None of my mates wanted to see this in the cinema over a year ago, which was a bit of a bugger, and then the double disc DVD was only released in America (and cost-prohibitive to import), which was even more of a bugger ... so that meant I've ended up waiting until it appeared on Sky Movies this week to give it a looksee.
Upon first hearing the basic concept, and that it was being directed by David Fincher (and starring his acting collaborator Brad Pitt), I was sold and greatly looking forward to it.
The opening twenty minutes was a bit sketchy though, I have to say, with the 85 year old Benjamin as a baby playing more disturbing than intriguing, but this soon settles as we really begin to recognise Pitt behind all the CGI trickery (which, for the most part, is excellent). I also thought the present day moments, taking place just prior to Hurricane Katrina striking New Orleans, were definite dips in the flow of the movie. I felt drawn out of the story at these moments, but then again without these moments the narration would sit uncomfortably without its contextual grounding.
Pitt, having already wowed me in 2007's sodding brilliant The Assassination of Jesse James, wows me again with a performance that charts the development of the titular character who ages backwards with intelligence, humour and grace.
Having initially found it a little hard to get into, with those bumpy opening twenty minutes or so, I soon found myself getting entirely caught up in the life story of this intriguing character. I'm pleased to say that Fincher continues to excell at this directing business, and has managed to direct Pitt towards one of his very best performances.
Quirky, warm-hearted, and with an ambient pace, The Curious Case of Benjamin Button is a real treat. It may have a few bum notes here and there, but ultimately the film is a definite must-see.
Showing posts with label fincher. Show all posts
Showing posts with label fincher. Show all posts
Monday, 15 February 2010
Friday, 17 April 2009
The Game...
It's a rare thing to be able to watch a movie without knowing practically anything about it - but The Game is pretty much one of those movies for me - and for some reason, until just recently, it was the only David Fincher film I'd not seen ... ... well, out of those available on DVD anyway (providing I can find a good price for the special edition R1 release, I'll be hopping on the Benjamin Button wagon sometime soon - if only this useless gubment would hurry up and increase the import limit, because quite frankly, 18 quid - including shipping cost - is fucking stingy).
Anyway, where was I? Ah yes - I'd not seen it for some reason, and had been able to avoid any spoilers (and considering the plot, it's a film that could be easily ruined by spoilers), and knew barely anything about it.
I knew it was David Fincher's work (reason enough alone to see it), I knew it had Michael Douglas in the lead, and I knew it was about his rich guy protagonist getting involved in some kind of "game" that went tits up ... it's about the least you can know about a film before seeing it in this day-and-age really isn't it?
What did I make of it? Fucking great is what it is, a superb thriller with a spiffy final act full of twists, turns and everything inbetween. It's also interesting to see as it really does feel like "the film between Se7en and Fight Club" (the two 'if you liked' titles on the cover in fact). It's yet another film that marks out Fincher as an ex-music-video-director who really is of vast merit.
Alien3 isn't as bad as you remember it, although as a sequel to Aliens, it sucks - but Fincher's original vision, which is mostly provided on the double disc DVD's "assembly cut" is far superior in all respects to the theatrical version (well, it's not as polished of course, but other than that - simply better).
Se7en is an astonishingly good thriller - heck, it's practically a horror movie - intense visual style, a horrifying and gripping story, two enthralling lead performances, and a film which STILL freaks me out to this day ... and it's just so unrelentingly DARK - brilliant.
The Game - now that I've finally seen it, I can definitely say it rocks. I've not been this gripped by a movie in a long while alright ... in fact, one of the more recent times being gripped to such a degree by a film was with Fincher's Zodiac ... a fantastic slice of thriller action.
Fight Club - one of my absolute all-time favourites, and a film (and book ... and author) which has had a deep impact with me (and indeed many males in the 16-35 bracket). Again, the visuals are astonishing, the black so deep and harsh, the adapatation masterful, the pacing spot-on, the performances gripping ... etc etc etc. Much love indeed.
