"Sleb" update...

I've reached the end of the story!

80,301 words.

I edit as I write, so I've essentially completed the story while also sitting at third draft standard. Next up is to go right back to page one and re-read the whole book and tidy up the earlier chapters to help the flow fit-in better with the mid-to-late sections once I had found my groove.

There's a few specific things I want to insert here and there as well, and then there'll be some final tweaks, so it'll be as a fifth or sixth draft once things are done (in addition to the several drafts the story underwent in screenplay form).

Click "READ MORE" below to continue the update...

"Sleb" novelisation update...

A quick update on the progress thus far with my current project - writing a Kindle eBook novelisation of my screenplay "Sleb".

Naturally, switching from one form and style of writing to another was tricky to begin with. Progress was initially slow - or perhaps it was more a case of it feeling that way. I've been able to hit my daily word count target from the get-go, which is pleasing, but at the start it was more of a struggle to get there.

Click "READ MORE" below to see what the current word count is...

"The Racket" (2014)

"The Racket", is an independent documentary short film on which I worked as editor, sound designer, and script consultant.

About the film:
Written to mark the centenary of the First World War, exposes the immense profits made during the war -- a war that claimed 20 million lives yet created 21,000 new millionaires and billionaires, in America alone. Adapted from the speeches and writings of Major General Smedley Butler, the most decorated soldier in US history, The Racket combines Butler's intense respect for the ordinary soldier with critical dissent against the growing corporatism he believed to be corrupting the ideals he'd willingly die to protect.

Watch the trailer:

Currently working on "The Racket"...

Over this dingy, dark, winter period, one of the projects I'm currently working on is editing a new documentary called "The Racket". It's kind of a tie-in to this year's 100th anniversary of the start of World War One, but looking at the conflict - arguably the first war to be fought on an industrial scale - from a financial and political perspective. While good men were fighting on the battlefields, who was enabling (and paying for) this endeavour behind the scenes? "The Racket" explores this topic.

Check out the official website HERE, and watch a portion of the film.

"Brother of Mine" (2013)

"Brother of Mine" is a short dramatic film in which Sean Connell ("Skinner") plays Thomas, a man seeking revenge in the long-running wake of a family tragedy.


Click "READ MORE" below for more information on the film...

The Problem of Evil (2012)

This five-part series of educational films, aimed at 16-18 year old students of theology and religious studies, discusses some of the complex ethical issues surrounding one of the biggest questions: if there is a God, why is there evil in the world? Examining various theodicies linked to the topic, The Problem of Evil has one central evil at the heart of it – to help tie everything together – and that is the Holocaust, represented sensitively-but-honestly with stunning archive film.

 

The main four films (which I shot and edited) provide the in-depth starter knowledge to help inspire and sustain informed and passionate debate within the classroom, while the fifth film (for which I wrote the script and edited) provides an optional brief history of the Holocaust, from the election of Adolf Hitler, through the end of World War II, and beyond to the present day.

 

Editing this series provided some interesting creative challenges (as evidenced in the third video clip below), not only in continuing to produce visually-arresting educational films that didn't resemble the staid affairs I remembered from my own high school days, but also in sensitively dealing with tragic subject matter – most specifically the Holocaust. The main four films all exhibit sequences relating to the subject, but the key was to not push too far with the footage, while maintaining an honest and educational approach to the material.

 

However, we also felt that it was important to provide an optional extra on the DVD – the aforementioned The Holocaust: A Brief History – which fully lays bare the horrors of those events in a truthful manner that avoids audience manipulation. It isn't required viewing in a class room, but teachers have been provided with the choice to show it, or alternatively utilise the script (provided on the DVD with comprehensive teacher's notes).

 

Once again, by working on an educational DVD, a challenge was offered to create strong and interesting visual representations of the complex theological issues and ideas being put forward by the narration. I was able to tweak and improve upon previously used techniques, as well as try out some new ideas across all the films, to keep the presentation fresh and absorbing.

Click “READ MORE” below to watch preview clips of all five films featured in The Problem of Evil, and see what people think of the films themselves...

Obscura (2012)...

