The Hangover: Part II:
The trailer for the first movie was pretty crap, and I wasn't particularly looking forward to seeing it. However, the movie itself was damn good fun, and seeing as it made a shedload of cash a sequel was inevitable. Moving from the 'safe seediness' of Vegas to the 'serious seediness' of Bangkok, the tone is decidedly darker. Vegas is a bit of fun, but if you're lost in Thailand's capital too long it's a case of "Bangkok has you now", never to return. It's grubbier, sweatier and crazier - everything is dialed up to 11 and beyond. The gross stuff gets grosser, the panic gets more palpable, and the sleaze keeps on slithering around you.
Despite the darker tone once the movie gets going, there's plenty of fun to be had - although the movie sticks so closely to the formula, and indeed structure, of the original movie, that it can feel a bit too familiar. No doubt a third will be coming after this sequel blitzed the box office, and hopefully they'll explore new territory (e.g. at least showing us part of the chaotic evening, before segwaying into the chaotic morning after, and bring Justin Bartha's character along for the ride rather than leaving him curiously absent for the most part like in this sequel). So it's very familiar, it's more dangerous, not as good as the original (naturally), but if you dug the original you'll dig this ... and likewise, as has clearly been the case from some critics, if you hated the original, you'll hate this sequel with gusto. Meanwhile the rest of us will be enjoying ourselves.
Defendor:
I was quite looking forward to seeing this after Harrelson's turn in Zombieland, but in the end it's only an okay movie. Harrelson plays a simple man with some problems who masquerades by night as the eponymous hero seeking to bring down Captain Industry, whom he believes killed his mother when he was a child. The pace is a bit too slow, and it never really comes close to hitting a homerun. It's neither funny enough, nor dark enough, considering the subject matter ... although, it's still an interesting little flick, but not quite what I was expecting either unfortunately.
Unstoppable:
A movie about a runaway train full of explosive chemicals directed by Tony Scott - not much to it then, right? Well, sure it's straight forward stuff, but the pace is perfect and most importantly the drama and action is handled with total skill, making this runaway train movie genuinely gripping at all the right moments.
Hatchet:
I'd heard so many good things about this 1980s throwback horror from Adam Green, but clearly those who dug it were seeing something I wasn't. Whipping out a couple of horror icons and relying on cliches as much as you deride them isn't enough to make a decent horror flick. The moments of gore are enjoyable genre fare, but that's only a fraction of the movie. While the main character's buddy Marcus is enjoyably witty throughout, there's little else to keep your attention (even with the brief running time). Bar a handful of decent moments, it was dull and predictable. It neither truly paid homage to the 1980s, or unleashed the self-aware schtick, and the use of Marilyn Manson on the soundtrack is trendy, but totally out-of-place. I really don't get why some apparently enjoyed this so much, but I have heard that the sequel was met with a derisory "meh" during it's brief theatrical stint.
Ghost in the Shell 2: Innocence:
It's been a few years since I watched the first one, so this belated sequel was a little hard to get into when coming to it cold, however the impressive visual style afforded to a very Blade Runner-inspired world where the line between human, cyborg and robot is blurred beyond recognition involves you nonetheless. The cyberpunk stylings are taken to lush and impressive lengths, utilising a mixture of CGI and traditional animation, and while the plot becomes a touch convoluted later on, the noir-like murder investigation that provides the backbone to the plot keeps things together nicely. An efficient 90 minute running time also keeps the flick from descending into ponciness (unlike the latter two Matrix movies, a franchise that was inspired in-part by the original Ghost in the Shell). As an aside, I watched it with the English Dub, which tried to cram too much exposition-filled dialogue into spaces that were too short, and what's more the delivery was robotic and too fast. Quality cyberpunk sci-fi anime.
Showing posts with label hangover. Show all posts
Showing posts with label hangover. Show all posts
Wednesday, 1 June 2011
Pentuple Bill Mini (and Cine) Musings: Antics, Heroes, Trains, Nutters and Robots...
Wednesday, 17 November 2010
Double Bill Mini-Cine Musings...
Jackass 3D:
Looking back on the original three seasons of Jackass, it's pretty damn tame by today's standards. At the time it was hilarious and cringe-inducing, but the further you go, the further still you'll have to go to continue eliciting the same level of response from your audience.
