy human haemoglobin. So who's gonna save the world? A park ranger, a meteor hunter, and a chainsaw-wielding bank robber, that's who!...

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Stone Cold (Craig R. Baxley, 1991) Review

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“Welcome to my slaughterhouse!” There's an out-of-control biker gang menacing the people of Mississippi and there's only one man brave enough to go undercover, the type of man who has not a dog, but a giant lizard for a pet, the sort of burly slab of beef that has no qualms about walking around in an alarmingly skimpy pair of underpants, the very breed of man who straddles a rumbling road hog and states the bleedin' obvious as if it was profound revelation – his name's Huff, Joe Huff!...

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Vice Academy (Rick Sloane, 1989) Review...

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“A Vice cop?! I feel used and violated.” From 1984 through to the end of the decade, six Police Academy movies were released (a seventh came in the mid-90s). What started out as a raunchy comedy quickly turned into a family franchise with cartoonish gags and even broader characters, rendering it practically a parody of itself. And still, along came Vice Academy, a cheap-as-chips combination of sauciness and spoof, in which a gaggle of goofy police trainees – headed up by Scream Queen legend Linnea Quigley (Sorority Babes In The Slimeball Bowl-o-rama) – attempt to make ten arrests to qualify for graduation. First stop, that most hilarious of subjects: an under-age smut operation … wait, what?!...

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Ski School (Damian Lee, 1990) Review...

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“It's not how far you go, it's how go you far.” Atop Whistler mountain it's the annual Spring Pageant Week and control of the ski slopes is up for grabs with the loser to be banished. With square-jawed preppy jocks on one side and the all-American party dudes on the other, it's Animal House in the snow...!

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V/H/S/85 (2023) review...

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The V/H/S portmanteau horror anthology franchise has been a mixed bag from its inception, but this inherently goes with the territory. The first film, from 2012, was a bold but flawed beginning that was clearly one story too long and, most egregiously, suffered from featuring numerous characters who were outright wretched to spend any time with. The 2013 follow-up clocked in at an agreeably brisk 92 minutes, balanced the tone and characters, and explored a nice variety of ideas, styles, and approaches to the set-up. Sadly, 2014's V/H/S/Viral was thoroughly misguided, at times appearing embarrassingly cheap and sloppy, while also featuring mostly uninspiring tales.

Fast forward to 2021 and horror streaming service Shudder co-produced and distributed V/H/S/94, which proved to be a return to form and an impressive doubling-down on the 'vhs style'. It had some weak aspects, but it's strengths outnumbered its weaknesses. Hopes were high, then, for 2022's V/H/S/99, which absolutely dropped the ball. Aside from one segment ("Suicide Bid"), the film was a mess of miss opportunities, half-baked ideas (some of which didn't fit the format or franchise tone whatsoever), aggressive amounts of shaky-cam, and poorly-placed humour.

Nonetheless, V/H/S/99 was a ratings hit, but this was no doubt built more on the achievements of its immediate predecessor that it's own content, as born out by numerous reactions from the audience. Approaching V/H/S/85, therefore, came with some serious concern that the wrong lessons would be learned from V/H/S/99's success. Thankfully, V/H/S/85 feels more in-keeping with the first two entries in the franchise as well as V/H/S/94...

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Murdercise (Angelica De Alba & Paul Ragsdale 2023) Review

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“How's it you kids keep getting yourselves brutally murdered?” Like a throwback to the heyday of the 1980s Scream Queens, Murdercise poses the question – how far should one go to become the cover girl for a cheap and tacky workout video? Is a little bit of killing a step too far, or a fast track to success in Reagan's day-glo lycra-clad America?...

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