http://www.friezefoundation.org/film
Go to the above link and watch Parts 2 and 4 - where I have footage used.
Obviously everybody only gets brief bits used, as there was 2 hours of chosen footage edited down into four 3 minute shorts, but this means I've had stuff shown on Channel 4 prime time television, and of course I'm credited on the end credits - according to my YouTube channel name of course - which is ZombieWagon.
There's one of my shots (seemingly flipped vertically and horizontally) in the opening titles of each of the four films - again, high contrast black and white footage of the white road markings ... on a road, obviously.
Anyway, in Part 2 my footage is the two high contrast black and white shots driving along a road with a dull sky overhead, at 0:21 and 2:17. (I do actually think Part 2 is the best of the four, and not just because I've got the bulk of my exposure in there, but because I do think it's the best one generally speaking).
In Part 4 I have a brief shot used at 1:35 (grey image with 'ash' falling through the frame - it's originally snow of course).
So aye, on the grand scheme of things and comparitively speaking I have had a good amount of footage used - and of course my original, uncut film can be seen both on the Frieze Film 2008 YouTube page, as well as my own YouTube channel (as linked to in the links section on the right hand side of my blog).
As for air times - well, as I've got a shot used in the opening credits, that gets shown before all of the films, but as for the specific parts I'm further used in:
Part 2 - Tuesday 14th October 2008, Channel 4 at 7:55pm (or an hour later on C4+1)
Part 4 - Thursday 16th October 2008, Channel 4 at 7:55pm (or an hour later on C4+1)
And as previously noted at the top of this blog post, you can see all the films on the Frieze Film 2008 website.
Tuesday, 14 October 2008
Monday, 13 October 2008
3 Minute Wonder...
As previously mentioned, I took part in the Frieze Film 2008 "Road Movie" project (with my short "Memories of Falling Ash", as seen on my YouTube page). Part of the project was for the organisers to pick some of the submitted shorts to be used for four 3 Minute Wonder shorts on Channel 4 at 7:55pm - October 13th through 16th (Mon, Tue, Wed, and Thur).
Of the 140 videos 'attached' to the FF2008 YouTube page, 38 were picked by the project director - of which, I am one.
So fingers crossed they'll use some of my footage in one or more of this week's 3 Minute Wonder slots on Channel 4 at 7:55pm (or indeed Channel 4 +1 at 8:55pm), they obviously liked it enough to pick it, so hopefully that's a good omen and then I can say I've had stuff shown on Channel 4's well-known shorts showcase in prime time television territory, which would be pretty cool.
As for the project itself, as previously stated it's based on/inspired by the 2006 Cormac MacCarthy novel The Road, which I recently bought and am now reading - pretty good actually, I look forward to seeing the film adaptation with Viggo Mortensen.
Of the 140 videos 'attached' to the FF2008 YouTube page, 38 were picked by the project director - of which, I am one.
So fingers crossed they'll use some of my footage in one or more of this week's 3 Minute Wonder slots on Channel 4 at 7:55pm (or indeed Channel 4 +1 at 8:55pm), they obviously liked it enough to pick it, so hopefully that's a good omen and then I can say I've had stuff shown on Channel 4's well-known shorts showcase in prime time television territory, which would be pretty cool.
As for the project itself, as previously stated it's based on/inspired by the 2006 Cormac MacCarthy novel The Road, which I recently bought and am now reading - pretty good actually, I look forward to seeing the film adaptation with Viggo Mortensen.
Sunday, 5 October 2008
Sabrina & the Engineer - Part 2!
This time it's most definitely personal ... well, sorta ... to my back ... and my left ankle (yeah, this ankle):
http://deadshed.blogspot.com/2007/11/guy-fawkes-in-eye.html
Anyway, I've literally just gotten back home having been out all day in Bridnorth (yeah, this Bridgnorth):
http://deadshed.blogspot.com/2007/08/20-hour-saturday.html
Fortunately it wasn't that early a start, setting off around half-noon ... ish ... as I got stuck behind the slowest tractor on planet earth with a trailer filled with American prison style hard labour boulders.
So off we went and soon enough - back to the field we'd been in over a year beforehand. Unfortunately the weather wasn't as nice ... I say nice, but piercing sun and sweaty heat don't do it for me (but by popular definition, I use the word "nice" to describe last year's weather). Mind you, that was August ... this is October.