Such is the case with Jackass 3D, and indeed the case with the previous entries. The first Jackass movie stepped things up a considerable notch and released the franchise from the constraints of MTV on American TV. The second took things into a considerably more vile, more painful, and more shocking arena - but an arena filled with more laughter than ever before.
Jackass 3D doesn't quite have the same impact of Jackass: Number Two, especially as many of the skits are re-heats of established themes and ideas, but then again there's only so many ways to hurt yourself and make yourself vomit. This might seem like an issue, but in the world of Jackass, it's cheeseburger charm goes down a treat anyway - it's almost like a victory lap. Some of the members are showing their age now, and the closing credits includes 'then and now' footage of all the key players. There's a sense of this being a family of sorts who have grown up together, and it's this vibe which keeps the Jackass experience fresh, and maintains it as the pinacle of the stunt show thing that dominated the 2000's.
More of the same, sure, but there are stand out skits - both of the slapstick and gross-out variety - that keep things moving along nicely. It was a pleasure to see with an audience too, with everyone roaring with laughter or gasping with grimaced disbelief in unison, however when it comes to the 3D it's a mixed bag.
The resurgence of 3D made for a no-brainer when it comes to this sort of material, but also because of the type of presentation often featured in Jackass, and how the technology itself works, you're really getting half of a 3D movie and half of a 2D movie converted (sometimes seemingly not converted at all) into 3D. Certain set pieces worked nicely in 3D however, and afterall, if you're into this kind of entertainment you're going to want to see it in 3D, even if you don't get everything flying into your face.
I look forward to seeing what the DVD/BR release has to offer in terms of cut footage. Apparently there was an awful lot of good stuff cut out, and I have to say that at times you felt like certain members were being short-changed during the flick, but even still it manages to hold together well enough to make for an entertaining old romp for those inclined and acclimated to this sort of fare.
Due Date:
Following on from last year's all-conquering comedy The Hangover, which had a rubbish trailer that didn't inspire much confidence prior to seeing it, comes Todd Philips and Zack Galifianakis - accompanied by RDJ and a funny-looking, self-abusing dog - in a Planes, Trains & Automobiles-a-like ... with a rubbish trailer.
Fortunately, The Hangover turned out to be really quite entertaining, even upon a second viewing, and while Due Date doesn't quite hit some of the sheer fun of the former, once it gets going after a somewhat slow first act, it really starts to cook with some properly hilarious moments. Perhaps the trailer was so rubbish because they - wisely - didn't overexpose the comedy and kept the big gags as surprises for the audience, which wasn't the case with Burke & Hare, which gave away its best gags in the entertaining promos.
The emotional side to the plot is more subtle, or perhaps less explored, than that of Planes, Trains & Automobiles, but instead the shock-comedy factor is turned way up. It's just a good slab of fun, littered throughout which are cameo vignettes that work to varying degrees of success, and while it's not got the infectious sense of chaos which The Hangover had, the two leads (and the dog) hold your funny bones in their hands throughout. Definitely worth a watch.
Looking back on the original three seasons of Jackass, it's pretty damn tame by today's standards. At the time it was hilarious and cringe-inducing, but the further you go, the further still you'll have to go to continue eliciting the same level of response from your audience.
Such is the case with Jackass 3D, and indeed the case with the previous entries. The first Jackass movie stepped things up a considerable notch and released the franchise from the constraints of MTV on American TV. The second took things into a considerably more vile, more painful, and more shocking arena - but an arena filled with more laughter than ever before.
Jackass 3D doesn't quite have the same impact of Jackass: Number Two, especially as many of the skits are re-heats of established themes and ideas, but then again there's only so many ways to hurt yourself and make yourself vomit. This might seem like an issue, but in the world of Jackass, it's cheeseburger charm goes down a treat anyway - it's almost like a victory lap. Some of the members are showing their age now, and the closing credits includes 'then and now' footage of all the key players. There's a sense of this being a family of sorts who have grown up together, and it's this vibe which keeps the Jackass experience fresh, and maintains it as the pinacle of the stunt show thing that dominated the 2000's.
