There's inevitably a delay in seeing some movies, particularly when it comes to Awards Season (as such I was months late in seeing The King's Speech, and only just over the Christmas season have I caught up on Black Swan). Plus you might not always be able to get to the cinema - indeed there was a huge gap in my cinema-going after the forgettable Columbiana in the first half of September, that was only plugged in the last days of the year with the excellent Mission Impossible: Ghost Protocol.
Part of me decided that, in these more restrained times, I'd only go and see films I was much more certain would be worth the trip and the ever-increasing ticket costs ... but then there are other films that you are certain you'll be buying on DVD or Blu-Ray. Kevin Smith's Red State is a must-buy for me, so rather than spend several quid seeing it in the cinema (it was barely on the screens as it was) I can put that cash towards the home video release (which, now that I mention it, is in January). Also coming out in January will be Drive - another flick I'm rather switched-on by, so there's two examples of September 2011 releases that I won't see until January 2012.
Enough of that though - what flicks (that I actually saw in the cinema) tickled my fancy in 2011? In chronological order, my Top Ten of 2011 are:
1) The Fighter - Mark Wahlberg's restrained boxer is the perfect balance to Christian Bale's far-out, wide-eyed, character-of-characters in this true-life tale of a working class boxer rising to great heights before the chance slips through his fingers entirely. If it was between this and Rocky, I'd pick Rocky, but The Fighter is well worth seeing.
2) True Grit - the Coen Brothers give us a fresh telling of the source novel. Typically classy Direction, beautifully photographed, and brilliantly performed. An absolute must-watch.
3) Paul - Simon Pegg, Nick Frost, Kristen Wiig, a pot-smoking alien-on-the-run, and a whole host of modern comedy legends make Greg Mottola's fanboyishly fun sci-fi-action-road-movie-comedy a total blast.
4) Fast Five - surprisingly bloody good fun. I might even go so far as to say it's the best of the series. Big in every way, the action is thunderously entertaining, the vehicle sequences thrilling, and it was just such a fun ride. A little heart, a little humour, and Justin Lin's assured ability at crafting memorable action set pieces make this a damned good time.
5) X-Men: First Class - exhibiting smarts to equal its brawn, even underwhelming side characters can't affect the fascinating central battle between good and evil that birthed the Xavier/Magneto war of conflicting ideologies. Sweeping aside the action-heavy but ever-so-dimly-written-and-directed Last Stand, Matthew Vaugh's comic book fest proved to be the highlight of a heavy crop of comic book movies this year.
6) Captain America - putting characterisation ahead of blowing shit up, Joe Johnston's comic book adaptation proved to be a thoroughly entertaining ride that actually bothered to ascribe meaning to all the spectacle.
7) Hobo With A Shotgun - without a doubt my number one film of 2011. Jason Eisener's grindhouse throw-back is gleefully gruesome, utterly barmy, and lovingly crafted with a truly independent spirit and method. Rutger Hauer brings heart and even pathos to the titular avenging street-dweller, while everyone else brings grue, guns, and gurningly over-the-top performances. It was my most anticipated movie of the year, and the Blu-Ray release didn't let me down at all - bloody brilliant.
8) Rise of the Planet of the Apes - mixing smarts with blockbuster budgets seems to be becoming a common theme nowadays, and hip-hip-hooray for that. After last year's underwritten Iron Man 2, and three ever-diminishing and ever-dumber Transformers movies, the balance has been countered with films such as this. Trading on themes ever-present in the struggle for equal rights, the spectacular visuals were coupled with a meaningful script.
9) Super 8 - nostalgia, scope, heart, and thrills galore combined to form a nigh-on perfect sci-fi that harked back to the glory days of Steven Spielberg's milestone works such as E.T. and Close Encounters of the Third Kind. J.J. Abrams did a stellar job. The central child cast pull you in and feel real, joy isn't without pain or loss, and the jaw-dropping train crash compliments an accomplished sense of pacing.
