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“I'm the Warden of this prison, you're lucky to have
been put in my care.” Teaming up with the 'European Roger Corman' Erwin
C. Dietrich, on what would be the first of fifteen pairings, Jess Franco was up
to his typically mucky-minded antics with the inventively titled Barbed Wire
Dolls. Classed by the Catholic Church as a “most dangerous film maker”,
Franco's fast and loose style pre-dated the infamous and short-lived Dogme '95
movement – a venture that the mammary-mad auteur dismissed as “a very good
publicity thing for a moment”. The use of natural light, a hand-held and
self-operated camera, and other things may have been cheap, but it also added a
twisted sense of reality to his films, and Barbed Wire Dolls is
certainly one of Franco's more warped efforts...
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