More of the same, sure, but there are stand out skits - both of the slapstick and gross-out variety - that keep things moving along nicely. It was a pleasure to see with an audience too, with everyone roaring with laughter or gasping with grimaced disbelief in unison, however when it comes to the 3D it's a mixed bag.
The resurgence of 3D made for a no-brainer when it comes to this sort of material, but also because of the type of presentation often featured in Jackass, and how the technology itself works, you're really getting half of a 3D movie and half of a 2D movie converted (sometimes seemingly not converted at all) into 3D. Certain set pieces worked nicely in 3D however, and afterall, if you're into this kind of entertainment you're going to want to see it in 3D, even if you don't get everything flying into your face.
I look forward to seeing what the DVD/BR release has to offer in terms of cut footage. Apparently there was an awful lot of good stuff cut out, and I have to say that at times you felt like certain members were being short-changed during the flick, but even still it manages to hold together well enough to make for an entertaining old romp for those inclined and acclimated to this sort of fare.
Due Date:
Following on from last year's all-conquering comedy The Hangover, which had a rubbish trailer that didn't inspire much confidence prior to seeing it, comes Todd Philips and Zack Galifianakis - accompanied by RDJ and a funny-looking, self-abusing dog - in a Planes, Trains & Automobiles-a-like ... with a rubbish trailer.
Fortunately, The Hangover turned out to be really quite entertaining, even upon a second viewing, and while Due Date doesn't quite hit some of the sheer fun of the former, once it gets going after a somewhat slow first act, it really starts to cook with some properly hilarious moments. Perhaps the trailer was so rubbish because they - wisely - didn't overexpose the comedy and kept the big gags as surprises for the audience, which wasn't the case with Burke & Hare, which gave away its best gags in the entertaining promos.
The emotional side to the plot is more subtle, or perhaps less explored, than that of Planes, Trains & Automobiles, but instead the shock-comedy factor is turned way up. It's just a good slab of fun, littered throughout which are cameo vignettes that work to varying degrees of success, and while it's not got the infectious sense of chaos which The Hangover had, the two leads (and the dog) hold your funny bones in their hands throughout. Definitely worth a watch.
Thursday, 12 August 2010
The A-Team...
As a big fan of the original television show, when I first heard that an up-to-date movie adaptation was in the works, I wasn't exactly stoked. "How will they screw this up?" I wondered, what with there being so many slapdash remakes, re-imaginings and whatever you fancy, that haven't been up to snuff - or that have simply relieved themselves all over the source material.
Then the first snippets of information - notably, the cast list. Hannibal - check - Liam Neeson is generally awesome, but he was doubly-so in the kick arse action flick Taken, so I knew that was a good choice. Face - check - Bradley Cooper wasn't a particular name of note until The Hangover came along and he was good in that, and I could see him portraying the womanising charm of Templeton quite well, so that was another good choice.
Next up Murdock - check - I'd only seen Sharlto Copley in District 9, which was a great film, and I knew Copley would be able to bring out Murdock's lunacy. Afterall, he'd managed to turn a farty, pencil-neck bureaucrat into an arse kicking, metamorphosing hero in District 9. The only sticking point was Rampage Jackson, the UFC Fighter, as B.A. Baracus - hmmm - it was going to be a hard role to fill anyway, what with Mr. T being so iconic in the role.
Then the first footage came out, and then trailers, and still Rampage Jackson as Baracus was a sticking point for me - and others - his preview clips just weren't convincing, and it was starting to shape up as a properly fun time except for his involvement.
Then came the incessant advertising that was drawn out over months and months and months. It was cheeky enough that we in the UK were almost the last country in the world to get our mits on it, a full month after its native America got their teeth into it, but the endless trailers and Orange tie-in adverts in the cinema were just mind-numbing. A couple of viewings of the trailer is all I'd need as an average cinema-goer, so why on earth with the saturation?! It was an absolute relief to finally watch the actual movie, I can tell you!
Ah yes, the movie itself, thankfully it turned out as a good, solid fun time - Rampage Jackson included. Turns out in the context of the entire movie, and the other cast members, he was a good choice to bring Baracus into the 21st century. What relief indeed. The filmmakers might say "we told you so", but to be honest this sort of turn around is rare ... annoyingly your initial reactions are confirmed once you've stumped up your cash and endured the onslaught of car and vodka adverts (an odd sandwich of advertising, wouldn't you think?)
