Double Bill Mini Musings: Iron Men & Iron Bars...

Iron Man 3
What's it about?
If you don't know about Iron Man by now, then where have you been? Tony Stark/Iron Man comes unstuck when international terrorist The Mandarin starts causing global chaos while the 'extremis' biological development only makes things worse.
Who would I recognise in it?
Robert Downey Jr, Gweneth Paltrow, Don Cheadle, Guy Pearce, Ben Kingsley, Rebecca Hall, Jon Favreau, James Badge Dale, William Sadler, Paul Bettany, Miguel Ferrer.
Great/Good/Alright/Shite?
Better than the second, not as good as the first. In spite of few plot holes and story jumps, the script is breezy and sassy enough to make this a hell of a fun ride. Director and Co-Writer Shane Black works his sardonic magic - a summer blockbuster that's set at Christmas, a precocious kid side-kick, innumerable withering put-downs, and an audience-splitting 180 degree blindsiding reveal, all make this a thoroughly enjoyable time. Some might gripe that 'there's not enough Iron Man in it', but there's plenty of iron-fisted mayhem come the finale. Focusing more on Tony Stark this time around makes things more personal and ties up some loose character ends - Iron Man 3 is, after all, the beginning of 'Marvel Phase II' after the billion-dollar juggernaut that was The Avengers. Much better that they play with the formula somewhat rather than just stick rigidly to the same old tricks we've seen before. Good.

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Triple Bill Mini Musings: Arse-kicking, Exploitation & Exploration...

Taken 2:
What's it about?
Revenge-fuelled sequel to the original Liam Neeson arse-kicker about a man with a particular set of skills suffering the consequences of his rampage of violence from the first movie, which was all predicated on rescuing his daughter from traffickers.
Who would I recognise in it?
Liam Neeson, Maggie Grace, Famke Jansen, Rade Serbedzija, Jon Gries, Leland Orser.
Great/Good/Alright/Shite?
I'd heard some pretty bad things about it so I went in expecting the worst, but was pleasantly surprised in general. It's definitely not as good as the original, which was a surprisingly good and rather brutal action flick filled with memorable moments, but the sequel isn't a huge let down either. That said, with the filmmakers aiming for a PG-13 release in the states (which was further trimmed for a piss-weak 12A in the UK), it all feels like a soft scoop version of what came before - necks and bones are broken soundlessly, blood has been digitally removed or desaturated, and the extremely dark and sinister undertones of the original are mostly absent. There's a harder cut that was released on home video, but annoyingly the version shown on Sky Movies was the watered down cut of the flick. Director Olivier Megaton (Transporter 3, and Colombiana, both of which were lacklustre affairs) has put out a good-looking movie, even if the fight scenes become a tad jumbled with shaky cam fast cuts, but it's a hard act to follow the original film's Pierre Morel (District 13). See it in the uncut form, and expect a drop in quality, and without the spine-tingling moments of the original, and you'll see a serviceable follow-up - not great, not awful. Alright.

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Flavours of the Month: August 2013...

LOOKS:

The Kevin Pollak Chat Show - it's a little rough around the edges, and Sam Levine's semi-off-camera interjections don't float my boat, but there's some good and lengthy interviews to see on YouTube. Some I've dug into this month have been Ed O'Neil, Lisa Kudrow, Matthew Perry, and a massively entertaining sit-down with the reliably verbose John Landis who has a veritable shedload of fascinating and entertaining stories from his decades in the movie industry to share. The shows are good because it's just two people having a relaxed and varied chat - although Pollak could ask his questions faster and more succinctly.

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Autopsy (Armando Crispino, 1975) Review

Find more giallo reviews here.

Otherwise known as “The Magician” or “Macchie Solari” (“Sunspots”), this is a review of the uncut version of the film which clocks in at 100 minutes, as opposed to the 85 minute cut.

“People have been knocking themselves off like flies.” Thrust into the boiling hot, blinding white light of the sun – as solar flares erupt and moans of sexual ecstasy call out – Armando Crispino's giallo gets off to a fast-paced and violent start. A rash of suicides plague the beautiful city of Rome as it bakes in the August sun – a woman slits her wrists, a man wraps a bag over his head before diving into a river, another blows himself up in his petrol-drenched car, and a father shoots himself to death after slaughtering his own children.

“It seems sweet to die in August.” There is a blood-soaked madness spreading through the populace, and the morgue is jam-packed with mutilated cadavers – but is every single one of these apparent suicides what they appear to be? Might this be the ideal time for a killer to strike and hide their devious deeds under the guise of suicide?

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Evil Dead (2013) – an all-out stream of fan thoughts...

As a huge fan of the original 1981 movie – it is one of my most cherished formative cinematic experiences – I was frustrated to hear that it was going to receive the remake treatment. However, the news that the original producers – Sam Raimi, Rob Tapert, and Bruce Campbell – were going to be involved softened the punch. If the progenitors were offering hands-on guidance, then perhaps this remake could steer clear of offensive trash like the 2010 remake of A Nightmare On Elm Street, and aim for worthwhile and respectful endeavours like the 2010 remake of The Crazies.

Well, I've finally been able to check it out (on Blu-Ray) and here's the essential meat of my view – I like it, but I don't love it. Mercifully it avoids the ANOES2010-like level of abusive suckage, but there are a few too many awkward quirks and overly-slick problems for it to match my respect (perhaps, even, love) for the likes of The Hills Have Eyes 2006, or Maniac2013 (admittedly, the 'worthy remakes' club is a rather exclusive one).

Rather than a straight review, I'm going to dive into the film from an obsessed fan's perspective, picking through the movie – my loves, my likes, and my hates – piece-by-piece – and go for some horror nerd analysis.

Click “READ MORE” below for a blow-by-blow, slice-by-gouge, hack-by-slash run-down of Evil Dead 2013...