Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Friday, 24 July 2026

We Are Zombie Men...

My buddy Brian and I have been mucking around with a music generator these past few months, and with me writing the lyrics and him prompting the tunes, we've accidentally gone and made a whole album of tracks - some of which act as a prequel/re-telling/sequel for the "I Am Zombie Man" series of literally no-budget short films I made many moons ago.


We've called ourselves We Are Zombie Men, and the album is called Bolivian Bliss. You can check it out on the the WAZM YouTube Channel:

Bolivian Bliss

Bolivian Bliss (Alternative Cuts) 

I used Microsoft Designer to prompt the images of Zombie Man and his new beau Fan Girl.

A quick FAQ after the jump...

Tuesday, 13 September 2016

The Trouble with Blockbuster Scores...

From the excellent YouTube channel Every Frame A Painting, here is a video that flags up a very real issue with many modern blockbusters - with particular attention paid to the Marvel Cinematic Universe movies. Can you recall any pieces of music from the scores for the MCU flicks?

This is well worth a watch.



However, in the video Mad Max: Fury Road is referenced, and I would disagree on that point. I thought the soundtrack to that film really stood out and that particular track referenced in the video stood out most of all. I still recall it a year or so after seeing the movie for the first time. The rest of the examples? You cannot argue with them...

Click "READ MORE" below to continue...

Tuesday, 30 April 2013

Flavours of the Month: April 2013...

LOOKS:

Scott Pilgrim vs The World (Blu-Ray) - yet another visit to Edgar Wright's film adaptation of Brian Lee O'Malley's graphic novel series (which I re-read last month). It's a tall order to cram six volumes worth of material into one film; the compressed time frame doesn't leave room for the more expansive experience of the books, and Ramona is just a touch too aloof - but these are mere quibbles - the film is a jam-packed cult classic.

Storage Hunters - I've gone and got myself addicted to this 'reality/unscripted' show about people who bid on storage lockers that are being auctioned off. It appeals to the innate yearning in all of us - what's in the box?! How much will it be worth?! Will they earn a profit?! These questions simply must be answered!

Mad Men Season 6 - the welcome return of Matthew Weiner's superb 1960s-set drama. Richly textured and moreish in equal measure.

Click "READ MORE" below for the other looks, sounds, vibes & flavours of my April 2013...

Monday, 1 March 2010

Flavours of the Month: February 2010...

Similar to January, February is a month that can kinda just slip away, nevertheless it's time for another Flavours of the Month.

Kicking off in grand style, but in a thoughtful and atmospheric way (some might say depressing, but whatever), with having the film adaptation of The Road stuck firmly in my head, accompanied by the utterly spiffing soundtrack composed by Nick Cave and Warren Ellis (who also composed the effing amazing score for The Assassination of Jesse James).

There's been a fair few DVD bargains this month too, what with the Hostel 1 & 2 box set, the jam-packed 4-disc Titanic DVD, as well as the 2-disc 'Ultimate Action Edition' of Die Hard 4.0, as well as Cannibal Apocalypse, The Wrestler and Crank 2.

I've also been getting to know the ruddy great Adventureland all over again as it was finally released in the UK this month, and it's just as charming and involving as it always was.

The soundtrack to February has mostly been M83's "Saturdays = Youth", the new Rob Zombie CD "Hellbilly Deluxe 2" (which I really dig) and the latest album from HIM called "Screamworks" (which is a return to form after the fairly standard "Venus Doom" back in 2007).

Life on Mars USA came to a close on FX. It has been a show that I've ended up quite enjoying, even though the original British show is naturally superior, but aye, I really did quite enjoy it. The ending was a bit iffy ... kind of like having its cake and eating it too, and then some. Still, at least they didn't just do the same ending as the UK version, so that's something.

I've been enjoying some nostalgic VHS viewing too, having replaced the videotapes propping up the DVDs on the top shelf in my bedroom with steel book ends ... as a result I found some old videos from my youth, a couple have gone aside for charity bags, and the other two are Volumes 1 and 2 of Deputy Dawg, a great cartoon that was made between 1959 and 1972. I tell you what, you certainly wouldn't have a canine lawman forcefully recruiting children (Muskie and Vince) at gun point to work for him in a cartoon these days, ha!

