Showing posts with label halloween. Show all posts
Showing posts with label halloween. Show all posts

Saturday, 11 October 2025

V/H/S/Halloween (Various, 2025) Review

Find more horror reviews here.



“Enjoy the spooktacular taste.” In what has now become an annual October outing for the portmanteau horror franchise, V/H/S takes on the subject of Halloween through six tales filled with gruesome gore and frenzied bursts of terror-fuelled chaos. But as a franchise with a reputation for inconsistent quality, can V/H/S/Halloween stand proud like a jumbo-sized chocolate bar or will it fumble the sugar-coated candy ball?...



Click “READ MORE” below to continue the review and see more screenshots…

Thursday, 10 March 2022

Texas Chainsaw Massacre (David Blue Garcia, 2022)

Find more horror reviews here.


“This is a chance for people to start fresh somewhere without the violence and the madness. Somewhere safe.” The Texas Chainsaw Massacre is one of the most iconic horror movie franchises, with Leatherface similarly standing as one of the most legendary mountains of murderous mayhem, and yet, out of all the major slasher series, it's also the one to have suffered the most inconsistency and misfortune. If your tolerance for bullshit is at an all-time rock bottom, then a film featuring the immortal line of direlogue “Do anything and you'll get cancelled, bro” might not be the wisest of viewing choices. However, gluttons for punishment are numerous amongst the horror fan community, so fire up that rusty old buzz-saw and let's head on down to Bulgaria, er, I mean Texas...!



Click “READ MORE” below to continue the review and see more screenshots…

Saturday, 22 October 2016

FREE eBooks for Halloween...

The season for spooky-doings and ghastly goings-on is upon us, and with that in mind how do you fancy a FREE horror eBook for some Halloween reading? How about two free horror eBooks to give your e-Reader a ghoulish glow?

Available worldwide via Amazon from October 27th 2016 through October 31st 2016, you can get yourself a FREE digital copy of "Dug Deep" as well as "How Mr Snuffles III and Others Met Their Maker" (click each link to find out more about the stories).

Simply visit your local Amazon during the promotion period (October 27th through October 31st 2016) and download the book(s) to your Kindle or to your favourite digital device (phone, tablet, etc) or computer by using the (free to download) Kindle App.

Dug Deep - Amazon US - Amazon UK - and Worldwide!

How Mr Snuffles III and Others Met Their Maker - Amazon US - Amazon UK - and Worldwide!

Sunday, 30 November 2014

Flavours of the Month: November 2014...

Zombies and nasties and reporters galore, rocking and writing and editing and more ... just some of the flavours of my November 2014...

Click "READ MORE" below for the full run down of what the looks, sounds, vibes & flavours of my month have been...

Saturday, 1 June 2013

The Lords of Salem (Rob Zombie, 2012) DVD Review...


Horror-rocker Rob Zombie's supposed last dip into the horror genre, The Lords of Salem, has garnered mixed reviews: established dividing lines on the subject of RZ's cinematic outings will probably not be crossed by the respective parties, but his latest offering is a breath of fresh air after the controversy of his Halloween remake (2007) and it's unruly sequel Halloween 2 (2009). Zombie is back to an original script of his own for this low budget devil worshipper, and it illustrates the continued cinematic maturation of the Writer/Director.



“I spit upon the book of lies!” - What if witches were real? This is the main conceit of RZ's film – a stripped-back, majestic-yet-gritty, mood piece that seeks to chill rather than scare. Kicking off in 1696, the Reverend Jonathan Hawthorne sets the stage as he prepares to end the blasphemous activities of head witch Margaret Morgan (Meg Foster) and her coven of six – all of them in the woods, stripped-nude and invoking the return of Satan.


Click “READ MORE” below to continue the review and see more screenshots...

Saturday, 2 January 2010

Halloween 2 (2009)...

Well, this is a weird one alright. I have seen such routinely dire reviews for this flick that I was really beginning to expect the worst. Rob Zombie's 2007 Halloween re-do met with much controversy. Some dug it, some despised it. I dug it - although it was naturally not a patch on the original.

I was really quite interested to see H2 therefore, especially when it was launched into such a cold and stormy reception. Perhaps this is why, with expectations set so low, I actually kinda dug this flick too.