This experimental short, about someone who may, or may not be, a Crime Scene Photographer, was inspired in-part by Michelangelo Antonioni's 1966 film Blow-Up, as well as the book Another Way of Telling by John Berger and Jean Mohr.

The main theme of the short is the idea – as proferred by Berger and Mohr – of the clash between the photograph, and the memory of the moment that the photograph resembles, as well as the connection between the camera lens and the human eye.

 

 

The film is pieced together from a variety of disparate fragments of footage and photographs that I have gathered over many years on different formats. In addition to newly shot footage and images, there are pieces of footage originally shot for other projects from years passed by, as well as photographs (and light-sensitive photographs) dating back to 1999. Stylistically the film is a sort of 'visual collage', that combines the new with the re appropriated old, which speaks to further themes of the short – namely the idea of fragmented memory, how a picture is not viewed in the mind's eye as a whole, but rather in individual elements that make up that whole picture. For example – an alleyway is broken down into key images: the height and close proximity of the surrounding buildings which created the alleyway, the old exterior light on one wall, and the tangle of steel and barbed wire atop the locked entrance to the alleyway.

 

 

The idea for the film initially came about when I dug out from a drawer, an old stills camera that belonged to an uncle – a Zeiss Ikon Contina I from the 1950s. I drew intrigue from the classic styling of the device, as well as the mechanical consistency of the lens, shutter, and winding operations, which ultimately fed not only into the editing of this strange little experimental short, but also the underlying ethereal plot.

 

 

View the film embedded below, or directly via my YouTubeChannel HERE.

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Abortion: Ancient & Modern (2011)...

This project (three films between 15 and 20 minutes each) was a chance to further build upon my previous experience with educational DVDs, and what I've done with them in the past. Being on the topic of abortion, which is a difficult thing to represent on-screen, due to its controversial nature but also in terms of a concept - it's incredibly hard to be literal about it (due to a lack of footage, but also not wanting to get exploitative and visceral), so I had to develop a more metaphorical and ambient approach to the visuals.


On previous educational DVDs we used a lot more Public Domain 'Public Information Films' (PIFs), but here it wouldn't have worked, so combining modern day stock footage and photos with more ethereal elements such as water, smoke, and light, in our own established style ("video collage" as I often put it), proved to be a successful way to present the subject - both visually and as a topic of discussion and information for Sixth Form students.


Below are some examples of feedback that we have gained, as well as sample video clips. Visit www.ethicsonline.net for more information about Abortion: Ancient & Modern.

"I congratulate you warmly on this production, well balanced and full of fascinating history. Well worth screening outside classrooms too."
Lord David Steel, Architect of the 1967 Abortion Act

"A brilliant resource. All three films are extremely thought provoking and material is presented in a sensitive manner."
Sarah Hopkins, Religious Studies Subject Leader, Bishop Hedley High School

"These films are of an exceptionally high standard. They are well-researched and ideal for discussion. Highly recommended."
Tina Hollingsworth, Westminster College

"Very insightful and challenging.... really good."
Beth Aston, A Level RS Student

More info and clips for Abortion: Ancient & Modern...

Saunter over this way - to the official Ethics Online website - to see three new clips from Abortion: Ancient & Modern, as well as further information about the films that comprise the DVD. You can also purchase a copy of any of the DVD sets featured on the website.

The first response is in too:
“I congratulate you warmly on this production, well balanced and full of interesting history. Well worth screening outside classrooms too.” - Lord David Steel, Architect of the 1967 Abortion Act

What have I been up to lately?

Editing - that's what. A new educational DVD, this time on the topic of Abortion. It'll be three films, and the first is pretty much done - what I'd call a 'penultimate draft' (so there's just a tiny bit of tinkering left to do, whack on the credits, and do the final render).

And it looks a bit like this ... on the edit timeline anyway.

I'll post some screenshots in due course, but suffice to say I'm quite chuffed with the first film, and what's more it doesn't drag - it moves along at a nice swift pace, and it's never boring to look at - something I'd always aimed to achieve with these educational films we've done, because I remember watching such films when I was in school and they were always so dry, dull and ever-so-earnest in their presentation. What we do, on the other hand, is much more interesting - and we've been told just that by the students themselves (and indeed their teachers).