Further to my tour round some old videotapes in my collection, I dug out my old Vipco release copy of Lucio Fulci's notoriously sleazy (and quite misogynistic) New York Ripper. It's a real classic (misogyny aside) of the video nasties era, of Italian grindhouse cinema, but bloody hell this release is terrible - it's the second worse Pan & Scan job I've ever seen. The opening titles play out in the original 2.35:1 ratio, before switching to 4:3 ... and there's sod all panning going on, so characters are constantly talking to people out-of-frame, or getting half-cut-out themselves, or details (such as the red VW on the ferry) not moving off are completely missing from the shot.

What's the worst Pan & Scan job I've ever seen, you ask - a Channel 5 showing of Short Circuit, a film which was also originally shot in 2.35:1 - but this time there's no shortage of panning. The frame swished left and right in a desperate panic to get all the characters and details in, which also doing a piss-poor job of scanning, so that the image is not only horribly degraded, but flickering at the same time. A truly dreadful example of Pan & Scan, which was itself a stupid idea invented for stupid people incapable of understanding Original Aspect Ratio (OAR).

I've also been doing a lot of planning on my next script - although I'm still seeking a good title for it - but I'm getting very close to being able to start the writing process on that one.

Finally the month was capped-off by a viewing of the actually quite good The Crazies (2010) - one of the few remakes that have actually been worthwhile, and I was inspired to dig out The Crazies (1973) from my collection and give it yet another viewing.

(I will blog soon about the Borderlines Film Festival screening of Gaia & Gensis on Saturday 27th February.)

Sunday, 31 January 2010

Flavours of the Month: January 2010...

I'm going to try and make this month's flavour run down a little more punchy, so here it goes...

Music for this month has mostly consisted of the "End Titles: Stories For Film" and "War Stories" (both versions) albums by UNKLE, along with "Invaders Must Die" by The Prodigy, as well as a return to CKY's "Carver City", not to mention the soundtracks to Sin City, Planet Terror, and Death Proof.

Speaking of which, I had a return to Sin City via the excellent 2-disc R1 special edition DVD. Grindhouse was also on the cards again, I seem to come back around to Planet Terror and Death Proof every few months and just gorge myself silly on the two double disc DVDs (still awaiting the double disc theatrical cut DVD that was promised months ago - hopefully it'll appear with the launch of Machete, which I'm also eagerly awaiting).

It's also been a right old month for weather. While nothing like what parts of America (and many other parts of the world) gets, we haven't had a winter this harsh for a good few decades (although it was worse in the 40s and 60s). The snow's now gone, and what we've got left is a bunch of roads covered in pot holes that are either still there or hastily patched over - needless to say the left front tyre of my car succumbed to one monster pothole that sprang out of nowhere - resulting in a bent alloy that needed replacing, as well as a new tyre. It's like driving on the sodding moon, out there!

It's also been a month where I've indulged my Top Gear fandom in the form of the Big Book of Top Gear 2010. Funny stuff indeed (and I've just started the latest Richard Hammond book "Or Is That Just Me").

Naturally January has been a busy month on the DeadShed shorts front - the third I Am Zombie Man film "The Inevitable Decomposition of Zombie Man" has been going through the editing process - and I'm glad to say the muse was with me the entire way and I simply barged it out quicker than I'd expected. It's now in the hands of Gary and Brian, who are doing the music, and as such we're aiming to have "TIDOZM" up on YouTube in the second half of February. So far the music is sounding great - and indeed the first fully completed track (for a montage sequence) kicks total ass.

It's also been a month of nostalgia after nabbing the Criters 1-4 box set for a fiver. I hadn't seen these movies in years, but it all came flooding back. Despite often being considered a Gremlins rip-off (in fact the script was written before Gremlins came along), the franchise still kicks ass ... well, maybe not Critters 4, which seems to really suffer the consequences of making the last two movies, with not enough money, back-to-back (Critters 3 meanwhile was great fun, but 1 & 2 are the best of all).

