Captain America: Civil War - Marvel Goes DC?

What's it about?
Following on from the events of Captain America: The Winter Soldier, and Avengers: Age of Ultron, our gang of superheroes find themselves set against each other as 117 countries propose The Sokovia Accords to bring The Avengers under United Nations control as a result of civilian deaths and collateral damage in recent battles. Iron Man, riven with guilt, wants to sign up ... Captain America, suspicious of organised oversight in the wake of Hydra's infiltration of S.H.I.E.L.D., wants to remain free to protect and serve. Which side will the rest of them choose?
Who would I recognise in it?
Chris Evans, Robert Downey Jr, Scarlett Johansson, Sebastian Stan, Anthony Mackie, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Daniel Bruhl, Paul Rudd, Emily Vancamp, Tom Holland, Frank Grillo, William Hurt, and more.
Great/Good/Alright/Shite?
The Marvel Cinematic Universe has been hugely successful with critics and audiences alike, coining in the cash with gleeful abandon. They're bright, sparky, immensely fun, and the ever-widening world in which they take place is ripe with stories to tell. However, for all their successes, the Marvel movies have sometimes hewn close to pantomime villains and playing it safe with key characters. The third Captain America film, though, takes the moral greys and millennial murkiness of The Winter Soldier to new depths...

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Flavours of the Month: August 2016...

West Country slackers, brooding heroes, a coven of witches, and a Gonzo journalist - just some of what has been setting the tone of my August 2016...

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Batman v Superman: Critic's Whipping Boy...

First of all: I have not seen the theatrical cut of Zack Snyder's latest smash-em-up blockbusting extravaganza – my first exposure to Batman v Superman: Dawn of Justice has been in the 'Ultimate Edition' extended cut, which adds 30 minutes of footage not found in the original version seen in cinemas.

My first impression of the movie, however, was the stunning critical backlash it received. The sheer hatred it drew from film critics seemed to step beyond the parameters of reasonableness after a while. Indeed, the lambasting that Suicide Squad has received from critics feels like more of the same – a 'media narrative' with clickbait intentions. Considering the mess that was Green Lantern, and the excessive destruction of Man of Steel, some of the criticism aimed DC's way has been justifiably earned – but to this degree? It's ridiculous – but a sensible middle-ground opinion doesn't yell “DRAMA!” nor does it suck in curious surfers of the web. As much as we know that article titles featuring phrases like “and people can't handle it” or “what they look like now is unbelievable” are nothing short of completely asinine, the curious cat inside us all still itches and our index fingers click those links.

The truth of Batman v Superman, though, is that it absolutely does not deserve the blood-soaked drubbing it has received. The 'too long, didn't read' answer to “Was Batman v Superman unjustly savaged?” is YES. But that is not to say Snyder's heavyweight effort isn't flawed – because it most definitely is.

But let's not fart around any longer and get stuck in...

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Suicide Squad (David Ayer, 2016) - a level-headed review...

What's it about?
Following on from the events of Batman V Superman: Dawn of Justice, the government approves a plan to weaponise a rogues gallery of villains and meta-humans to provide a counterstrike to powerful potential enemies. Kept in-line by explosive implants injected into their necks, the ragtag bunch of bad guys take on the badder bad guys in David Ayer's (Fury, End of Watch) riposte to Guardians of the Galaxy and Marvel's propensity for goody-two-shoes.
Who would I recognise in it?
Will Smith, Margot Robbie, Jared Leto, Joel Kinnaman, Ben Affleck, Cara Delevingne, Jai Coutney, Jay Hernandez, Viola Davis, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood, and more.

Great/Good/Alright/Shite?
Let's get something dealt with right off the bat, shall we? The backlash from professional critics (a loose term, so it seems, from a scan of Rotten Tomatoes) has been negative to the nth degree. Overblown would be one way to put it, asinine would be another, desperate for clicks and web traffic and attention would be yet another. Frankly, the whole charade - started with the film crit armageddon that faced Batman V Superman - draws film criticism into disrepute. Each snarky thumbs down seems to be trying to say something more preposterously over-the-top than what came before, rather than tackling the film in a fair and sensible manner. Some of the sheer and unbridled hatred that has been levelled at Suicide Squad is nothing short of downright silly, and completely clouds legitimate critiques (observations that might prove useful to Warner Bros, David Ayer, et al in the future) and makes the whole thing look like an utter farce...

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Batman v Superman's Extended Version: More Movie Rating Madness...

The sales people will no doubt be out there nudging various superhero movie fans in the side - winking up a storm and mumbling a range of suggestive sounds - at the thought of an 'R-Rated' Batman v Superman: Dawn of Justice ... but, as director Zack Snyder has stated several times, unlike Deadpool, there will be no geysers or gore and flashes of flesh. And with word of just a standard issue single 'F-word', it leads to an interesting issue of America's rating system - doled out by the not-so-user-friendly Motion Picture Association of America (check out "This Film Is Not Yet Rated" for more on that).

BvS is getting an extended 'ultimate edition' director's cut - much like Watchmen did - which likewise pushes the running time over three hours. The theatrical version was rated PG-13 in America (for "intense sequences of violence and action throughout, and some sensuality") - and 12A here in the United Kingdom by the now far more open British Board of Film Classification. However, the extended version nabbed itself an R-Rating from the MPAA (no-one under 17) - simply due to added 'intensity' from some extended violence which 'tips the scale', according to Snyder.

Want to know what the extended director's cut was rated in the UK? Does a jump from PG-13 to R in America mean a leap from 12A to 15, or even 18, in Blighty?

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"Deadpool" in (belated) review - will Hollywood learn the right lesson?

What's it about?
The saucy-tongued, fourth-wall-breaking, pain-in-the-arse to the goody two shoes of the Marvel universe - finally - comes to the screen in a faithful adaptation. Wade Wilson is a goon for hire - the 'Merc with the Mouth' - but his world all goes a bit wobbly once he finds love, only to have his bright future torn away by a terminal cancer diagnosis. Undergoing procedures to bring forth mutant DNA in his blood in order to cure his cancer, he's gifted extraordinary healing powers but becomes horribly scarred in the process. Now he's sworn revenge against his maker.
Who would I recognise in it?
Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano.
Great/Good/Alright/Shite?
There's little to say about the quality of the film that hasn't already been said. Deadpool is a big slab of blood-spewing, bullet-spraying, sword-slicing, tongue-lashing awesomeness. Sure, the revenge plot is straight-forward and not what you'd consider remarkable (Ajax, the villain, sufficiently detestable as he is, rarely feels close to out-right besting Deadpool), but it does provide the structure on which to hang the real draw here - Ryan Reynolds as the snarky, goofy, and ever-so-violent Deadpool. Considering it was written by Rhett Reese and Paul Wernick, who were behind Zombieland, you can hazard a guess at what delights are in store.

The film's key strengths, riding roughshod over its few weaknesses, are its sense of fun and franchise anarchy. Deadpool is a razor sharp pin prick into the increasingly bloated and serious-minded superhero movie mindset...

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