Showing posts with label roger corman. Show all posts
Showing posts with label roger corman. Show all posts

Sunday, 3 May 2015

Galaxy of Terror (B.D. Clark, 1981) Review


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“ALIEN Was Just The Beginning … Hell Has Just Been Relocated!” Produced by Roger Corman – on a relatively handsome budget of $700,000 – if Battle Beyond The Stars (1980) was New World Pictures' answer to 1977's Star Wars, then Galaxy of Terror was clearly their less-than-subtle take on Ridley Scott's Alien (1979). Swapping out H.R. Giger's iconic xenomorphs for – among other things – a giant and rapacious worm-thing – and sticking with the basic setup (oblivious crew sent to a hostile planet to investigate suspicious goings on), Bruce D. Clark's sci-fi horror nonetheless throws up some pleasing surprises...


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Monday, 20 April 2015

Fly Me (Cirio Santiago, 1973) Review


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“My daughter, she isn't happy unless she sees everything.” Roger Corman: a name synonymous with low budget exploitation cinema, a man who has brought his audiences cobbled-together spectacles for decades. He's taken us from gun-slinging actioners to monster cheapies, low-fi sci-fi to kung-fu kicking stewardesses – and it's that last little one we're focusing on here: Cirio Santiago's Fly Me...



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Saturday, 24 January 2015

Update to an old DVD review...

Just a quick post to say that I've given one of my earlier reviews (from September 2011) a bit of a tidy up and included some screenshots.

To see the updated review of Shout Factory's "Women In Cages" Roger Corman's Cult Classics Triple Feature DVD collection (The Big Doll House / Women In Cages / The Big Bird Cage) click HERE.

Tuesday, 10 September 2013

Triple Bill Mini Musings: Arse-kicking, Exploitation & Exploration...

Taken 2:
What's it about?
Revenge-fuelled sequel to the original Liam Neeson arse-kicker about a man with a particular set of skills suffering the consequences of his rampage of violence from the first movie, which was all predicated on rescuing his daughter from traffickers.
Who would I recognise in it?
Liam Neeson, Maggie Grace, Famke Jansen, Rade Serbedzija, Jon Gries, Leland Orser.
Great/Good/Alright/Shite?
I'd heard some pretty bad things about it so I went in expecting the worst, but was pleasantly surprised in general. It's definitely not as good as the original, which was a surprisingly good and rather brutal action flick filled with memorable moments, but the sequel isn't a huge let down either. That said, with the filmmakers aiming for a PG-13 release in the states (which was further trimmed for a piss-weak 12A in the UK), it all feels like a soft scoop version of what came before - necks and bones are broken soundlessly, blood has been digitally removed or desaturated, and the extremely dark and sinister undertones of the original are mostly absent. There's a harder cut that was released on home video, but annoyingly the version shown on Sky Movies was the watered down cut of the flick. Director Olivier Megaton (Transporter 3, and Colombiana, both of which were lacklustre affairs) has put out a good-looking movie, even if the fight scenes become a tad jumbled with shaky cam fast cuts, but it's a hard act to follow the original film's Pierre Morel (District 13). See it in the uncut form, and expect a drop in quality, and without the spine-tingling moments of the original, and you'll see a serviceable follow-up - not great, not awful. Alright.

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