Flavours of the Month: July 2012...

LOOKS:

Futurama: Season 5 - or, as it is also referred to, the first half of season six. The Futurama folk consider the four movies, which were each in-turn split into four parts, to constitute a supposed 'fifth season', so when they triumphantly returned to TV via Comedy Central, they were onto 'season six'. Anyway - a couple of slightly weaker episodes in the mix (and some examples of ever-so-blunt socio-political commentary) may be present, but it's still wickedly funny a second-time-around. It's a bit bloody daft though, that 'season six' (the back-half of the 26 episodes, which were begun with these here 13 episodes) won't be out on UK DVD until March 2013! Season Seven is already underway, and the episodes have long-since been available in other territories - it's the same story with Robot Chicken's fifth season, which still hasn't struck the Region 2 market (despite being available in other territories for a long time now).

Alan Partridge - Sky Atlantic have clearly been doing very well, and have therefore set about bringing in a whole slew of brand new comedy (some of which they've produced). 10 weeks of new Alan Partridge content is one such example of Monday-based mirth - a chucklesome way to relive my old stomping grounds from my uni days.

Adam Buxton's Bug - I was (and remain) a huge fan of The Adam & Joe Show, which was on Channel 4 back in the 1990s, so I always take great interest in what the two of them have done since. This is a televised version of Buxton's live "Bug" shows, in which he shares weird and wonderful music videos, web content, and computer-based japes, and reads through some of the bizarre and hilarious comments left behind by everyday YouTube users. Now four episodes in, you can see that Buxton has relaxed into the televised setting of his show, and I look forward to the rest of the shows.

The Newsroom - Aaron Sorkin's new drama has kicked off in grand style. The second episode was a bit weak, but the first and third episodes have been stormers. His trademark machine-gun dialogue is in-place, with a wishful outlook on how television news should be, rather than how it is. Indeed, as someone who is decidedly fed up with modern television news (as well as various sectors of journalism in general), it's a good bit of wish fulfilment for me to boot.

The Angelos Epithimiou Show - it's hard to describe why this character is so funny; it has to be seen to be understood, and even then he's not going to be to everyone's liking. No wonder he first came to wide attention on the now-cancelled Shooting Stars. "What's in your bag Angelos? Tell me what's in your bag - ya bastard!"

Click "READ MORE" below for more looks, sounds, vibes and flavours - including zombies, meth, Zimmer, and Duke...

Quadruple Bill Mini Musings: Booze, Bots, Aliens, and Body-swapping...

The Lost Weekend:
What's it about?
Billy Wilder's Oscar-snatching drama about a writer who is hopelessly addicted to alcohol, and finds himself alone with just his inner-turmoil and his bottle.
Who would I recognise in it?
It depends how well you know your 1940s cinema, but Ray Milland and Jane Wyman.
Great/Good/Alright/Shite?
While not as deliciously dark as Wilder's previous film Double Indemnity, nor as blackly comic as his iconic Sunset Boulevard, Wilder brings his trademark touch of class and incisive directorial skill to one writer's alcoholism. Naturally, the subject is dealt with to 1940s standards (although I'd wager it took away a few breaths upon its initial release), you might draw some parallels with the hopeless alcoholic in Leaving Las Vegas (a relatively more modern telling of a similar depressive tale of the battle with the bottle). It might split the audience - one man's seemingly cosy ending, is another man's rather more ambiguous fade out that uncomfortably comes full circle. Great, with a few softened edges.

Click "READ MORE" below for robo-boxing, gunslingers shooting up aliens, and projectile poo jokes...

The Dark Knight Rises (Spoiler-Free) Review...

What's it about?

The closing chapter in Christopher Nolan's critically acclaimed blockbusting trilogy of Batman films, which began with 2005's Batman Begins, and continued with 2008 phenomenon The Dark Knight. It's now eight years since the events of the previous film, and we find Gotham to be on an even keel at last. Bruce Wayne is now a shut-in, and Batman is no more ... that is until Bane, a muscle-bound brute of superior intelligence, seeks to turn the city over to its people in his own inimitable way.

Who would I recognise in it?

Christian Bale, Tom Hardy, Joseph Gordon-Levitt, Anne Hathaway, Marion Cottilard, Gary Oldman, Michael Caine, Morgan Freeman, and more.

Great/Good/Alright/Shite?