Don't get me wrong, it's a weird flick - sometimes good weird, sometimes uncomfortable weird - but there's something about it which impressed me enough to not dismiss it outright. Perhaps it greeted me as a particularly violent plucky sort of slasher movie that knew it was both breaking and relying upon genre convention and audience expectation. A movie that is one part predictable, and one part strange new pastures.

The main failings however, all come down to the script. The three main threads of characters are so disconnected throughout the movie that you never really feel any true connection between them all, and at a too-long two hours you start feeling a bit lost half way through.

I was led to believe, by the myriad of frothy-mouthed and bile-soaked online reviews, that Rob Zombie had truly indulged his obsession with white trash and rock chicks. Fortunately, it was nowhere near as continuous or in-my-face as I was expecting. Sure it's there, and sure we could really do with a different character type taking centre stage in an RZ flick, but I was happy enough to let it slide in the end.

That said, Laurie's transformation into a medicated freak was a tough pill to swallow. It both makes sense and not enough sense, especially when you feel a certain 'revelation' to Laurie should have been there from the beginning as we, the audience, are way ahead of her. Indeed, her tidal waves of changing emotions begin to tire after the first act and you begin to not give a stuff about her. She becomes a bit of a pain to be honest, unfortunately.

Equally, while it's always a joy to see McDowell chomping into a character, the shift in Loomis into the territory of a fame-obsessed, greedy bastard doesn't sit at all well. A reluctant, media hounded Loomis would have made for a more interesting character that you could actually be on the side of, but with the way it is, the third act Loomis has lost your support after the first two acts of prancing around like a celebrity.

As is the way with a Rob Zombie movie, it's filled with genre stars and strong character actors - which helps pull you through the movie. It's a brief treat to see Caroline Williams (from the second Chainsaw Massacre movie in 1986), and a whole host of "oh, that one" appearances are entertaining, if a little distracting. The stand-out performance though, has to go to Brad Douriff who - while underused - demonstrates exactly where H2 should have remained throughout. One particular scene in the third act demonstrates his performance strength and depth vividly.

Now - all this white horse, vision business - it's all a bit pretentious, quite frankly. The first half is far too 'on the nose' and blunt in terms of visions and dreams, albeit in a very stylish manner. Sheri Moon Zombie, while enjoyable in past RZ flicks, feels out-of-place here, and you just begin to wish that RZ would stop casting his wife in all his movies. Not only that, but the replacement for Daeg Faerch (the young Myers from the 2007 film) feels inconsistent with Daeg's warped tyke, who held something darker and un-child-like behind his eyes. Sadly, there's none of that in this movie.

Supporting cast wise, they're all a bit generic, and this is where H2 becomes very dependent on genre convention to the point where it feels like the rather ropey Halloween 4 and 5, especially when the Halloween night party kicks off and we follow the quite pointless friends of Laurie Strode around for the evening.

As I mentioned earlier, the film is very split, essentially following three single paths all at once, but rarely combining them at all until the very end of the film. It feels disconnected and loose, and as such Myer's yomping through fields while occasionally killing some random person off never has any real power or purpose.

As for the beardy giant look of Michael Myers, that I was fine with. It's an interesting diversion from the established look whenever the famous mask is taken off. However, the raw power and one-tracked-mind approach of the character from the 2007 movie is mostly lost.

I did mention that the visions and dreams are very stylish. Indeed, the entire movie is very stylish. It looks superb with crisp editing and creative photography, and RZ proves he really knows how to stage a dramatic scene with a bit of flair and grit. He has continued to grow in this respect, so it's a real shame that he seems to be treading water when it comes to characters and plot in H2.

All-in-all however, and H2 is nowhere near as bad as I'd been led to believe by online outrage. Does it falter? Yes, frequently. Does it improve upon the actually-pretty-good 2007 re-do? Nope. Is it stylish, dramatic and well staged? Yes. Does it keep you on side and on board throughout? Not at all.

Like I said, this is a weird one, and I think that's part of why I kind of dig it. However, Rob Zombie really, really needs to move onto other things. I was gutted that he decided to go with H2 rather than T-Rex last year, and I do hope he gets back to that project, and I also hope that he seeks to explore new horizons in terms of plot and characterisation. He clearly has talent and strong vision, but H2 shows him mostly wasting it or not fulfilling his potential.

