Flavours of the Month: March & April 2026...

Killer mutated vines, isometric law enforcement, and a galaxy that's a bit of a walk away is just some of what's been setting the tone of my March and April 2026...

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Flavours of the Month: March & April 2025...

A bit of the old bish-bash-bosh, retro in a half-shell, and a ruddy good flashback is just some of what's been setting the tone of my March and April 2025...

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Flavours of the Month: March & April 2024...

Apocalyptic retro-futurism, laid back pixel packing, and a trip to Delta City is some of what's been setting the tone of my March and April of 2024...

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Flavours of the Months: February, March, and April 2023...

March was a rough month, drawing to a sad but somewhat merciful close to a very difficult three years that was only going to get even worse, which is obviously why these 'flavours of the month' are later than usual.

So ... an apocalyptic adaptation, globetrotting with Agent 47, and Mando on the skids are some of what's been flavouring my February, March, and April 2023...

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Flavours of the Month: February - March 2022...

A new era for a beloved franchise, televisual hits and misses, and a smoke-spewing screaming tear through the wasteland are just some of what's been setting the tone of my February and March 2022...

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Flavours of the Month: February/March 2021...

Spooky doings, doublethink, and an alternative history are just some of what has been setting the tone of my February and March 2021...

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Flavours of the Month: March 2020...

A galactic western, the mystery of murder, and venturing into the wilds of a post-apocalyptic Russia are just some of what's been flavouring my March 2020...

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Flavours of the Month: March 2019...

The return of F1, sci-fi shorts, and dark comedy are just some of what's been setting the tone of my March 2019...

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Flavours of the Month: March 2018...

Bleak Russian sci-fi, hilarious cartoon sci-fi, and flesh-chompers of different hues are some of what's been setting the tone of my March 2018...

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Flavours of the Month: March 2017...

Dirty coppers, saucy times in Venice, and antics around San Francisco are some of what's been setting the tone of my March 2017...

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Flavours of the Month: March 2016...

Chainsaw-wielding maniacs, spooky goings-on, and a certain chap stranded on Mars...

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Flavours of the Month: March 2015...

There's been a bit of a Werner Herzog vibe to this month as I finally caught up with a few recordings I'd made several weeks ago during Film4's season of films by the filmmaker - such as Aguirre Wrath of God, Stroszek, Nosferatu The Vampyre, and Fitzcarraldo ... but there's also been a dose of Hollywood satire, a pinch of Thomas Pynchon, and a journey through some bleak post-apocalyptic tunnels, among other such things...

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Flavours of the Month: March 2014...

LOOKS:

The League of Gentlemen (DVD commentaries)

Gravity (Blu-Ray) - it's definitely not a horror film, but it's the scariest movie I've seen in years. An astonishing technical and directorial achievement that features a gripping central performance by Bullock.

8MM - apparently screenwriter Andrew Kevin Walker (Se7en) disowned the movie after it was watered down and had the tone somewhat lightened, but even still, it's a pretty grim thriller that's simultaneously quite compelling. Part of that post-Se7en vibe in 90s filmmaking where everything got very dark and brooding (also see End of Days).

True Detective - familiar elements given a unique spin. A superb piece of dramatic work with two exceptional lead performances at the heart of it. Lyrical, poetic, and exceedingly dark. An iconic piece of television drama. Let's hope they can recapture that same spirit with a brand new cast and storyline for season two.

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Flavours of the Month: March 2013...

LOOKS:

James Bond is Kind of a Prick - I saw this too-little-seen YouTube parody video on a RudeTube repeat and tracked it down online. Absolutely hilarious and bloody catchy to boot.

The Walking Dead Q&A Panels - the obsession continues unabated. "An Evening with The Walking Dead" and the "Paleyfest 2013" panels were particular highlights.

Derek - Ricky Gervais' Channel 4 comedy drama has been a real treat. Laugh out loud hilarious one minute, and then heart-breakingly serious the next. Rarely has a comedy drama juggled gasped guffaws and tear-jerking pathos so skilfully.

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Flavours of the Month: March 2012...