Following the success and iconography of The Dark Knight was always going to be a tall order, but in the hands of Christopher Nolan & Co, it was always going to be a safe bet that this closing chapter in his Batman trilogy was going to rock a fair amount of socks - and make no mistake, socks are indeed rocked.

On a personal note I have to say that while I was always going to see this movie, the trailers leading up to its release - for some reason - didn't inspire all that much anticipation in me. Perhaps I was spoiled by those fantastic trailers for Prometheus, however in a way this helped with my viewing experience. I knew I'd enjoy the flick, and I knew it was going to be good, but I didn't walk in with my anticipation set so high, that no movie imaginable could ever conquer such a height. Instead, having sought to avoid spoilers and temper my excitement, I had a better viewing experience as a result.

Bruce Wayne, having hung up his Batman gear after the events of The Dark Knight, has become the stuff of Gotham rumour and gossip - imagined as a deranged Howard Hughes-like hermit, he hides away on his vast estate as the rest of the city enjoys the tranquillity of Gotham's now-safe streets after a law enacted in the name of Harvey Dent has locked thugs and crime lords alike behind bars. Enjoying this new-found freedom more-so than anyone, are the city's rich, whose only real worry is Anne Hathaway's cat burglar (aka Selina Kyle), who seeks a golden ticket out of her life of crime. Long gone are the sly puns and purring of Michelle Pfeifer, and whatever the hell Halle Berry was thinking ... no, here, much like with Heath Ledger's Joker, comes a more realistic adversary based more in reality and less in theatricality. Rest easy, the early fears of discovering that Nolan's trilogy closer was to feature Cat Woman, are to be found nowhere within the confines of this film - Hathaway absolutely knocks the role out of the park.

Click "READ MORE" below for the rest of this spoiler-free review...

Evil Dead II, in clay, the Lee Hardcastle way!

Evil Dead II ... in clay ... with cats ... from Lee Hardcastle. Nuff said, now ruddy well watch this!

The Walking Dead Season 3 Comic-Con 2012 Extended Trailer Analysis...

It's that time of year again – the San Diego Comic-Con is once again under way – and for we fans of AMC's hugely successful hit show The Walking Dead (which returns in October), it means time again for another mouth-watering preview trailer. Check it out here, or if you're not American, then check it out here.

Find more Walking Dead memes HERE. 

What's more, these trailers have become synonymous with excellent clip selection and editing – details are kept hidden (their context often tweaked or totally changed), while still giving the fans a big old mouthful to chew on, and the music selection is always pitch-perfect. The trailer for season one featured “The Sun Ain't Gonna Shine Anymore” by The Walker Brothers, while season two's drool-inducing teaser brought Wye Oak's wonderful “Civilian” to our attention, and season three is no different in quality – it features “Black” by Kari Kimmel, which perfectly fits the tone of what we got to see. Read on for analysis and screenshots galore!

N.B. Spoilers for season two of The Walking Dead ahead - but not for season three. All comments are based on what you see in the trailer - if you want to remain completely oblivious to all things season three, don't read on ... otherwise, enjoy!

#1: Michonne's an arse kicker:

 

Introduced very briefly in the season two finale, we'll not only finally have a definitive answer as to how to pronounce her name, but we'll get one of the most beloved badasses of the comic on our telly screens. Here (and in a preview clip seen online earlier this week), she clears out a grocery store with her trusty sword in her own inimitable fashion, which includes a double decapitation.

#2: Michonne and Andrea team up:

It was fairly clear it would go this way when we were introduced to Michonne in the season two finale (where she saved an exhausted Andrea), but season three's extended trailer provided confirmation that these two death-dealing femmes will join forces. Michonne's already the ultimate bad ass, but at this stage we're still witnessing the evolution of Andrea. In season two she finally found her groove with firearms (so long old life as a Civil Rights Lawyer), and the season two finale also left her abandoned in the wake of the confusion of the incredible attack on Herschel's farm by a herd of walkers – a real trial by fire. Judging by this trailer, Andrea's up for a bloody good fight too, and this looks like it'll be an intriguing change-up when compared to the comics.

#3: Time in the wilderness:

 

Judging by Carl's shaggy hair, Herschel's beard, and Lori's unmistakable baby bulge, it looks like our band of survivors have been surviving on the road for quite some time. It would appear that the show-makers are seeking to condense time and events a little bit here (the prison storyline was spread out over six volumes of the trade paperbacks), which was further hinted at when we were told that we could be seeing the prison storyline spread across season three and season four.

Click "READ MORE" below for a whole shedload more trailer analysis and screenshots!