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“A man, cut up into pieces, and stuffed in there like
soiled linen.” Ruggero Deodato – a name synonymous with one film in
particular: the utterly notorious Cannibal Holocaust – but what of some
of the other highlights from his varied career? His name has also been attached
to the likes of House on the Edge of the Park (a spin on The Last
House on the Left) and Phantom of Death (Basil Exposition
ages disgracefully) … but, like most Italian directors, he also lent his
talents to the world of the giallo film. However, in the case of the
curiously-titled The Washing Machine (aka Vortice Mortale), the
sultry sex appeal of the 1970s had long gone and, in this case, been replaced
by a post-Cold War hangover and pastel track suits...
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