Sabrina and the Engineer video now online...

You can now view the musical montage of footage I shot during the Bewdley portion of the 2008 live street theatre performance of Sabrina and the Engineer.



http://www.youtube.com/watch?v=J6edixabJgA

Back to the 80s (2010)...

This was a project that was similar in many ways to Hereford's Got Talent (2010). Not only did it also take place the Hereford Courtyard Theatre, but it was also a single camera project - and being single camera, it means you have to be keep as focussed as possible on the camerawork as it's basically going to be two 80 minute takes cut together in the edit.


I've done a few of these sort of demanding shooting gigs now, and they do have their limitations (you are rarely afforded the ideal position from which to film, low light, some audio issues, and you have to treat it like one big take throughout - unless you're working on a two-man-two-camera team), but despite the challenge it is always quite rewarding to do. The only thing that actually bothered me was having to compress the quality of the video to fit onto a DVD - the drop in quality isn't overtly apparent, but was necessary due to the length of the edit, which was 138 minutes!

Back to the 80s was an epic musical set in the American 1980s as performed by the Year 6 pupils of three local primary schools - Year 6 being the final year of primary school; Year 7 being the first year of high school. Like with HGT, the project allowed me to have a good play around when it came to the opening and closing titles, the central conceit being to use various fonts from 80s TV and film (e.g. Blade Runner, Back to the Future, The Terminator, and Teenage Mutant Ninja (Hero) Turtles).


All in all it was a fun (if somewhat limiting) project to do (which came to me at the last minute - on the day of, in fact) and it's a good way to strike a balance between not being overly intrusive into the performance (visually speaking), and maintaining the audible sense of audience participation that those who partook would naturally want to re-experience.

Sabrina & the Engineer - Part 2!

This time it's most definitely personal ... well, sorta ... to my back ... and my left ankle (yeah, this ankle):

http://deadshed.blogspot.com/2007/11/guy-fawkes-in-eye.html

Anyway, I've literally just gotten back home having been out all day in Bridnorth (yeah, this Bridgnorth):

http://deadshed.blogspot.com/2007/08/20-hour-saturday.html

Fortunately it wasn't that early a start, setting off around half-noon ... ish ... as I got stuck behind the slowest tractor on planet earth with a trailer filled with American prison style hard labour boulders.

So off we went and soon enough - back to the field we'd been in over a year beforehand. Unfortunately the weather wasn't as nice ... I say nice, but piercing sun and sweaty heat don't do it for me (but by popular definition, I use the word "nice" to describe last year's weather). Mind you, that was August ... this is October.

The previous week had been a bit chilly during the evening performance, but was calm-aired and clear. This week however it was windy, nippy all day and raining intermittently in varying degrees. A bit of a sit down was in order, but not before checking out the base of operations tent - which was full-on M*A*S*H style ... the movie, not the telly show (to me, cos I've only seen the movie, ha!)

Then a meeting in a rowing club, which was a tad random with these three or four dudes in really comfy-looking seats watching the rugger on the box - then back to camper van HQ for another well-earned sit down, then I remember there being a trip to the burger van nearby (I've never before had a burger from such a van before actually, so that's a first for me) - I had a rather good bacon cheese burger, a quarter-or-so pound of lush.

So, after that exertion it was time for another sit down - with the heating blasting, natch. Time for a chat, on a whole range of topics - from how I think Gordon Brown is a gigantic fucking prat (and indeed his entire party, Mandy included when he's not busy being fired), to the intricacies of censorship and internet porn availability, variety and dodginess to goodness knows what else.

Before I knew it, it was time to suit up and get shifting - which involved putting on my rain cover, an item I bought after the filmmaker's nightmare of a project I did last year where everything just went wrong (surrounding the film, not the film in the end happily), but I'd never had reason to use it until now, hazah! One problem, it isn't half a fuss to get over the camera!

Charging forth into battle was next ... which involved a gasp-inducing clamber up the cliff-face that is Bridgnorth (no doubt what started giving my ankle grief) to begin filming at the church - kids, lanterns and more kids with lanterns - then to the streets with a brass band and a boat load of people - then meandering down through the town grabbing wide shots of the approaching procession - then across the bridge and to the first chunk of the main performance.