LOOKS:

The Walking Dead Season 2 - the second half of season two has been a storming success with Glenn Mazzara as the new showrunner. The scale of the look of the show has expanded, the pacing has been perfected, the drama has been ramped up even more, and boy-oh-boy did we zed-heads get some amazing zombie action too. I absolutely cannot wait for season three!

Deadwood - spotted it on sale, so figured I'd give it a spin and now I love this show. The first season is superb, as is the second (even if the dialogue became overly complicated and verbose ... as if the writers ran every word through a thesaurus), and while the third season lacks some of the propulsion and intrigue of the first two seasons (until the final three episodes when it gets nail-bitingly tense), you're so invested in the town and its residents, you don't mind that the final season has been a slower-paced affair with several vague subplots that never really developed. An excellent show all-round and I dearly hope we can finally get the much-talked-about, but never realised (thus far), TV movies that were intended to wrap up the storylines properly.

The Evil Dead - I've got it twice on VHS (cut & uncut), once on DVD (the 'Book of the Dead' edition), and now I've got it on Blu-Ray. It's a bit of an annoyance that we in Region B didn't get the original aspect ratio and a few other additional extras (as found on the now out of print limited edition that Region A got), but it's a spiffing way to catch up on some missed extra features from releases past, and get a remarkably good-looking spruce-up of the print.

Flavours of the Month: March 2011...

LOOKS:

Born To Kill? - During my formative years, and being one of those teens who was obsessed with horror movies (not an awful lot has changed in the intervening years, then), I used to watch documentaries on Channel 5 about notorious serial killers - the real-life inspirations to some of the horror movies I would watch. This was back when Channel 5 was brand new and pretty much only showed softcore porn movies and aforementioned killer docs ... but fast forwarding to now I discovered, thanks to Sky Anytime, a series that began airing on the Crime & Investigation Channel about serial killers, ultimately concluding whether they were born to do the things they did or not. It's a fascinating series, although the constant re-use of certain footage and photos does begin to grate on the odd occasion.

Glory Daze - Apparently this comedy series about 1980s fraternity life isn't getting a second season, and you can kind of understand why, but at the same time - so far at least - it's an enjoyable enough distraction.

Shutter Island - Early in the month it was put on Sky Premiere so I figured I'd give it a third viewing, and sure enough there were still things that I was picking up that I'd missed the first two times around. I'm really quite fond of this film.

Nedroid, and Romantically Apocalyptic web comics - I'm a big fan of the Cyanide & Happiness web comic, and through them I was introduced to these two other web comics which both tickled me. Particularly the latter, which is beautifully crafted in its illustration of a whimsical, semi-deluded air to an apocalypse.

SOUNDS:

Alan Wake OST - I find this soundtrack helps me get my head into the right tone of late, as I have been mapping out my next feature length script "Allen Bridge".

Staind "Break The Cycle", and "14 Shades of Grey" - Perusing my CD collection I rediscovered these sitting way down at the bottom of the stack, having got them the best part of a decade ago. So I gave them another spin for old time's sake.

CKY Infiltrate Destroy Rebuild - I love me some CKY, I even got to see them live at my University (it was a bloody good show, too), and with their newest track "Afterworld" getting a lot of airing on my playlist, I returned to this spiffing album (the video version of the album is also bloody good).

VIBES & FLAVOURS:

Allen Bridge - My next feature length script, and I'm really planning-the-hell out of it. Characterisation, town history, motivations, impediments, the three-act-structure - the lot. I'm getting close to finishing the prep work - which has been handled on-and-off over the last 10 months (I found myself having fits-and-starts of productivity with interluded bouts of struggling) - and in the past month I've really broken the back of this thing and explored entirely new territory that I never considered when I first came up with the idea. It's been like taking a lump of clay and crafting it into a sculpture, as what was once a fairly unclear vision has evolved into a deeply considered project. Indeed I plan to follow the writing process on this blog as I go, so keep an eye out for that.

Project Gotham Racing 4 - Lacking any new games to play (plenty of interesting ones are out there, but certainly not at prices I'm willing to pay for them), I broke the cycle of first-and-third-person-shooters, and sandboxers, by returning to good old PGR.

