Death Smiles On A Murderer (Aristide Massaccesi, 1973) Blu-Ray Review

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“So many corpses, and every death a mystery.” Most commonly known as Joe D'Amato, the prolific director Aristide Massaccesi (Emmanuelle and The Last Cannibals) only attached his real name to just one of his cinematic endeavours, the turn-of-the-century ghoulishly Gothic supernatural giallo Death Smiles On A Murderer. The Italian giallo movement wasn't best known for rock solid plotting logic, but Massaccessi's film dives head first into a zone of storytelling that can only be described as utterly baffling. Prepare for copious plot holes, taboo subject matter, an ethereal sense of time, and Klaus Kinski 'doing science'...

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Thriller: A Cruel Picture (Bo A. Vibenius, 1973) DVD Review

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“You better start praying, One Eye.” Perhaps better known under the title They Call Her One Eye, Bo A. Vibenius' stripped-back revenge thriller is an unusual sight to see come from Sweden, where serious art house cinema is more the norm. Mixing overt stylistic flourishes with hardcore sleaze, the tale of Frigga – a mute young woman recovering from a horrific ordeal in childhood – proves to be a tough but rewarding viewing experience, wrought from highly charged emotion and brutality...

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Fly Me (Cirio Santiago, 1973) Review

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“My daughter, she isn't happy unless she sees everything.” Roger Corman: a name synonymous with low budget exploitation cinema, a man who has brought his audiences cobbled-together spectacles for decades. He's taken us from gun-slinging actioners to monster cheapies, low-fi sci-fi to kung-fu kicking stewardesses – and it's that last little one we're focusing on here: Cirio Santiago's Fly Me...

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Super Bitch (Massimo Dallamano, 1973) DVD Review

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“We've got a job that needs a specialist.” The 1970s were a dangerous time in Italy. Sometimes dubbed 'the Years of Lead', and rocked by the likes of the Red Brigade, tough criminal actions begot tough police responses. It was from this raging inferno that the 'poliziotteschi' genre was born, featuring hard-boiled coppers akin to Dirty Harry and his ilk, but with a uniquely Italian swagger to them and their violent actions. These Euro cop flicks thrived alongside the scintillating violence of the more enduring gialli movement, with thrills and excesses to match. Massimo Dallamano finely crafted a superb giallo in the form of What Have You Done To Solange? and mixed the trappings of those gory murder mysteries with the poliziotteschi in What Have They Done To Your Daughters?, but with Super Bitch – aka Blue Movie Blackmail – it was all about crooked cops and drug smuggling.

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Baba Yaga (Corrado Farina, 1973) DVD Review

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“Our meeting was pre-ordained.” Corrado Farina's Baba Yaga (aka The Devil Witch / Kiss Me Kill Me), is based on the comic strip by Guido Crepax, and Slavic folklore. It is the tale of a free-spirited young photographer who falls under the curious spell of a strange woman who increasingly holds sway over her mind and her possessed camera.

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Seven Deaths In The Cat's Eye (Antonio Margheriti, 1973) DVD Review

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With gialli, you'd usually find a straight-razor-wielding maniac running amok in and around the beautiful architecture of an Italian city (often-times Rome), but Antonio (Cannibal Apocalypse) Margheriti's Seven Deaths In The Cat's Eye (aka Cat's Murdering Eye) stands out from the crowd with a Scottish setting in a coldly gothic castle. It's as if the frenzied slew of 1970s giallo crashed head-first with a mist-wreathed Hammer Horror Film.

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