Chaos (to an extent) descended, stuff was happening but I wasn't entirely sure what was going on, so I grabbed the shots that I could and hung out in anticipation of the steam engine (which crashed a little bit a few minutes later, nothing serious). Annoyingly I'd forgotten to change my widescreen shooting mode, but rectified that on a new tape (so there'll be some sort of cropping jiggery-pokery to do on the first tape - you always forget one thing, guaranteed).

Onwards we marched, grabbing shots of the procession headed by the steam engine, then to the stage (grabbing our pre-placed, and damp, tripods to get going on the main chunk of the finale). The rather spiffing water woman (who was mirrored by water man later in the performance) returned to wow the audience, then onwards to the show proper - singing, lights, flashes of fireworks, a little boat in a man-made temporary river-pond-lake construction, then water man - and then kaboom, kaplow, whizz, bang, ooh and indeed ahh - fireworks, a spiffing show in itself.

I forgot to mention - the rain came in and out during the performance, which was unfortunate, but my gripe was kneeling on wet, freshly mown grass ... nay, soaking grass with clumps of mown grass scattered around ... regardless, I managed to get some nice shots (this water fountain-cum-projector thingymabob was rather nice for my frame compositions) and then ... the end.

A hobbling stumble back to the burger van and an absolutely heavenly-lush injection of Orange Tango, most definitely what the doctor ordered. A stagger back to the van, a quick debrief, then a weary drive back - and now here I am, still in the same jeans that got all soaked and grassy, still stinking like a dead animal after all the running about, and looking forward to a nice kip ... shame about the stiff back and the bastard ankle, perhaps walking four miles on it after spraining it wasn't a good idea ... but it did make me feel a bit like Rocky when we got to where we were heading.

Maybe next time I hurt myself I'll just flop onto the floor and refuse to move until the best care on offer on the planet is delivered immediately, with a free DVD of something awesome is thrown in ... dancing ladies chanting my name optional, ha!

So ends another hectic, yet ultimately rewarding, filming experience.

Sabrina & the Engineer...

http://www.severnproject.com/home.html

Having helped shoot the Sturgeon Moon project in 2007, I returned to help shoot the new Severn Project performance - Sabrina and the Engineer, taking place in September and October 2008.

Don't try and ask me what the story of S&E is about, because when you're covering it, that's one of the last things you're focussing on - instead you're concerned about the sequence of events, and timing, as well as camera placement and who goes where and when.

On all the Arts Council projects I've covered thus far, there seems to be a bit of a running theme - they're always filming challenges, providing real coverage conundrums to solve, and of course - lots of chaos.

Fortunately the day wasn't as lengthy as some have been before (so no 'up at the literal arse crack of dawn and down plenty after midnight' this time ... which was nice). That said, it wasn't a cake walk either - we got a walkthrough of the events, which I initially struggled to grasp - but then again, it's a bit tricky when you're new to the project (as in, you're not one of the creators), you're new to the location and you're trying to learn choreography and in turn translate it into your own practical choreography...aye, tis complicated.

Throw in a near-last minute change of filming possibilities, a bit of confusion over the timing of certain events, and then another as-you're-in-it change of filming possibilities and you've got a hectic time alright ... oh and my filming position mid-show was interupted by an unexpected cart used in the performance which I wasn't expecting...but it's all part of the fun and chaos of filming such an event.

I don't enjoy the build up, the time spent waiting for it all to get underway, but once it gets going - it's done in a flash. During the performance you're almost fighting your way through, like a safe and artistic-based version of war photography. Things happen around you, you've gotta think fast and act quick and adapt immediately ... all the while being mindful of your white balance settings, your focus, your exposure, your zooming, your framing and your input volume ... among other technical issues.

So aye - chaotic, but during the performance, when it's "go time", that is what I enjoy ... like I said before, the waiting and building tension beforehand isn't something to enjoy but to endure - the actual performance being the prize, and then hopefully after the dust settles you can sit back and enjoy some quality footage as you debrief ... then the weary journey home.

