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“So many corpses, and every death a mystery.” Most commonly known as Joe D'Amato, the prolific director Aristide Massaccesi (Emmanuelle and The Last Cannibals) only attached his real name to just one of his cinematic endeavours, the turn-of-the-century ghoulishly Gothic supernatural giallo Death Smiles On A Murderer. The Italian giallo movement wasn't best known for rock solid plotting logic, but Massaccessi's film dives head first into a zone of storytelling that can only be described as utterly baffling. Prepare for copious plot holes, taboo subject matter, an ethereal sense of time, and Klaus Kinski 'doing science'...
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