Panic Room - plot wise, it's probably Fincher's weakest film in his catalogue - but as far as home invasion/heist thrillers go - it's expertly and efficiently handled, but it's the technical aspects that (for me at least) really steal the show. The exhaustive 3-disc special edition DVD in itself is a masterwork of information - the technical wizardry involved in the making of the film is amazing, put simply.
Zodiac - back on top form - Fincher's intense attention to detail is abundantly clear throughout, the performances are awe-inspiring, the look and feel is stunning ... basically, it's another one of my top fifty of all time.
The Curious Case of Benjamin Button - the only Fincher film I've NOT seen ... ... YET ... it's not the sort of film I'd generally go to see in the cinema, as it's not exactly "lads night out" material, but it's a definite DVD purchase without a doubt. As soon as I heard about the plot, I was intrigued - and the more I heard about it, the more intrigued I got, and I certainly look forward to the DVD release (Se7en, Fight Club, Panic Room and Zodiac have all boasted fantastic DVD packages).
Anyway - The Game - thoroughly great. I can't surmise it any better, so why ramble any further - it's testament to the fact that David Fincher is a consistently superb filmmaker.
Anyway, where was I? Ah yes - I'd not seen it for some reason, and had been able to avoid any spoilers (and considering the plot, it's a film that could be easily ruined by spoilers), and knew barely anything about it.
I knew it was David Fincher's work (reason enough alone to see it), I knew it had Michael Douglas in the lead, and I knew it was about his rich guy protagonist getting involved in some kind of "game" that went tits up ... it's about the least you can know about a film before seeing it in this day-and-age really isn't it?
What did I make of it? Fucking great is what it is, a superb thriller with a spiffy final act full of twists, turns and everything inbetween. It's also interesting to see as it really does feel like "the film between Se7en and Fight Club" (the two 'if you liked' titles on the cover in fact). It's yet another film that marks out Fincher as an ex-music-video-director who really is of vast merit.
Alien3 isn't as bad as you remember it, although as a sequel to Aliens, it sucks - but Fincher's original vision, which is mostly provided on the double disc DVD's "assembly cut" is far superior in all respects to the theatrical version (well, it's not as polished of course, but other than that - simply better).
Se7en is an astonishingly good thriller - heck, it's practically a horror movie - intense visual style, a horrifying and gripping story, two enthralling lead performances, and a film which STILL freaks me out to this day ... and it's just so unrelentingly DARK - brilliant.
The Game - now that I've finally seen it, I can definitely say it rocks. I've not been this gripped by a movie in a long while alright ... in fact, one of the more recent times being gripped to such a degree by a film was with Fincher's Zodiac ... a fantastic slice of thriller action.
Fight Club - one of my absolute all-time favourites, and a film (and book ... and author) which has had a deep impact with me (and indeed many males in the 16-35 bracket). Again, the visuals are astonishing, the black so deep and harsh, the adapatation masterful, the pacing spot-on, the performances gripping ... etc etc etc. Much love indeed.
Panic Room - plot wise, it's probably Fincher's weakest film in his catalogue - but as far as home invasion/heist thrillers go - it's expertly and efficiently handled, but it's the technical aspects that (for me at least) really steal the show. The exhaustive 3-disc special edition DVD in itself is a masterwork of information - the technical wizardry involved in the making of the film is amazing, put simply.
Zodiac - back on top form - Fincher's intense attention to detail is abundantly clear throughout, the performances are awe-inspiring, the look and feel is stunning ... basically, it's another one of my top fifty of all time.
The Curious Case of Benjamin Button - the only Fincher film I've NOT seen ... ... YET ... it's not the sort of film I'd generally go to see in the cinema, as it's not exactly "lads night out" material, but it's a definite DVD purchase without a doubt. As soon as I heard about the plot, I was intrigued - and the more I heard about it, the more intrigued I got, and I certainly look forward to the DVD release (Se7en, Fight Club, Panic Room and Zodiac have all boasted fantastic DVD packages).