The previous week had been a bit chilly during the evening performance, but was calm-aired and clear. This week however it was windy, nippy all day and raining intermittently in varying degrees. A bit of a sit down was in order, but not before checking out the base of operations tent - which was full-on M*A*S*H style ... the movie, not the telly show (to me, cos I've only seen the movie, ha!)
Then a meeting in a rowing club, which was a tad random with these three or four dudes in really comfy-looking seats watching the rugger on the box - then back to camper van HQ for another well-earned sit down, then I remember there being a trip to the burger van nearby (I've never before had a burger from such a van before actually, so that's a first for me) - I had a rather good bacon cheese burger, a quarter-or-so pound of lush.
So, after that exertion it was time for another sit down - with the heating blasting, natch. Time for a chat, on a whole range of topics - from how I think Gordon Brown is a gigantic fucking prat (and indeed his entire party, Mandy included when he's not busy being fired), to the intricacies of censorship and internet porn availability, variety and dodginess to goodness knows what else.
Before I knew it, it was time to suit up and get shifting - which involved putting on my rain cover, an item I bought after the filmmaker's nightmare of a project I did last year where everything just went wrong (surrounding the film, not the film in the end happily), but I'd never had reason to use it until now, hazah! One problem, it isn't half a fuss to get over the camera!
Charging forth into battle was next ... which involved a gasp-inducing clamber up the cliff-face that is Bridgnorth (no doubt what started giving my ankle grief) to begin filming at the church - kids, lanterns and more kids with lanterns - then to the streets with a brass band and a boat load of people - then meandering down through the town grabbing wide shots of the approaching procession - then across the bridge and to the first chunk of the main performance.
Chaos (to an extent) descended, stuff was happening but I wasn't entirely sure what was going on, so I grabbed the shots that I could and hung out in anticipation of the steam engine (which crashed a little bit a few minutes later, nothing serious). Annoyingly I'd forgotten to change my widescreen shooting mode, but rectified that on a new tape (so there'll be some sort of cropping jiggery-pokery to do on the first tape - you always forget one thing, guaranteed).
Onwards we marched, grabbing shots of the procession headed by the steam engine, then to the stage (grabbing our pre-placed, and damp, tripods to get going on the main chunk of the finale). The rather spiffing water woman (who was mirrored by water man later in the performance) returned to wow the audience, then onwards to the show proper - singing, lights, flashes of fireworks, a little boat in a man-made temporary river-pond-lake construction, then water man - and then kaboom, kaplow, whizz, bang, ooh and indeed ahh - fireworks, a spiffing show in itself.
I forgot to mention - the rain came in and out during the performance, which was unfortunate, but my gripe was kneeling on wet, freshly mown grass ... nay, soaking grass with clumps of mown grass scattered around ... regardless, I managed to get some nice shots (this water fountain-cum-projector thingymabob was rather nice for my frame compositions) and then ... the end.
A hobbling stumble back to the burger van and an absolutely heavenly-lush injection of Orange Tango, most definitely what the doctor ordered. A stagger back to the van, a quick debrief, then a weary drive back - and now here I am, still in the same jeans that got all soaked and grassy, still stinking like a dead animal after all the running about, and looking forward to a nice kip ... shame about the stiff back and the bastard ankle, perhaps walking four miles on it after spraining it wasn't a good idea ... but it did make me feel a bit like Rocky when we got to where we were heading.
Maybe next time I hurt myself I'll just flop onto the floor and refuse to move until the best care on offer on the planet is delivered immediately, with a free DVD of something awesome is thrown in ... dancing ladies chanting my name optional, ha!
So ends another hectic, yet ultimately rewarding, filming experience.
http://deadshed.blogspot.com/2007/11/guy-fawkes-in-eye.html
Anyway, I've literally just gotten back home having been out all day in Bridnorth (yeah, this Bridgnorth):
http://deadshed.blogspot.com/2007/08/20-hour-saturday.html
Fortunately it wasn't that early a start, setting off around half-noon ... ish ... as I got stuck behind the slowest tractor on planet earth with a trailer filled with American prison style hard labour boulders.