Finally, I've been barging my way through Nazi occupied France, in the form of The Saboteur. While it may be somewhat undercooked and in need of further polishing, considering I got it less than a month after release on a special offer for £20, it was a bloody steal in my favour. I've really been enjoying yomping around Paris and its environs, sticking it to the Nazis with some sabotage explosives, sniper rifle and Tommy machine gun.

Speaking of games - I've recently become aware of (and obsessed by) Red Dead Redemption (Wild West sandboxing), and continue to grow excited about Mafia 2 (1940s/50s mobster sandboxing) and of course, this year Alan Wake finally gets released. These three are, of course, just the tip of the ice berg as there's a whole bunch of games on my list - some I'll never get around to playing, and others will just have to wait (which also benefits my coffers).

Well ... so much for being punchy ... maybe next month, eh?

Tuesday, 3 November 2009

Flavours of the Month: October 2009...

Another month, another Flavours of the Month blogpost - this time, the haunted and autumnal month of October.

Solitary life...

During October I got the house all to myself for a couple of weeks, and so began a whole new routine and collection of 'vibes', such as microwave meals and the manky scent of those cardboard cooking wrap things that surround your panini or southern fried chicken roll or whatever.

Indeed, the microwave was very much my friend out of pure convenience for this short duration. Naturally I was well acquainted with the oven at university, but as this was a bit of a change of gear here at home I just fancied kicking back with some easy-as-pie meals.

Similarly, I rediscovered how nice a jam sandwich can be, and I even had a one-box-only flirtation for old time's sake with Pop Tarts. If only they weren't so calorific I'd have them more often, but they're full of them, so it was just a one-box-only affair with some rather lush Strawberry Pop Tarts ... another food stuff that I was well acquainted with during my time at university, I must confess.

Having the run of the place also gave me the run of the Sky+ box, and as such I was able to catch up on a few episodes of the American version of Life on Mars, which I have to say, is actually quite enjoyable. It can be quite blunt about certain things, and the CGI Mars Rovers that crop up now and then are just odd, but it's good fun. Inferior to the original - naturally - but good fun all the same.

...

Fallout 3, and new GTA...

Yep, it's back on the list, and it has been my game-of-choice since August for whenever I indulge in a bit of videogaming. With the main game completed, it was time to get into some of the DLC stuff, but only Broken Steel and Point Lookout which constitutes Add-On Pack #2 on disc. Broken Steel has been covered - good story centering around what happens after you clean up the water supply - but the main Brotherhood of Steel quests were pretty generic, and not as good as the side quests which opened up the altered-by-your-character's-actions Wasteland to you for further exploration.

As for Point Lookout though, I'm only part way into it, but it is noticeably better overall than Broken Steel. A fresh setting really picks things up, providing new and interesting quests (both main and side) - however - I've temporarily called time-out on Fallout 3.

It's been the only game I've spent my videogame time on since August, and it's time for a change of pace - step forward, GTA Episodes From Liberty City, which rocked up a day early (in spite of the postal strike nonsense the UK began experiencing in October). At the time of writing I'm well through Lost & Damned (not having Xbox Live I've not played that one before) ... the first few missions were, unfortunately, pretty poorly crafted. Simple 'shoot everything' missions that were poorly mapped-out, resulting in some terrible control issues and situations where you get behind the obvious cover you should take only to find people attacking you from behind that safety line.

Not only that, but other early missions that just pile on the police prescence to such a degree that it becomes infuriating - not only that, but the slowness of hi-jacking a bus full of convicts drained almost my entire life bar (and all of my bullet proof vest). Fortunately though, after a number of dull-to-outright-infuriating early missions, it's picked up.

The mission types haven't gotten much more varied, and aren't as compelling as GTA IV's - many of these new ones being alternate-angle retreads of choice cuts of side-plots from GTA IV, which is part-interesting, part-uninspiring - but even still, they're now good fun again. Add in much improved bike handling and physics, a sense of biker gang cameraderie, and the gang wars element and you've got quality GTA fun.

No doubt I'll have thoughts on The Ballad of Gay Tony come the end of November ... not to mention on Modern Warfare 2, and Ghostbusters.

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An American Werewolf In London...