The next educational DVD project - On the topic of Abortion, this will be the next series of educational films that I'll be putting together, similar to the likes of Just War (which was screened at the Borderlines Film Festival this month), so it's been all-hands-on-deck to gather enough footage and photographs to turn the words in the script into moving images. Naturally with a topic such as this, finding footage can be a bit of a struggle, and so we'll be going for a slightly more abstract and metaphorical approach this time around. For me as the editor it's shaping up to be an intriguing visual challenge.

Hextuple Bill Mini Musings: November 2010...

Witchfinder General:
I've never seen many, if any before now, British horror movies from the era of Hammer, but I found this - which was at the time a bit of a 'last hurrah' for Brit-horror at the time - to be really quite interesting. The actions of these deluded witch finders writ large across the screen really does pack a punch - you often read about such things as a kid in history class, but to see them painted vividly before Vincent Price's scowl is another thing entirely.

Most interesting of all was the print itself - as shown on BBC4 during the run of Mark Gatiss' History of Horror - which showed in no uncertain detail, exactly which moments of the film's violence had previously been cut out. It's a period of history that's not commonly covered in horror, if at all really, so even coming to it decades after-the-fact, it manages to hold on to the impact it no doubt had upon its original release.

Jennifer's Body:
Following hot on the heels of the just-this-side-of-smug Juno, comes what almost becomes a vehicle for Megan Fox to cock tease the sweaty-palmed teenage male section of the audience. Most of the famed 'Diablo-gue' already feels passe, but certain lines still hold on to the individualism that Juno displayed ("you give me such a wettie", for instance).

The tone of the movie however, is unsure, illustrated best by the fire that acts as the catalyst for the rest of the script. I was left feeling dumbfounded by how off that whole portion felt, and the flick never really gains a strong sense of footage, let alone itself. Perhaps the main problem is two-fold - firstly it's essentially Juno for the horror genre, and secondly because of the insane amount of focus on Megan Fox that surrounded the movie.

In short - it's disappointing. It has some good moments, but the whole feels misguided.

Miss March:
I entered this movie expecting the usual level of direct-to-DVD smut-comedy - thinking it'd be like one of those quite naff "American Pie Presents" flicks - but I was pleasantly surprised. The plot is simplistic, but it's the foul-mouthed, sex-obsessed, wide-eyed half of the central duo that makes for a pleasantly vulgar surprise throughout. Trevor Moore (who also co-wrote the screenplay) really stands out, grabbing his dialogue and performance with both hands, to give a comedic turn that's way above the expected station for this kind of fare. Without his character, his performance, and a handful of appropriately daft running gags (the whole "horsedick.mpeg" moniker, for one) it would be like all the other direct-to-DVD sex comedies, but his gusto lifts it head-and-shoulders above its peers.

Brides of Dracula:
Included in the same week of programming as Witchfinder General, I was quite surprised BBC4 didn't show 1958's Dracula. Instead they showed this, which to be honest wasn't all that great. There's barely any horror, the first half is pretty damn dull, and it never pops when Peter Cushing isn't on-screen ... so aside from some charming production design, I wasn't too interested in this one.

Let The Right One In:
Much was made of this Swedish vampire horror, which isn't really about vampires or horror, when it first came out, but I just never got around to it. Fast forward to May 2010 when it showed on FX and I stuck it onto the Sky+ box ... then fast forward six months to when I finally got around to watching it.

I can see exactly why this got so much praise. As Mark Kermode said, it's a film about childhood that just so happens to feature vampires - and that's exactly why this stands out. More than that though, the Swedish sensibility elevates this further in my opinion - when so many horror flicks are British or American, the perspective of an entirely different nationality comes as a welcome change of pace.

Subtitles wise though, I have a mixed view of them. Sometimes it's entirely appropriate for the film - such as the superior Downfall - but other times, particularly on visually electric flicks like Versus, I feel a dub is better (as long as it's done well, of course). It all depends on the type of film, and I do sometimes struggle to keep up with screeds of dialogue represented in English subtitles, something that's more annoying because I want to experience the visuals (for example a swift paced action flick like District 13). However Let The Right One In has really quite a sparse script in terms of dialogue, and this lends itself to the subtlety of it all. Little needs to be said when so much information is delivered visually with the smooth, almost painterly, direction and cinematography.