So off we went and soon enough - back to the field we'd been in over a year beforehand. Unfortunately the weather wasn't as nice ... I say nice, but piercing sun and sweaty heat don't do it for me (but by popular definition, I use the word "nice" to describe last year's weather). Mind you, that was August ... this is October.
The previous week had been a bit chilly during the evening performance, but was calm-aired and clear. This week however it was windy, nippy all day and raining intermittently in varying degrees. A bit of a sit down was in order, but not before checking out the base of operations tent - which was full-on M*A*S*H style ... the movie, not the telly show (to me, cos I've only seen the movie, ha!)
Then a meeting in a rowing club, which was a tad random with these three or four dudes in really comfy-looking seats watching the rugger on the box - then back to camper van HQ for another well-earned sit down, then I remember there being a trip to the burger van nearby (I've never before had a burger from such a van before actually, so that's a first for me) - I had a rather good bacon cheese burger, a quarter-or-so pound of lush.
So, after that exertion it was time for another sit down - with the heating blasting, natch. Time for a chat, on a whole range of topics - from how I think Gordon Brown is a gigantic fucking prat (and indeed his entire party, Mandy included when he's not busy being fired), to the intricacies of censorship and internet porn availability, variety and dodginess to goodness knows what else.
Before I knew it, it was time to suit up and get shifting - which involved putting on my rain cover, an item I bought after the filmmaker's nightmare of a project I did last year where everything just went wrong (surrounding the film, not the film in the end happily), but I'd never had reason to use it until now, hazah! One problem, it isn't half a fuss to get over the camera!
Charging forth into battle was next ... which involved a gasp-inducing clamber up the cliff-face that is Bridgnorth (no doubt what started giving my ankle grief) to begin filming at the church - kids, lanterns and more kids with lanterns - then to the streets with a brass band and a boat load of people - then meandering down through the town grabbing wide shots of the approaching procession - then across the bridge and to the first chunk of the main performance.
Chaos (to an extent) descended, stuff was happening but I wasn't entirely sure what was going on, so I grabbed the shots that I could and hung out in anticipation of the steam engine (which crashed a little bit a few minutes later, nothing serious). Annoyingly I'd forgotten to change my widescreen shooting mode, but rectified that on a new tape (so there'll be some sort of cropping jiggery-pokery to do on the first tape - you always forget one thing, guaranteed).
Onwards we marched, grabbing shots of the procession headed by the steam engine, then to the stage (grabbing our pre-placed, and damp, tripods to get going on the main chunk of the finale). The rather spiffing water woman (who was mirrored by water man later in the performance) returned to wow the audience, then onwards to the show proper - singing, lights, flashes of fireworks, a little boat in a man-made temporary river-pond-lake construction, then water man - and then kaboom, kaplow, whizz, bang, ooh and indeed ahh - fireworks, a spiffing show in itself.
I forgot to mention - the rain came in and out during the performance, which was unfortunate, but my gripe was kneeling on wet, freshly mown grass ... nay, soaking grass with clumps of mown grass scattered around ... regardless, I managed to get some nice shots (this water fountain-cum-projector thingymabob was rather nice for my frame compositions) and then ... the end.
A hobbling stumble back to the burger van and an absolutely heavenly-lush injection of Orange Tango, most definitely what the doctor ordered. A stagger back to the van, a quick debrief, then a weary drive back - and now here I am, still in the same jeans that got all soaked and grassy, still stinking like a dead animal after all the running about, and looking forward to a nice kip ... shame about the stiff back and the bastard ankle, perhaps walking four miles on it after spraining it wasn't a good idea ... but it did make me feel a bit like Rocky when we got to where we were heading.
Maybe next time I hurt myself I'll just flop onto the floor and refuse to move until the best care on offer on the planet is delivered immediately, with a free DVD of something awesome is thrown in ... dancing ladies chanting my name optional, ha!
So ends another hectic, yet ultimately rewarding, filming experience.
Sunday, 28 September 2008
Sabrina & the Engineer...
http://www.severnproject.com/home.html
Having helped shoot the Sturgeon Moon project in 2007, I returned to help shoot the new Severn Project performance - Sabrina and the Engineer, taking place in September and October 2008.
Don't try and ask me what the story of S&E is about, because when you're covering it, that's one of the last things you're focussing on - instead you're concerned about the sequence of events, and timing, as well as camera placement and who goes where and when.
