We Are Zombie Men...

My buddy Brian and I have been mucking around with a music generator these past few months, and with me writing the lyrics and him prompting the tunes, we've accidentally gone and made a whole album of tracks - some of which act as a prequel/re-telling/sequel for the "I Am Zombie Man" series of literally no-budget short films I made many moons ago.

We've called ourselves We Are Zombie Men, and the album is called Bolivian Bliss. You can check it out on the the WAZM YouTube Channel:

Bolivian Bliss

Bolivian Bliss (Alternative Cuts) 

I used Microsoft Designer to prompt the images of Zombie Man and his new beau Fan Girl.

A quick FAQ after the jump...

Murder at the Grindhouse - my new novel...

Murder at the Grindhouse - my new novel - is releasing on August 7th 2026 worldwide via Amazon.

The eBook is already up for pre-order worldwide (e.g. UK, USA) and the physical print edition of the book will go live for purchase on August 7th.

Set during the dying years of the most notorious street in America: New York's 42nd Street between 7th and 8th Avenues, Murder at the Grindhouse is a coming-of-age murder mystery thriller set against a backdrop of social upheaval, the encroachment of corporate America, and a sensational killing streak. The propulsive story is told primarily through Calvin, a scorned small town zero forever chasing to catch up only to arrive too late, who is drawn to the city by a stunning, morbid mystery: who was the second body hidden inside his Aunt's coffin?

Calvin enters this extraordinary land of outlaw film culture and illicit freedoms as a wide-eyed innocent seeking answers and personal redemption, drawing him into a world of copycat murders, temptation, and mob intrigue. Besieged by alluring distractions, he is guided by Angela, a hard-nosed punk rocker; Carol-Ann, a jocular dancer with Broadway dreams; and their coterie of misfit friends. However, when Calvin's amateur sleuthing puts him in the middle of one too many crime scenes, Detective Armstrong begins to like him as a prime suspect for 'The Devil of The Deuce' serial killer. Will Calvin be able to peel back the layers of secrets, lies, and sordid actions to unveil horrifying truths – and at what cost to his soul?

A vivid and gleefully lurid journey through society's edge during a bygone era, Murder at the Grindhouse consumes the reader in a world populated with humorous, vibrant, and emotionally flawed personalities cast against a varied mix of absurd fringe fantasia and sudden danger.

Faces of Death (Daniel Goldhaber, 2026) Review

Find more horror reviews here.

“DIY horror is trafficking right now.” How do you resurrect and reinvent a semi-obscure horror franchise that focused on 'real' death and destruction to shock its audience many years before anyone had even heard of something called the World Wide Web and viral videos? In the case of this unexpected 2026 rebirth of the 1978 original, the approach is to make things timely to meet our current world of social media...

Click “READ MORE” below to continue the review and see more screenshots…

Flavours of the Month: May & June 2026...

Cruising around the galaxy with my little alien buddy, the fall of a villain, a modest amount of Cage Rage (and two blistering heat waves!) is just some of what's been setting the tone of my May and June 2026...

Click "READ MORE" below to see this month's looks, sounds, vibes & flavours...

The Independent Critic reviews 'Ms Green & Other Lovely Beasts'...

Richard Propes of The Independent Critic has published a review of 'Ms Green & Other Lovely Beasts' - and you can check it out HERE.

Directed by Barnes from a script by Nick Thomson, Ms. Green is a deliciously dark delight, a dramatic short with a comedic gleam in its eye and a film that carries with it the spirit of a gothic poet's heart. Koster's Green is an unusual sort, though I'm hesitant to ruin any of it for those may eventually see the entertaining short. Koster makes us rather love Ms. Green, though perhaps from a distance. She's seductively psychotic, a wee bit fractured and yet possesses a sweetness that makes her endearing. Koster makes all of this believable and rather fun to watch.

Lensing by Will Middleton and Aaron Whitehead is effective throughout, and Veronika Koubova deserves immense credit for editing that makes Ms. Green work despite its slight 15-minute running time and an undeniable desire to spend more time with these characters. 

You can follow the film's progress on Facebook, visit the Oakhill Productions website, and visit the film's IMDb page.