Having never seen it before, in October I finally got my mits on it, and it's been stuck in my head ever since - a sure sign of real quality. The film really is absolutely spiffing, and it just keeps growing on me. Not only that, but it seems like everyone is talking about the film at the moment. Everywhere I turn there's a reference to it, and in addition I've had the damn catchy (and fortunately rather good) Bad Moon Rising by CCR rolling around my head ever since. I think a re-viewing with the commentary engaged is not far off.

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Doing Our Bit...

October has been an active month for filmmaking - namely, conceiving and piecing together our entry for the 1 Minute To Save The World competition (as blogged about in my last post). The response has been positive, which is always nice, and so we're just keeping our fingers crossed. At the very least, nobody can say we didn't try.

Similarly, and with the introduction of new green recycling wheelie bins in our county, I've been setting aside all kinds of things for going in that green recycling bin. Now that we're allowed to put plastic in, it's amazing to see how much recycling you can do in such a simple way - know what the rules are, then bung it all in a green bin and wheel it out front for the council to pick up.

Just as long as the stuff truly is recycled, then it's a great way to do it. That's how it has to be done - make it simple for the masses, and capable of covering a wide range of items, and you're onto a winner.

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Shouting at the telly...

October has been a bit of a month for British politics on television, and as such I've been shouting angrily seemingly every other day at something or other. Not only that, but getting into wide-ranging politics-based rants with others.

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David Sardy's "Estasi Dell Anima"...

This song, featured in the soundtrack to the bloody good Zombieland, is played during the big battle towards the end. If you've seen the movie, you'll know what I mean. This song just sends shivers up my spine everytime, and it's a bloody great piece of music.

...

Rammstein's "Liebe Ist Fur Alle Da"...

Speaking of music, this month has also seen the release of the new Rammstein album - yes, the one featuring that song which had that video to accompany it - and I've really been enjoying it.

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Halloween partying...

I think the last time I was at a halloween party was when I was a child - bobbing for apples and so on, you know the score. It's a weird thing, is halloween, in the UK. Nationally it's not seen as a big deal, but the shops all try and jump on the bandwagon anyway to make money out of it (even though they're already flogging Christmas stuff).

However, I think Gen X and Gen Y have really driven it further into our culture of late. There's always been kids trick or treating, and it really depends on where you live, but with the rise in a drinking culture in the UK, halloween has become another excuse to drink ... but a really, really good excuse to drink. Hell, it's an excuse most of all to dress up however you like and have a real good time.

As such, I had my first halloween party since I was a child, and naturally it was a very different affair. One massive house party that happened to be happening right next to another massive halloween party. Lots of people, but not overcrowded, lots of great costumes (big-up to Hannibal Smith, the Ninja from next door, and elderly Elvis, of the people who I didn't know but whom were such strong showings they deserve some kudos).

Thanks though go to Matt (Bill Hicks) for having the kick arse bash in the first place and inviting us all, to Emma (Spinal Tap's drummer) for giving us a place to kip (inflatable beds too - very professional, I must say), and to Knox (Patrick Swayze) for driving my arse to and from the event.

Oh yes, and to Ben - who went as Che Guevara - for being an absolute legend.

Everyone else was awesome too though.

...

So there we are - another month, another flavoursome blogpost.

Friday, 28 December 2007

The soundtrack to script writing...

This was originally a reply to one of Danny's comments on a previous blog post of mine, but I wrote so much I decided to make it into its own thing.

There's not really much music that gets me going on this script, but there are certain tracks that fit certain scenes.

Such as "You Look So Fine" by Garbage, or on a script I wrote in 2006 I listened to certain tracks by M83 that would fit certain scenes to inspire me in writing them. There was also "Adagio for Strings" (from "Platoon"), that inspired me in that script from last year (a practice script really) in which there was a paint balling sequence.

Also on that script from 2006 I found that "Can't Even Tell" by Soul Asylum (end credits of "Clerks") inspired me, which also does a little on this script...but not much.

I just generally listen to my music in general to get a vibe going. What helps me most of all is getting into a routine, because it keeps me plugging away at it, but it also gets me into the necessary mindset.