Adaptation wise, it's good. The transfer from Vietnam to Iraq is seemless, and the pre-amble showing how the team came together works well to introduce us all (franchise fans and newcomers alike) to the new breed of A-Team. Although more of the famous van would have been nice, but considering the plot it's understandable that it's not on screen for all that long. The filmmakers have done a good job of weaving in various nods and winks to the original show, while not being precious or cheesy or disrespectful about it - a nice balance is struck pretty much throughout, and like The Losers from a couple of months ago, this is a good slab of action movie fun and I look forward to seeing it again on DVD ... most of all so I can see the post-credits sequence featuring the original Face and Murdock.
When we went to see it in the cinema they put the big lights on part-way through the credits, which suggests that there's nothing more to see, so finding out there was another scene for the hardcore fans out there was most annoying. I'll just have to catch it on DVD - speaking of which, I hope we get a proper DVD release, not some half-arsed near-vanilla bit of old cobblers with sod all extras ... that's what happened to Kick Ass, a movie I really enjoyed, but which got a rubbish DVD and a solid Blu-Ray - and not being on the Blu-Ray bandwagon (can't afford it, plus the TV and surround to make it a worthwhile experience ... plus I don't like being bullied into a new format, nor do I like a DVD being half-arsed when I was ready and waiting to put down good money on it - well done movie studios, you lost yourself some money by screwing the DVD majority over on your releases!)
Anyway, rant over ... The A-Team was a welcome jolt of action movie fun and here's hoping the DVD is a quality release.
Then the first snippets of information - notably, the cast list. Hannibal - check - Liam Neeson is generally awesome, but he was doubly-so in the kick arse action flick Taken, so I knew that was a good choice. Face - check - Bradley Cooper wasn't a particular name of note until The Hangover came along and he was good in that, and I could see him portraying the womanising charm of Templeton quite well, so that was another good choice.
Next up Murdock - check - I'd only seen Sharlto Copley in District 9, which was a great film, and I knew Copley would be able to bring out Murdock's lunacy. Afterall, he'd managed to turn a farty, pencil-neck bureaucrat into an arse kicking, metamorphosing hero in District 9. The only sticking point was Rampage Jackson, the UFC Fighter, as B.A. Baracus - hmmm - it was going to be a hard role to fill anyway, what with Mr. T being so iconic in the role.
Then the first footage came out, and then trailers, and still Rampage Jackson as Baracus was a sticking point for me - and others - his preview clips just weren't convincing, and it was starting to shape up as a properly fun time except for his involvement.
Then came the incessant advertising that was drawn out over months and months and months. It was cheeky enough that we in the UK were almost the last country in the world to get our mits on it, a full month after its native America got their teeth into it, but the endless trailers and Orange tie-in adverts in the cinema were just mind-numbing. A couple of viewings of the trailer is all I'd need as an average cinema-goer, so why on earth with the saturation?! It was an absolute relief to finally watch the actual movie, I can tell you!
Ah yes, the movie itself, thankfully it turned out as a good, solid fun time - Rampage Jackson included. Turns out in the context of the entire movie, and the other cast members, he was a good choice to bring Baracus into the 21st century. What relief indeed. The filmmakers might say "we told you so", but to be honest this sort of turn around is rare ... annoyingly your initial reactions are confirmed once you've stumped up your cash and endured the onslaught of car and vodka adverts (an odd sandwich of advertising, wouldn't you think?)
Adaptation wise, it's good. The transfer from Vietnam to Iraq is seemless, and the pre-amble showing how the team came together works well to introduce us all (franchise fans and newcomers alike) to the new breed of A-Team. Although more of the famous van would have been nice, but considering the plot it's understandable that it's not on screen for all that long. The filmmakers have done a good job of weaving in various nods and winks to the original show, while not being precious or cheesy or disrespectful about it - a nice balance is struck pretty much throughout, and like The Losers from a couple of months ago, this is a good slab of action movie fun and I look forward to seeing it again on DVD ... most of all so I can see the post-credits sequence featuring the original Face and Murdock.
