What's it about?
The saucy-tongued, fourth-wall-breaking, pain-in-the-arse to the goody two shoes of the Marvel universe - finally - comes to the screen in a faithful adaptation. Wade Wilson is a goon for hire - the 'Merc with the Mouth' - but his world all goes a bit wobbly once he finds love, only to have his bright future torn away by a terminal cancer diagnosis. Undergoing procedures to bring forth mutant DNA in his blood in order to cure his cancer, he's gifted extraordinary healing powers but becomes horribly scarred in the process. Now he's sworn revenge against his maker.
Who would I recognise in it?
Ryan Reynolds, Morena Baccarin, Ed Skrein, T.J. Miller, Gina Carano.
Great/Good/Alright/Shite?
There's little to say about the quality of the film that hasn't already been said. Deadpool is a big slab of blood-spewing, bullet-spraying, sword-slicing, tongue-lashing awesomeness. Sure, the revenge plot is straight-forward and not what you'd consider remarkable (Ajax, the villain, sufficiently detestable as he is, rarely feels close to out-right besting Deadpool), but it does provide the structure on which to hang the real draw here - Ryan Reynolds as the snarky, goofy, and ever-so-violent Deadpool. Considering it was written by Rhett Reese and Paul Wernick, who were behind Zombieland, you can hazard a guess at what delights are in store.
The film's key strengths, riding roughshod over its few weaknesses, are its sense of fun and franchise anarchy. Deadpool is a razor sharp pin prick into the increasingly bloated and serious-minded superhero movie mindset...
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