Recently when fiddling around with "IAZM3" prep, I was listening to the "Day of the Dead" soundtrack to get me going...and with that there were certain tracks that fitted certain scenes. The "Rocky" best-of soundtrack was also a big inspiration for writing "IAZM3"...so I guess that script had more in the way of a soundtrack-to-the-writing, certainly more-so than this current feature script I'm doing.

...

As an aside, I've just had the shittiest wake-up call ever - massive indigestion/heart burn. Seriously, I felt like John Hurt in "Alien" just before he explodes all over the dinner table...absolute agony would be a good description. But after a good half hour of sitting/standing up (whilst wincing an awful lot), sipping milk and then taking a chewable Gaviscon I'm sitting pretty again.

...

I should have the Richard Hammond book finished today, it's been a bloody good read, just a mere 60 pages left. Also, "The A-Team" is still awesome as I progress into Season 4 with gusto, and "PGR4" is proper good fun.

Saturday, 8 September 2007

21 hour Friday...

http://www.tcm.ac.uk/RVE26dae6fc87f24277a0e4c150e6708b3c,,.aspx

http://www.edmundjolliffe.com/page15.htm

My second time working for Chris Smart of Silva Productions was yesterday, filming a performance of "The Handless Maiden" by students and Opera performers at the Trinity College of Music in London, a bloody long day indeed, so here's the breakdown of my bloodshot-eyed-day:

Thursday night - watch about 35 minutes of BASEketball after getting hot under the collar for it after hearing Trey Parker and Matt Stone talk about it during various South Park commentaries that I'd be listening to over the last couple of weeks (I'd seen the film a few times before). Then two hours of comedy genius. Mock the Week and Saxondale on BBC2, then Studio 60 on the Sunset Strip on More4 (why-oh-why did they cancel this show in America, are they feckin' idiots?!)

Then odd to bed to attempt an early night at just after 11pm (I'm definitely a night owl sort - or at least, not an early riser), but come midnight I still wasn't asleep. Then, the horrid noise of my mobile phone giving me a wake up alarm at 4:50am (I need plenty of time to warm up for a day, especially one this early starting and long in duration). I was surprisingly quick to get up, probably because I'd barely gone to sleep and had maybe scratched together a frequently interrupted and unsettled 4 hours of kip (I'm the sort of person who just simply needs 8 hours).

I watch the rest of BASEketball and get breakfast, grumbling at the fact it isn't even dawn yet. The sun does come up and I do final equipment checks before getting picked up by Chris at 7am. We barge it to London - a city which I famously despise and resent in equal measure, a city which I've not been to in about 6 years. The last 12 miles of the journey takes TWO HOURS due to London traffic and a SatNav which can't cope with dense urbanisation and is about 10 to 20 seconds behind real time, so wrong turns aplenty in London.

What a hodge-podge London is. We had to drive through most of it, and not the glamorous side, at best the normal and mundane, at worst, the broken down and depressing side - full on East Enders, haha. Traffic and people within the traffic are officially insane, like a diluted version of India - people just barge out into traffic whether they're in a vehicle, on a bike or on foot. I'm entirely glad I wasn't driving.

We get to the Trinity College of Music, on the South bank of the Thames just after 12pm and set about getting our gear set up and meeting the people involved in the project. We do some interviews in the afternoon, and then the main performance kicks off just after 6pm - an Opera, performed and crewed by a mix of able-bodied and disabled folk, a story about a poor family who accidentally sell their daughter to the devil. Afterwards there was a Q&A and a demonstration of how a Wii-mote was used to provide signals to one of the blind performers to guide them in their movements around a pre-set track.

After all that, we have to pack up the lights and then set off at around 9pm for a less-than-trouble-free journey out of London, although this time getting to see the posh side and some of the sights - The Oval, the place where they're doing the BBC Proms (forget the name now - Albert Hall?), the Apollo, Parliament & Big Ben, the West End, Harvey Nicholls and so-on.

A long-ass journey later, I arrive home just before 1am. I proceed to cover up those bloody lights on my new extension lead which have been belching light out into my room for the last week (I kept forgetting to cover them up). I then decompress, watched a bit of Gone in 60 Seconds on ITV2+1 and then nodded off around 1:50am for a nice, long kip-in until 11:15am.