Tuesday, 3 November 2009

Flavours of the Month: October 2009...

Another month, another Flavours of the Month blogpost - this time, the haunted and autumnal month of October.

Solitary life...

During October I got the house all to myself for a couple of weeks, and so began a whole new routine and collection of 'vibes', such as microwave meals and the manky scent of those cardboard cooking wrap things that surround your panini or southern fried chicken roll or whatever.

Indeed, the microwave was very much my friend out of pure convenience for this short duration. Naturally I was well acquainted with the oven at university, but as this was a bit of a change of gear here at home I just fancied kicking back with some easy-as-pie meals.

Similarly, I rediscovered how nice a jam sandwich can be, and I even had a one-box-only flirtation for old time's sake with Pop Tarts. If only they weren't so calorific I'd have them more often, but they're full of them, so it was just a one-box-only affair with some rather lush Strawberry Pop Tarts ... another food stuff that I was well acquainted with during my time at university, I must confess.

Having the run of the place also gave me the run of the Sky+ box, and as such I was able to catch up on a few episodes of the American version of Life on Mars, which I have to say, is actually quite enjoyable. It can be quite blunt about certain things, and the CGI Mars Rovers that crop up now and then are just odd, but it's good fun. Inferior to the original - naturally - but good fun all the same.

...

Fallout 3, and new GTA...

Yep, it's back on the list, and it has been my game-of-choice since August for whenever I indulge in a bit of videogaming. With the main game completed, it was time to get into some of the DLC stuff, but only Broken Steel and Point Lookout which constitutes Add-On Pack #2 on disc. Broken Steel has been covered - good story centering around what happens after you clean up the water supply - but the main Brotherhood of Steel quests were pretty generic, and not as good as the side quests which opened up the altered-by-your-character's-actions Wasteland to you for further exploration.

As for Point Lookout though, I'm only part way into it, but it is noticeably better overall than Broken Steel. A fresh setting really picks things up, providing new and interesting quests (both main and side) - however - I've temporarily called time-out on Fallout 3.

It's been the only game I've spent my videogame time on since August, and it's time for a change of pace - step forward, GTA Episodes From Liberty City, which rocked up a day early (in spite of the postal strike nonsense the UK began experiencing in October). At the time of writing I'm well through Lost & Damned (not having Xbox Live I've not played that one before) ... the first few missions were, unfortunately, pretty poorly crafted. Simple 'shoot everything' missions that were poorly mapped-out, resulting in some terrible control issues and situations where you get behind the obvious cover you should take only to find people attacking you from behind that safety line.

Not only that, but other early missions that just pile on the police prescence to such a degree that it becomes infuriating - not only that, but the slowness of hi-jacking a bus full of convicts drained almost my entire life bar (and all of my bullet proof vest). Fortunately though, after a number of dull-to-outright-infuriating early missions, it's picked up.

The mission types haven't gotten much more varied, and aren't as compelling as GTA IV's - many of these new ones being alternate-angle retreads of choice cuts of side-plots from GTA IV, which is part-interesting, part-uninspiring - but even still, they're now good fun again. Add in much improved bike handling and physics, a sense of biker gang cameraderie, and the gang wars element and you've got quality GTA fun.

No doubt I'll have thoughts on The Ballad of Gay Tony come the end of November ... not to mention on Modern Warfare 2, and Ghostbusters.

...

An American Werewolf In London...

Having never seen it before, in October I finally got my mits on it, and it's been stuck in my head ever since - a sure sign of real quality. The film really is absolutely spiffing, and it just keeps growing on me. Not only that, but it seems like everyone is talking about the film at the moment. Everywhere I turn there's a reference to it, and in addition I've had the damn catchy (and fortunately rather good) Bad Moon Rising by CCR rolling around my head ever since. I think a re-viewing with the commentary engaged is not far off.

...

Doing Our Bit...

October has been an active month for filmmaking - namely, conceiving and piecing together our entry for the 1 Minute To Save The World competition (as blogged about in my last post). The response has been positive, which is always nice, and so we're just keeping our fingers crossed. At the very least, nobody can say we didn't try.