The moments of horror come quickly and leave just as swiftly, but their imagination, presentation and execution makes them memorable and entirely worthy of one or two rewinds to get another look-see. It'll be interesting to see what the American's English language remake does, but if Mark Kermode's assessment that it has been turned into a 'vampire movie that just so happens to include children', then it certainly won't beat the original ... but that's so often the case with remakes, be they inspired by age or a foreign language.

Pontypool:
Sat on the Sky+ box for a couple of months, all I knew of it was that it was a viral infection flick where the virus is spread via the English language, and that we focus on a small town disc jockey (played superbly by character actor Stephen McHattie). The fact that 99% of the movie takes place within the confines of the radio station is impressive, even more so in that you never want to leave it. The first act gets us gradually into the swing of things with performances, dialogue, editing, direction and sound design that convincingly present us with a truthful depiction of a small town radio station.

The pace is pitch perfect, and the performances (particularly that of McHattie) emphasise the almost-entirely-off-screen action and horror so well that the movie is genuinely creepy. As things take a turn for the worse and it becomes clear that there is an infection spreading through this small Canadian town, which we learn about on-the-hoof, you really do get a sense of this is how things would really play out in an equivalent real-life scenario.

The last ten minutes go a little bit off-the-boil, but other than that this is a properly creepy horror flick with a great script that successfully keeps the all-too-real-feeling horror off screen. Highly recommended.

Flavours of the Month: March 2010...

Another month comes to a close, so that means another round of Flavours of the Month.

Technically the very end of February, but nevertheless, the month kicked off with a Crazies vibe, checking out the actually-quite-good remake of Romero's 1973 infection shocker at the cinema before returning home to give the original movie another spin (a movie which gets better each time I see it).

Moving swiftly on I finally got around to reading Fear & Loathing In Las Vegas, which I bought months ago but have only just gotten to after a stack of other books from Christmas had shrunk down a bit. I'd already seen the Gilliam film version (which is bloody brilliant in itself), but it was great to read the absolutely bonkers source material. Naturally a re-watch of the film was in order, but not only that, it was Knox's birthday (he who plays Zombie Man) and he was having a Vegas-themed fancy dress bash - as such I donned the key apparel to outfit myself as Hunter S. Thompson.

There's been a bit of a Jason Vorhees vibe to March as well, with a bargain bin priced DVD viewing of the okay remake, and another spin of the franchise documentary His Name Was Jason.

It's been a strong month for editing, with "Just War" being the latest educational DVD project I've cut together, and I have to say the muse has most definitely been with me. I feel like my editing stamina has increased, I've even become oddly addicted to trying out nifty little ideas throughout and trying out new tricks. I also think that "Just War" features some of my best editing - we've always aimed to produce visually stimulating films (and constant feedback from the customers confirms our success in achieving that goal), and "Just War" is our most visually stimulating educational project to date. The idea being, of course, is that if you present something in an intriguing and arresting manner, you'll get the kids to pay attention to the information being imparted via the voice overs.

As near as makes no difference, two years and one month since my Xbox360 first broke (total video failure, 9 months after purchasing it), it conked out for a second time (total video failure again, plus the disc drive was showing its age). Within a week my console had been picked up and a 'new refurb' (i.e. not a used refurb, but not brand new console either) had arrived. Seems to be running fine, and the disc drive is certainly a considerable improvement over the one with my original console ... as such I'm now gradually picking my way through 15th Century Italy in Assassin's Creed II, which I have to say is quite a spiffing game.

Finally, having discovered that Tremors: The Series had only just been released, I snapped up the DVD and have been making my way through the episodes (that I fondly remember seeing on the Sci-Fi channel years ago). I love the Tremors franchise (well, part 4 was wholly unnecessary) and I'm eagerly awaiting the rumoured Tremors 5, so I'm thoroughly enjoying getting to see the series all over again.

Well there we go, that's it for March as I wrap up editing on a couple of projects and seek to knuckle down and get the character arcs fully fleshed out for my next script, which has - I must admit - taken a bit of a back seat this month what with all this editing that's been going on. Hopefully in the coming weeks I can say I've made some real progress on that script, but we'll have to see.