Sturgeon Moon (2007) & The Handless Maiden (2007)...

Acting as second cameraman for Silva Productions, these two films were my introduction to putting together documentaries for Arts Council projects.


“Sturgeon Moon” took place in Bridgnorth – all over the town during the day (in the blistering hot summer of 2007), and culminating in a multi-staged performance on the town’s sports field at night. It was an opportunity to employ those ‘shoot from the hip, as it happens’ skills that I acquired on all those videos I made at university, but it was also a robust experience in terms of patience and especially endurance.


“The Handless Maiden” was a Covent Garden Street Opera production (performed by, and aimed at, people with disabilities) at the Trinity College of Music, London. It was a further lesson in working with complete strangers (there’s a big difference between just being around strange people, and having to film and direct complete strangers). Additionally it was a continued lesson in filmmaking endurance – “Sturgeon Moon” was a 20 hour day, and “The Handless Maiden” was an exhausting 21 hours.


Interestingly, with these sort of projects, you have a sense of nervousness and anticipation leading up to the main performance – you’re obsessively going over the little, and even simple, details (batteries, tapes, camera settings, what’s roughly going to happen etc), but when the actual performance gets going time stops existing except for the time code on your camera’s flip-out screen. Everything comes together during the performance, and especially on outdoor shoots, it becomes a case of ‘run and gun’ filmmaking. Responding to everything happening around you every second and having to get a whole range of quality shots – indeed, it’s quite thrilling.

This first video is a little short piece I put together using my own footage from the performance:


Below are two videos about the "Sturgeon Moon" project, as put together by Silva Productions:

Sabrina & the Engineer...

http://www.severnproject.com/home.html

Having helped shoot the Sturgeon Moon project in 2007, I returned to help shoot the new Severn Project performance - Sabrina and the Engineer, taking place in September and October 2008.

Don't try and ask me what the story of S&E is about, because when you're covering it, that's one of the last things you're focussing on - instead you're concerned about the sequence of events, and timing, as well as camera placement and who goes where and when.

On all the Arts Council projects I've covered thus far, there seems to be a bit of a running theme - they're always filming challenges, providing real coverage conundrums to solve, and of course - lots of chaos.

Fortunately the day wasn't as lengthy as some have been before (so no 'up at the literal arse crack of dawn and down plenty after midnight' this time ... which was nice). That said, it wasn't a cake walk either - we got a walkthrough of the events, which I initially struggled to grasp - but then again, it's a bit tricky when you're new to the project (as in, you're not one of the creators), you're new to the location and you're trying to learn choreography and in turn translate it into your own practical choreography...aye, tis complicated.

Throw in a near-last minute change of filming possibilities, a bit of confusion over the timing of certain events, and then another as-you're-in-it change of filming possibilities and you've got a hectic time alright ... oh and my filming position mid-show was interupted by an unexpected cart used in the performance which I wasn't expecting...but it's all part of the fun and chaos of filming such an event.

I don't enjoy the build up, the time spent waiting for it all to get underway, but once it gets going - it's done in a flash. During the performance you're almost fighting your way through, like a safe and artistic-based version of war photography. Things happen around you, you've gotta think fast and act quick and adapt immediately ... all the while being mindful of your white balance settings, your focus, your exposure, your zooming, your framing and your input volume ... among other technical issues.

So aye - chaotic, but during the performance, when it's "go time", that is what I enjoy ... like I said before, the waiting and building tension beforehand isn't something to enjoy but to endure - the actual performance being the prize, and then hopefully after the dust settles you can sit back and enjoy some quality footage as you debrief ... then the weary journey home.

So what stuff was on show? Well, a steam engine leading one procession, another procession with the show's Sabrina on-board a decorated cart meeting the first at the main performance area, live music, fancy lighting, a boat on the river adorned with lights, a bunch of fireworks and then a load of waterjets either side of a woman rigged with hoses up her back and along her arms firing more jets of water (which was actually quite spectacular, very well performed and a joy to film in itself).

All in all it's probably not the sort of thing I'd usually go and see of my own volition ... but is if I was living in a city that did such things, with a group of friends (but I'm not as I certainly can't afford that just yet) ... but that said, while I didn't quite "get" it all, I certainly enjoyed the spectacle of it all and thought everyone did a great job. The audience were certainly all behind it, so that too, in itself, was a pleasure to witness.

The only downside - my back decided to play up throughout the day, and I woke up the morning after with my back a little better, but still a bit 'hung over' and stiff.

20 hour Saturday...

http://www.severnproject.co.uk/events_diary.html

http://www.severnproject.co.uk/press_launch.html

http://www.virtual-shropshire.co.uk/shropshire_news/severn-project.shtml

Well, it was a long old Saturday the 25th of August 2007 for me alright. After a pretty naff near-six-hours-of-kip (I'm one of those people who really needs their sleep), I was up at 6:30am to start getting my brain in gear and my camera kit loaded up, before heading off at 8:30 to arrive in Bridgnorth at around 10am, before hoofing it over to the Quayside to film the Arrival of the River Inspectors and their subsequent "walk about" performances across the town for the next 2 or 3 hours.

Then, after a long & hot wait at Severn Park (the main performance area), it finally rolled around to 8pm, at which point the main portion of the day's events kicked off, with a procession of town's folk and the crazed River Inspectors wheeling the Sturgeon on a gurney towards the field, at which point the main show kicked off. It was all a mad dash to get the filming done, very "run & gun", just grab as many shots as possible, run back and forth, avoid the water fountains that gushed out a few times, grab as many audience shots as possible, captures the performances and the fireworks and so-on.

What on earth was all this I hear you mutter at your monitor? A Shropshire Council street-art "Severn Project" called "Sturgeon Moon", relating to a breed of fish which used to live in the rivers in the area.

Finally, the performance came to an end at 10pm, with an hour of pottering about and checking the footage afterwards, I ended up getting back home at 1am, rather weary that's for sure - but not weary enough to go without watching the last 25 minutes of Back to the Future, which I spotted on ITV2+1 on the freeview box I got for my bedroom - so, off to bed at 2am.

A long day yesterday it was indeed, just a shame I didn't get a good night's kip last night either. I kept waking up for some reason, hopefully tonight I'll regain the sleep I've lost the past couple of nights, hehe.