Similarly, and with the introduction of new green recycling wheelie bins in our county, I've been setting aside all kinds of things for going in that green recycling bin. Now that we're allowed to put plastic in, it's amazing to see how much recycling you can do in such a simple way - know what the rules are, then bung it all in a green bin and wheel it out front for the council to pick up.

Just as long as the stuff truly is recycled, then it's a great way to do it. That's how it has to be done - make it simple for the masses, and capable of covering a wide range of items, and you're onto a winner.

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Shouting at the telly...

October has been a bit of a month for British politics on television, and as such I've been shouting angrily seemingly every other day at something or other. Not only that, but getting into wide-ranging politics-based rants with others.

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David Sardy's "Estasi Dell Anima"...

This song, featured in the soundtrack to the bloody good Zombieland, is played during the big battle towards the end. If you've seen the movie, you'll know what I mean. This song just sends shivers up my spine everytime, and it's a bloody great piece of music.

...

Rammstein's "Liebe Ist Fur Alle Da"...

Speaking of music, this month has also seen the release of the new Rammstein album - yes, the one featuring that song which had that video to accompany it - and I've really been enjoying it.

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Halloween partying...

I think the last time I was at a halloween party was when I was a child - bobbing for apples and so on, you know the score. It's a weird thing, is halloween, in the UK. Nationally it's not seen as a big deal, but the shops all try and jump on the bandwagon anyway to make money out of it (even though they're already flogging Christmas stuff).

However, I think Gen X and Gen Y have really driven it further into our culture of late. There's always been kids trick or treating, and it really depends on where you live, but with the rise in a drinking culture in the UK, halloween has become another excuse to drink ... but a really, really good excuse to drink. Hell, it's an excuse most of all to dress up however you like and have a real good time.

As such, I had my first halloween party since I was a child, and naturally it was a very different affair. One massive house party that happened to be happening right next to another massive halloween party. Lots of people, but not overcrowded, lots of great costumes (big-up to Hannibal Smith, the Ninja from next door, and elderly Elvis, of the people who I didn't know but whom were such strong showings they deserve some kudos).

Thanks though go to Matt (Bill Hicks) for having the kick arse bash in the first place and inviting us all, to Emma (Spinal Tap's drummer) for giving us a place to kip (inflatable beds too - very professional, I must say), and to Knox (Patrick Swayze) for driving my arse to and from the event.

Oh yes, and to Ben - who went as Che Guevara - for being an absolute legend.

Everyone else was awesome too though.

...

So there we are - another month, another flavoursome blogpost.

Monday, 7 January 2008

The first long-arse blog of 2008...

Well, we're firmly into 2008 now and I figured I'd knock up the first big post of the year with a kind of seasonal round up, although I mostly just indulged and watched DVDs, but still...

One thing is for certain, now armed with a new digital photo camera, I have been taking pictures of all sorts of things around the house. I'm particularly transfixed by close ups...I guess it's my background in art coming back through this device which has enabled it in a more quick & easy way. Plus it makes making graphics for my own short films easier.

But the holidays are for lazing about, and yes I certainly relished the opportunity. It was a DVD marathon alright, so I guess I'll give a quick run down of my viewings (or indeed re-viewings):

Superbad - even better than the first time I saw it now that I'm familiar enough with it to quote-as-it-goes, so-to-speak. Seth Rogen & Co are unquestionably comedic masters. Bring on Pineapple Express!

Alien, Aliens, Alien3 - I got all hot & bothered to get the Ultimate Edition DVDs for them, and I now appreciate them even more than I did, especially the first and third (Aliens is one of my absolute all-time faves). Alien is a masterpiece and Ridley Scott is a genius. Alien3 is a troubled gem with an air of greater things, thanks to David Fincher.

Long Way Down - not as good as Long Way Round, because LWR was just perfect, but still a bloody good adventure to admire and inspire. Bring on Long Way Up!

The A-Team: Season 4 - the majority of the episodes are actually rather good, though the celebrity guest episodes are just pandering, but the show over all has improved at this stage in it's life. Still awesome.

28 Weeks Later - I once scoffed at it, assuming it'd be a cheap and nasty money-spinner trash sequel, but it actually turned out to be equally as good as the original film. It even had a good story to match the visuals!

Spider-Man 3 - wordier than I remember it in the cinema, but still a great romp with a story to boot. Leaving it at three would be no crime, and Sam Raimi could do with returning to his roots for a laugh with his mate Bruce.