10) Mission Impossible: Ghost Protocol - deftly scripted and directed, nail-shreddingly tense action from Brad Bird as he makes his live-action debut. Mixing thrills with chuckles in all the right places, this is one of the best action thrillers I've seen in a long time.
The Technically-In, Technically-Out Mention (because I saw it on January 3rd 2012):
The Girl With The Dragon Tattoo (2011) - side-stepping the 'perfunctory pit' that so many English-language remakes fall into (Let Me In, please step forward), David Fincher brings his uniquely gifted talent to explore the ever-more-popular international phenomena that is the opening part of the 'Millennium Trilogy'. Fincher brings his remarkable sense of poise and precision to material that's already familiar to millions globally, but still manages to match the original Swedish film punch-for-punch.
Honourable Mentions:
Source Code - certain plot holes aside, Duncan Jones' follow-up to last year's impeccable Moon, is a breezy bit of sci-fi action that may sometimes stumble with logic, but nevertheless puts ideas ahead of fireballs.
Scream 4 - this third sequel rocked up a decade after the dreadful Scream 3 and actually had a little something to say. Most of the wit of the original had returned, and there were even a few good tricks pulled out of the bag. Perhaps it struck home more with those of a nostalgic disposition such as myself: I discovered the original flick during my formative years - initially loving it, then resenting it due to the torrent of tripe cash-ins that it unleashed, only to fall back in-love with it all over again after the horror genre regained its balls in the early 2000's.
The Inbetweeners Movie - the little Brit-flick that could. More like a long episode that doesn't always fire on all cylinders, but for any fan of the cringe-inducingly-good show on E4 must have been happy with this. If you're in-on-the-whole-thing it's great fun, but if you're decidedly on-the-outside-looking-in, you might think otherwise. Personally I'm on the inside having a great old time.
Do note that I usually come to less-mainstream fare after their release year, either through Sky Movies, Film4, the Horror Channel, or DVD/Blu-Ray.
Showing posts with label fast five. Show all posts
Showing posts with label fast five. Show all posts
Wednesday, 4 January 2012
Favourite Films of 2011 (that I've seen):
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Thursday, 29 September 2011
Flavours of the Month: September 2011...
LOOKS:
The A-Team (Blu-Ray) - still rather good fun. After a year or more of thinking the movie would suck, when I actually got to see it in the cinema last year I had a really good time, and it still is a good time. I'm not sure whether they will or not, but I would welcome a sequel.
Fast Five (Blu-Ray) - I never bothered with the second or third movie in the franchise (I saw clips and didn't like what I saw), and I found the fourth movie to be a bit underwhelming, but this fourth sequel was a bloody great time at the movies, and it continues to be so on home video (although goodness knows what the additional one minute of content is). Blisteringly enjoyable big-scale mainstream action.
Dangerous Roads (BBC2) - three episodes, three pairings of household British names (comedians and adventurers), and three distinctly treacherous journeys. In the absence of a new Boorman/McGregor adventure, this satiates the appetite a bit.
Carnivale - I missed this curious-and-rather-good show the first time around, but thanks to Sky Atlantic I've been catching up, and this month saw the first season draw to a close ... and what a closer it was! Cliffhanger central, so it was, with shocking twists galore edited together incredibly effectively to Hans Zimmer's "Journey to the Line".
Fresh Meat - a new comedy created by the blokes who gave us Peep Show, detailing the off-campus lifestyle of a bunch of first year uni students. I'm quite enjoying it, and not just because it's giving me flashbacks of my own time living off campus - mind you, our gaff was far smaller and decidedly more of a health hazard (bed bugs, persistent mold, and a bathroom that was cleaned so few times in two years that you could count them on one hand ... at the time we didn't seem to mind, yet the further from it I get, the more disgusting it appears). Although, the second episode was a step-down - some plots have been dived into all-too-quickly, and some characters are feeling a tad one-note - but hopefully it's just an early wobble from which the show will recover.
SOUNDS:
AL-P "The A-Team Theme (AL-P MSTRKRFT Remix)" - as heard on the Blu-Ray menu for 2010 The A-Team movie.