When we went to see it in the cinema they put the big lights on part-way through the credits, which suggests that there's nothing more to see, so finding out there was another scene for the hardcore fans out there was most annoying. I'll just have to catch it on DVD - speaking of which, I hope we get a proper DVD release, not some half-arsed near-vanilla bit of old cobblers with sod all extras ... that's what happened to Kick Ass, a movie I really enjoyed, but which got a rubbish DVD and a solid Blu-Ray - and not being on the Blu-Ray bandwagon (can't afford it, plus the TV and surround to make it a worthwhile experience ... plus I don't like being bullied into a new format, nor do I like a DVD being half-arsed when I was ready and waiting to put down good money on it - well done movie studios, you lost yourself some money by screwing the DVD majority over on your releases!)
Anyway, rant over ... The A-Team was a welcome jolt of action movie fun and here's hoping the DVD is a quality release.
Tuesday, 16 June 2009
The Hangover...
I was a bit neutral towards this Vegas-set comedy when I saw the trailer (and Mark Kermode's distinct disliking of it made me a bit weary), but then again it's from Todd Phillips who has given me a good few chuckles in the past with the likes of Old School (and a couple of others that slip my mind right now).
As soon as I saw it was a Vegas-set comedy, I immediately thought of Fear & Loating In Las Vegas (which is great) and Very Bad Things, which I saw a number of weeks ago for the first time (good black comedy) ... so I guess that's where a bit of my trepidation came from as well ... but regardless, the lads and I were off to have a double-film Sunday cinema jaunt, and The Hangover was first up (Doghouse would follow).
I was pleasantly entertained, I'm glad to say. The last time we went on a double-flick cine-trip, we went to see I Love You, Man (which was good fun) and Observe & Report (which was pish - and even more hard going as it was the second movie in our double bill, and my blood sugar was rock bottom).
It's not amazing by any stretch of the imagination, and I didn't guffaw uproariously, but I got plenty of solid laughs throughout and was awarded with numerous 'bits' to mimmick with the lads as we waited for our post-Hangover movie Pizza Hut pizzas.
Undoubtedly, the biggish dude with the beard ("fat Jesus" as he was mocked in the movie) stole the entire movie, but the rest of the cast did well by keeping you on side for continued chuckles also ... Heather Graham wasn't in it much though, was she? Then again, it's really about the four guys, so nevermind that observation.
I'll look forward to no doubt giving it a second viewing with the lads sometime in the future for another DVD night-in, because that's how this flick works best - watching it with the lads.
Oh, and weirdly enough, the bit where "fat Jesus" eats a slice of pizza dug out from the back of a sofa really made me crave a Meat Feast pizza ... and so, in-between showings, I went and had a Meat Feast pizza in Pizza Hut ... and it was fucking lush!
As soon as I saw it was a Vegas-set comedy, I immediately thought of Fear & Loating In Las Vegas (which is great) and Very Bad Things, which I saw a number of weeks ago for the first time (good black comedy) ... so I guess that's where a bit of my trepidation came from as well ... but regardless, the lads and I were off to have a double-film Sunday cinema jaunt, and The Hangover was first up (Doghouse would follow).
I was pleasantly entertained, I'm glad to say. The last time we went on a double-flick cine-trip, we went to see I Love You, Man (which was good fun) and Observe & Report (which was pish - and even more hard going as it was the second movie in our double bill, and my blood sugar was rock bottom).
It's not amazing by any stretch of the imagination, and I didn't guffaw uproariously, but I got plenty of solid laughs throughout and was awarded with numerous 'bits' to mimmick with the lads as we waited for our post-Hangover movie Pizza Hut pizzas.
Undoubtedly, the biggish dude with the beard ("fat Jesus" as he was mocked in the movie) stole the entire movie, but the rest of the cast did well by keeping you on side for continued chuckles also ... Heather Graham wasn't in it much though, was she? Then again, it's really about the four guys, so nevermind that observation.
I'll look forward to no doubt giving it a second viewing with the lads sometime in the future for another DVD night-in, because that's how this flick works best - watching it with the lads.
Oh, and weirdly enough, the bit where "fat Jesus" eats a slice of pizza dug out from the back of a sofa really made me crave a Meat Feast pizza ... and so, in-between showings, I went and had a Meat Feast pizza in Pizza Hut ... and it was fucking lush!
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