Halloween 2007 - having seen the work print, the unrated director's cut is much tighter. Not perfect and not as good as the original (obviously), but is a proper remake - not "name rape" like the new versions of "Dawn of the Dead" (Yawn04) or "Day of the Dead" (Day of the Remake -aka- Day of the Flying Bulgarian Vegetarian Zombies -aka- Careers of the Dead). Michael Myers is at last scary again!

Ricky Gervais: Fame - the least of his stand ups, still mostly funny but nowhere near the quality of the Extras Christmas Special, which was just superb.

I Am Legend - not complete trash, but the infected a bit gash and the final third is a bit cack-handed. At times though it's rather spiffy, and Will Smith actually gets to act instead of wink at the audience. The Omega Man was better though.

SAW IV - least of the series. A convoluted re-hash of the earlier films with a shite continuation of Jigsaw's work. The impact of the first film has long since worn off, and the suitably twisty script of SAW III has been snubbed. Surely it's all downhill for the two coming back-to-back sequels?

American Gangster - not Ridley Scott's best film by far, nor Denzel's. It's not shite, not by a long shot, but I've certainly seen the 'rise & fall of a criminal figure' story several times before, and at times done better I feel. To me it didn't have a strong enough Ridley vibe, to be honest.

This Is Spinal Tap - yes I've only just gotten around to it. Didn't laugh uncontrollably, but appreciated it nonetheless. I guess it just doesn't resonate with me personally as much as it does with others, but regardless I can appreciate it's quality.

Jackass 2.5 - it sucks that the Vito/Lambo tooth yank was excised. The deleted Wildboyz footage is hit & miss, but the rest is decent enough. Hopefully the DVD will plump it up a bit more and provide some more laughs, once it's in stock anyway, I'm still waiting for it.

...

So a well appreciated couple of weeks to lounge around and eat it was, although the wickedly harsh spot of indigestion I got a few nights after Xmas Day sucked big style...now though, the decorations have been cruelly yanked out of my life and stored away for the ass-end of 2008 ... this of course means that I've returned to writing.

For the past few days I've been busy refining the second act of my comedy script, which I'll just refer to as "GenPro" (a short nickname of the full, working title). Next up - planning out and then actually doing the third act...and of course, after that it'll be onto one of two horror scripts I've got percolating in the old noggin.

And there you have it, the first beast-sized blog of 2008!

Wednesday, 7 November 2007

Continuing Contempt, and you know, stuff...

Just got back from filming a couple of insert shots for "Contempt of Conscience", we're just filling the odd little gaps, or rough spots. The film should be done sometime soon, when it's done I'll post up more information. Further projects to follow soon.

Obviously, this meant a jaunt off to Hereford, so it was a chance to test out my ankle, which is feeling better but still a bit swollen and a little iffy. 50 miles of clutching and a quick nip into GameStation for "Splinter Cell Double Agent" and "Tony Hawk's Project 8" on 2-for-£20, which is pretty darn good.

And having just watching the season 19 Simpson's Halloween episode, what the hell does Mr & Mrs Smith have to do with Halloween? It's supposed to be horror, sci-fi and maybe fantasy - not action movies. The last few Halloween specials have been a bit lame or really lame because of such things, but then again you can't compete with the one where Bart & Lisa raised the dead...season 4 if memory serves, it was the third Halloween special anyway.

Friday, 2 November 2007

The post-Halloween round up - part 2...

Additionally I checked out "SAW IV", which from the off I felt was unnecessary. To be honest it was tied up nicely at the end of the third film, but they've found a way to keep it all going (albeit a bit of a naff one, just find a new apprentice in pretty much the same way as before).

I am a huge fan of the original "SAW", it was fresh, unique and the ending left my jaw on the floor (although not hacked off in a pool of blood thankfully). The follow-up however, I didn't really like. The premise wasn't as good, the characters were cut and paste bastards - whore, junkie, whiny little bitch teenager, panicky white collar worker, school-of-hard-knocks black guy and so forth. No wonder it wasn't as good, it was based on Bousman's own script for a completely different film, and James Wan did not have a hand in the script (only Leigh Whannel). However, those two chaps did have their hands in the script for "SAW III", which produced a much better film than "SAW II" I feel, the ciclical nature of the film - treading alternate and unseen angles of plot from the first two films - was what I enjoyed most ... and yes, rotted-pig-slush-device-thing was the grossest thing I've seen for a long time.