So what stuff was on show? Well, a steam engine leading one procession, another procession with the show's Sabrina on-board a decorated cart meeting the first at the main performance area, live music, fancy lighting, a boat on the river adorned with lights, a bunch of fireworks and then a load of waterjets either side of a woman rigged with hoses up her back and along her arms firing more jets of water (which was actually quite spectacular, very well performed and a joy to film in itself).

All in all it's probably not the sort of thing I'd usually go and see of my own volition ... but is if I was living in a city that did such things, with a group of friends (but I'm not as I certainly can't afford that just yet) ... but that said, while I didn't quite "get" it all, I certainly enjoyed the spectacle of it all and thought everyone did a great job. The audience were certainly all behind it, so that too, in itself, was a pleasure to witness.

The only downside - my back decided to play up throughout the day, and I woke up the morning after with my back a little better, but still a bit 'hung over' and stiff.

Signing Off - now online!!

View now on YouTube!

Yes indeedy, my new zombie-themed short is now online and ready to view on YouTube. It's 9 minutes in length and features Sean Connell, brother of DeadShed regular Ben.

"The United Kingdom has been ravaged by a viral infection that brings the dead back from the grave. Eventually all that remained was the West Midlands Refugee Camp #3 ... then it too fell, and then Mason Wood was the last man alive in the country."

Enjoy!

http://uk.youtube.com/watch?v=6stcWXqU8fg

Continuing Contempt, and you know, stuff...

Just got back from filming a couple of insert shots for "Contempt of Conscience", we're just filling the odd little gaps, or rough spots. The film should be done sometime soon, when it's done I'll post up more information. Further projects to follow soon.

Obviously, this meant a jaunt off to Hereford, so it was a chance to test out my ankle, which is feeling better but still a bit swollen and a little iffy. 50 miles of clutching and a quick nip into GameStation for "Splinter Cell Double Agent" and "Tony Hawk's Project 8" on 2-for-£20, which is pretty darn good.

And having just watching the season 19 Simpson's Halloween episode, what the hell does Mr & Mrs Smith have to do with Halloween? It's supposed to be horror, sci-fi and maybe fantasy - not action movies. The last few Halloween specials have been a bit lame or really lame because of such things, but then again you can't compete with the one where Bart & Lisa raised the dead...season 4 if memory serves, it was the third Halloween special anyway.

20 hour Saturday...

http://www.severnproject.co.uk/events_diary.html

http://www.severnproject.co.uk/press_launch.html

http://www.virtual-shropshire.co.uk/shropshire_news/severn-project.shtml

Well, it was a long old Saturday the 25th of August 2007 for me alright. After a pretty naff near-six-hours-of-kip (I'm one of those people who really needs their sleep), I was up at 6:30am to start getting my brain in gear and my camera kit loaded up, before heading off at 8:30 to arrive in Bridgnorth at around 10am, before hoofing it over to the Quayside to film the Arrival of the River Inspectors and their subsequent "walk about" performances across the town for the next 2 or 3 hours.

Then, after a long & hot wait at Severn Park (the main performance area), it finally rolled around to 8pm, at which point the main portion of the day's events kicked off, with a procession of town's folk and the crazed River Inspectors wheeling the Sturgeon on a gurney towards the field, at which point the main show kicked off. It was all a mad dash to get the filming done, very "run & gun", just grab as many shots as possible, run back and forth, avoid the water fountains that gushed out a few times, grab as many audience shots as possible, captures the performances and the fireworks and so-on.

What on earth was all this I hear you mutter at your monitor? A Shropshire Council street-art "Severn Project" called "Sturgeon Moon", relating to a breed of fish which used to live in the rivers in the area.

Finally, the performance came to an end at 10pm, with an hour of pottering about and checking the footage afterwards, I ended up getting back home at 1am, rather weary that's for sure - but not weary enough to go without watching the last 25 minutes of Back to the Future, which I spotted on ITV2+1 on the freeview box I got for my bedroom - so, off to bed at 2am.

A long day yesterday it was indeed, just a shame I didn't get a good night's kip last night either. I kept waking up for some reason, hopefully tonight I'll regain the sleep I've lost the past couple of nights, hehe.