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“With needles dipped in deadly venom the victims are
paralysed – so they must lie awake and watch themselves die!” During
the 1970s, Italian silver screens were crammed full with giallo films; lurid
murder mysteries that combined achingly beautiful visuals with sharp shocks and
jagged social commentary, and it was in The Black Belly of the Tarantula
that perhaps the most original Modus Operandi in the history of gialli was
exhibited.
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