As for "SAW IV", with damn near everybody from the previous three films slaughtered - including the main man himself - you just think, what's the point? Sooner or later everyone is going to die, even if they do escape a trap, they'll just be brought back and continue to not think outside of their own boxes so they'll just get hacked up again. With the first three, particularly the first and to a lesser extent the third, you actually cared and wanted people to escape their fates (I could have barely given a thrupny toss about those in part two, bar Donnie Wahlberg).

Another gripe is the sheer scale of the tricks, devices and so on. The scale of the devices is getting a bit silly now, particularly the main set piece in this fourth outing. It's just too big, too flashy and too designed. The great thing about the first film was it was just some grotty old bogs in a grotty old tiled room and the premise of their predicament was fairly simple, yet still terrifying and horrific.

Inevitably this was going to happen to the franchise, everytime you show a bit more and get a bit more outlandish, you have to go further the next time...but can't you just make it more mentally torturous than visually icky? 100 ick units and 0 mental units (to use a bizarre equation I've just cobbled together) is nowhere near as good as 50 ick units and 50 mental units.

The sheer thought of the predicament in the first "SAW", plus the adequate (and at the time actually fairly extreme) gore was an ideal combination. No doubt this won't be the case for "SAW V" or "VI" (which are to be shot back-to-back apparently - not a good sign, most back-to-backs usually suck, and this late in the day as well - have they not seen "Return of the Living Dead 4 & 5"?!)

But to end on a higher note, what I did enjoy about "SAW IV" was the continued way the franchise circles around the same area of events and characters, minor parts from earlier films become main parts (with varied success), and events flash back to earlier events as well as parallel events. You could say that the "SAW" franchise is the new "Friday the 13th" franchise for the 2000's, but in terms of horror in general, at least this franchise seeks to link the films together with at least some depth and complexity.

I appreciate what they're doing with the franchise immensely, but they really need to look back at the first film and regain control over themselves before it gets completely ludicrous and out-of-hand. The best way to make a good sequel is to properly understand the films that preceded it, rather than the cliche of "bigger this, this and this".

The post-Halloween round up - part 1...

Well, tis the season no more ... until Guy Fawke's night ... and then the inevitable shit-fit-frenzy of the run up to Xmas. What did I get up to horror wise? Well, I checked out the European Cut of "Dawn of the Dead" (original & best, obviously not the pointless remake), and I have to say that it's nowhere near as good as the Extended Cut aka Cannes Cut (my personal favourite, which is 139 minutes of sheer heaven). The Euro Cut is understandable, Argento recut to suit Euro audiences, who would subsequently be inundated with 'zeds-n-muff' naffness like "Zombie Lake" - although I actually really enjoyed "Zombie Lake" because it was so silly. However, even though it's understandable, it's still not very well done. The unseen-in-English-speaking-gaffs scene extensions are a Dawn geek's treasured treat, but the exclusions - particularly NO HELICOPTER ZOMBIE, pure madness incarnate - and the soundtrack are a real shame. Superb moments are either chopped out (sometimes in favour of more footage of roaring motorbikes), or the scenes are rendered a clunky and uncomfortable because of Argento's insistence on a purely Goblin-lent soundtrack. Romero used Goblin tracks sparingly and sensibly, they fit the scenes and provided background tension. Argento uses them in a scattergun approach, fades them out abruptly, cuts them off a beat-too-late or just plonks them in the completely wrong place where they become overpowering or just unsuitable. It is however interesting to see a movie I'm so familiar with (yes, I quote the film as it plays) in a different light, but from a technical and critical standpoint, it certainly isn't an exceptional cut of the film - now, the Extended Cut, that is the glory. All of GAR's flair and choice editing, but in greater detail. One could say that Dawn was truly Romero's epic - it's got everything plus a pie-fight after all. Also in my Halloween season line-up was the Halloween theme latest episode of the excellent show "Reaper", certainly one of the most interesting shows to come across the pond in recent times. Otherwise, I also dug myself into "SAW IV", but I'll blog about that in a new post (above).