M83 "Midnight City (Big Black Delta Remix)" - October will see the long-awaited release of M83's new double-album, and in advance there's a few remixes of the first single doing the rounds.
Stelvio Cipriani "La Politzia Sta A Guardare" - as featured (briefly) in Quentin Tarantino's Death Proof, I re-discovered it playing during the trailer for the Italian giallo flick What Have They Done To Your Daughters?
HIM "Deep Shadows & Brilliant Highlights" - this is the band's third album, and it takes me right back to the wintry beginnings of 2003, listening to this and their second album (Razorblade Romance) after getting back from late afternoon screenings when it was pitch black and raining outside. Some albums transport you back to very specific times in your life, and this is one such album.
Hans Zimmer "Journey To The Line" - as mentioned above regarding the season one finale of Carnivale, this haunting piece of music was created for Terrence Malick's poetic The Thin Red Line.
VIBES & FLAVOURS:
The 10th Anniversary of 9/11 - what is there to say? The event that defined the decade (and no doubt will define the century) was a shocking assault on all of mankind whether witnessing it first hand, or through the chilling footage streaming live around the world. When the event itself was unfolding I was in the final year of the Sixth Form and one of the girls from our year said, somewhat curiously, that "a plane has crashed into the World Trade Center" - naturally we all thought of the time a small plane crashed into the Empire State Building, but by the time we all got home and saw the endlessly repeating footage we realised this was something totally and horrifically different. With each passing year - and with more and more fascinating (yet terrifying) documentaries about that day - it becomes a little easier to process, while at the same time continuing to be an inconceivable horror.
GTA IV: The Ballad of Gay Tony - returning to the second DLC for Rockstar's smash hit sandboxer, and having got used to the tweaked controls featured in Red Dead Redemption, I found the controls and cover system to be at best fiddly and at worst utterly incapable (driving is something to merely get the hang of, but the cover system is awfully clunky here - however, thankfully, it was mostly improved in Red Dead Redemption). That said, I've had a ridiculous number of hours out of GTA IV (despite its faults) and I am very much looking forward to the next entry.
"Crystal Lake Memories: The Complete History of Friday the 13th" by Peter M. Bracke - I was given this last year but only got around to reading about the first two movies in the franchise before I found myself with a stack of books (as Christmas gifts) to wade through - however I returned to Bracke's vastly informative tome and it has been a stonking good read. At the time of writing I'm up to Jason X.
Allen Bridge - after a bit of a hiatus, in which I sought feedback from a select few readers, I have returned to my drama/mystery script. I've plotted a list of additions and tweaks that I want to make, but I can see that where I am currently at - heading into Draft 2.1 - is the point at which I would have arrived at last year by Draft 3.2, so I feel quite confident in that I'm learning an awful lot. Indeed I've been putting as much care and attention into this script as I possibly can. Like I've said before, I am determined to make this one count!
Homefront - there's a shed load of games coming out over the next few months that will go onto my 'to do' list, not that I'll get to many of them anytime soon if at all, but this B-Grade shooter (from the writer of Red Dawn and Apocalypse Now) isn't too bad. It's definitely not in the same league as a Call of Duty, for instance, but it presents an intriguing and scarily almost-possible bleak future where America becomes a nation occupied by a united Korea. At times it is hauntingly dark (mass graves at baseball fields, a child's parents gunned down in front of them, white phosphorous melting enemies alive, etc) and despite a number of flaws (such as a stupidly short campaign, weak protagonists, and an occasionally rough finish) it's worth a play.
Dick Figures, and ASDFmovie - these two online animated series are well worth checking out. The former has so far racked up 19 mini episodes (from the same company that gave us Happy Tree Friends), and the latter is a wonderfully silly and inventive series of mini-sketches that have - for one thing - birthed a ridiculously catchy song called "I LIKE TRAINS".
Gears of War 2 - in preparation for the third entry in the monstrously successful Xbox360 exclusive franchise, I've returned for another bash through this first sequel which was without a doubt decidedly superior to the solid first game.
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