Anyway - The Game - thoroughly great. I can't surmise it any better, so why ramble any further - it's testament to the fact that David Fincher is a consistently superb filmmaker.
Monday, 2 February 2009
Choke...
It was never going to be Fight Club - if anyone thought otherwise, they're morons.
It would be like expecting 2010 to be as good as or better than 2001 - it's impossible.
Regardless, Choke - the second film to see fruition from the work of Chuck Palahniuk (whose other works are seemingly almost all lined up for movie development at varying stages) - is rather enjoyable, especially due to Sam Rockwell in the lead role.
Choke could have done with a longer running time, a mere 90 minutes or so simply isn't enough to squeeze all the plot threads into an understandable state - side plots are therefore relegated to lip service and not a lot more, while the main drive of the plot (all to do with, of course, Rockwell's Mancini - who may or may not be the son of Jesus). Still though, despite losing a variety of extraneous elements that work better in the book (or perhaps if it was done by the likes of David Fincher), it's fantastic to finally see a new based-on-Palahniuk movie out there, after all it's been almost a decade since Fincher's Fight Club thrust onto the silver screen, with such balls and determination of vision that you do think - no wonder it's taken so long for Choke to get made.
Or indeed any Palahniuk book for that matter - apparently Survivor was in the running after Fight Club did well, but 9/11 firmly stuffed the script into a drawer ... what with it being about a guy delivering his final tell-all autobiography into the flight recorder of an passenger aircraft he's hijacked. Still though - it was a bloody good book.
Hopefully we'll see more Palahniuk adaptations with as much dedication to the source material as we've so far been blessed with ... even if Choke doesn't live up to the lofty standards set by Fight Club, it's still a thoroughly enjoyable film - it isn't a remake, it's not some limp-arsed PG-13 adaptation, Sam Rockwell is awesome in the lead role, and it's an actually interesting story. It's just a shame they didn't flesh it out to a full two hours, which it sorely needed in my view - just to flesh out everything going on in the background, and indeed make a slightly bigger deal of the titular scam.
It would be like expecting 2010 to be as good as or better than 2001 - it's impossible.
Regardless, Choke - the second film to see fruition from the work of Chuck Palahniuk (whose other works are seemingly almost all lined up for movie development at varying stages) - is rather enjoyable, especially due to Sam Rockwell in the lead role.
Choke could have done with a longer running time, a mere 90 minutes or so simply isn't enough to squeeze all the plot threads into an understandable state - side plots are therefore relegated to lip service and not a lot more, while the main drive of the plot (all to do with, of course, Rockwell's Mancini - who may or may not be the son of Jesus). Still though, despite losing a variety of extraneous elements that work better in the book (or perhaps if it was done by the likes of David Fincher), it's fantastic to finally see a new based-on-Palahniuk movie out there, after all it's been almost a decade since Fincher's Fight Club thrust onto the silver screen, with such balls and determination of vision that you do think - no wonder it's taken so long for Choke to get made.
Or indeed any Palahniuk book for that matter - apparently Survivor was in the running after Fight Club did well, but 9/11 firmly stuffed the script into a drawer ... what with it being about a guy delivering his final tell-all autobiography into the flight recorder of an passenger aircraft he's hijacked. Still though - it was a bloody good book.
Hopefully we'll see more Palahniuk adaptations with as much dedication to the source material as we've so far been blessed with ... even if Choke doesn't live up to the lofty standards set by Fight Club, it's still a thoroughly enjoyable film - it isn't a remake, it's not some limp-arsed PG-13 adaptation, Sam Rockwell is awesome in the lead role, and it's an actually interesting story. It's just a shame they didn't flesh it out to a full two hours, which it sorely needed in my view - just to flesh out everything going on in the background, and indeed make a slightly bigger deal of the titular scam.
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