Showing posts with label LA. Show all posts
Showing posts with label LA. Show all posts

Sunday, 25 March 2018

FWOAN's first festival...

The film festival journey of "For Want Of A Nail" has begun! Our first acceptance has been for the Los Angeles REEL Recovery Film Festival. The organisers described the film as "an honest and touching portrayal of someone living with the effects of OCD."

The festival specialises in showcasing "filmmakers who make honest films about addiction, alcoholism, behavioral disorders, treatment and recovery." 2018 will mark the 10th anniversary of the festival.


You can find more information about the festival at their website HERE.

Tuesday, 15 October 2013

The Hollywood Strangler Meets The Skid Row Slasher (Wolfgang Schmidt, 1979) Review


Find more film reviews here.


Wolfgang Schmidt is actually a pseudonym for Ray Dennis Steckler, who is best known for his 1963 movie “The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies”. Steckler had numerous aliases which included Sven Christian – credited here in a dual-role of Cinematographer and Editor – and was well known for working on an extremely low budget (sometimes just a few thousand dollars).


If you're into ultra low budget, down-and-dirty slasher flicks, then you've come to the right place.

Click “READ MORE” below to continue the review and see more screenshots...

Tuesday, 8 July 2008

LA Takedown...

Indeed, the TV movie practice session for Mann's 1995 triumph Heat. What's it like then? Pretty crap to be fair, the plot feels undercooked (as does the script), heck it outright takes massive leaps and bounds in the overall story arc. It feels cheap, it's lacking coverage, the performances are mostly over-the-top or even wooden ... it just feels relentlessly cheap and half-done pretty much.

But then again, maybe it was a totally necessary practice in order to achieve the sheer brilliance of Heat, the proper full-on film version (not made for TV at all, of course) which continues to blow socks off to this day - indeed, Kane & Lynch as well as GTA IV have both recently riffed on Heat's famous bank heist sequence.

At times, yes, you can see Mann's talent seeping through in some of the shots and some of the dialogue, but like I've said, it smacks of lacking, mainly in the resource department.

When you've already seen Heat, it's damn hard to sit through LA Takedown without glancing at the clock a few times. Perhaps my thoughts are overly harsh, and yeah there are some redeeming qualities to it ... but to be honest, it is pretty naff now.