On all the Arts Council projects I've covered thus far, there seems to be a bit of a running theme - they're always filming challenges, providing real coverage conundrums to solve, and of course - lots of chaos.
Fortunately the day wasn't as lengthy as some have been before (so no 'up at the literal arse crack of dawn and down plenty after midnight' this time ... which was nice). That said, it wasn't a cake walk either - we got a walkthrough of the events, which I initially struggled to grasp - but then again, it's a bit tricky when you're new to the project (as in, you're not one of the creators), you're new to the location and you're trying to learn choreography and in turn translate it into your own practical choreography...aye, tis complicated.
Throw in a near-last minute change of filming possibilities, a bit of confusion over the timing of certain events, and then another as-you're-in-it change of filming possibilities and you've got a hectic time alright ... oh and my filming position mid-show was interupted by an unexpected cart used in the performance which I wasn't expecting...but it's all part of the fun and chaos of filming such an event.
I don't enjoy the build up, the time spent waiting for it all to get underway, but once it gets going - it's done in a flash. During the performance you're almost fighting your way through, like a safe and artistic-based version of war photography. Things happen around you, you've gotta think fast and act quick and adapt immediately ... all the while being mindful of your white balance settings, your focus, your exposure, your zooming, your framing and your input volume ... among other technical issues.
So aye - chaotic, but during the performance, when it's "go time", that is what I enjoy ... like I said before, the waiting and building tension beforehand isn't something to enjoy but to endure - the actual performance being the prize, and then hopefully after the dust settles you can sit back and enjoy some quality footage as you debrief ... then the weary journey home.
So what stuff was on show? Well, a steam engine leading one procession, another procession with the show's Sabrina on-board a decorated cart meeting the first at the main performance area, live music, fancy lighting, a boat on the river adorned with lights, a bunch of fireworks and then a load of waterjets either side of a woman rigged with hoses up her back and along her arms firing more jets of water (which was actually quite spectacular, very well performed and a joy to film in itself).
All in all it's probably not the sort of thing I'd usually go and see of my own volition ... but is if I was living in a city that did such things, with a group of friends (but I'm not as I certainly can't afford that just yet) ... but that said, while I didn't quite "get" it all, I certainly enjoyed the spectacle of it all and thought everyone did a great job. The audience were certainly all behind it, so that too, in itself, was a pleasure to witness.
The only downside - my back decided to play up throughout the day, and I woke up the morning after with my back a little better, but still a bit 'hung over' and stiff.
Having helped shoot the Sturgeon Moon project in 2007, I returned to help shoot the new Severn Project performance - Sabrina and the Engineer, taking place in September and October 2008.
Don't try and ask me what the story of S&E is about, because when you're covering it, that's one of the last things you're focussing on - instead you're concerned about the sequence of events, and timing, as well as camera placement and who goes where and when.
On all the Arts Council projects I've covered thus far, there seems to be a bit of a running theme - they're always filming challenges, providing real coverage conundrums to solve, and of course - lots of chaos.
Fortunately the day wasn't as lengthy as some have been before (so no 'up at the literal arse crack of dawn and down plenty after midnight' this time ... which was nice). That said, it wasn't a cake walk either - we got a walkthrough of the events, which I initially struggled to grasp - but then again, it's a bit tricky when you're new to the project (as in, you're not one of the creators), you're new to the location and you're trying to learn choreography and in turn translate it into your own practical choreography...aye, tis complicated.
Throw in a near-last minute change of filming possibilities, a bit of confusion over the timing of certain events, and then another as-you're-in-it change of filming possibilities and you've got a hectic time alright ... oh and my filming position mid-show was interupted by an unexpected cart used in the performance which I wasn't expecting...but it's all part of the fun and chaos of filming such an event.
I don't enjoy the build up, the time spent waiting for it all to get underway, but once it gets going - it's done in a flash. During the performance you're almost fighting your way through, like a safe and artistic-based version of war photography. Things happen around you, you've gotta think fast and act quick and adapt immediately ... all the while being mindful of your white balance settings, your focus, your exposure, your zooming, your framing and your input volume ... among other technical issues.
So aye - chaotic, but during the performance, when it's "go time", that is what I enjoy ... like I said before, the waiting and building tension beforehand isn't something to enjoy but to endure - the actual performance being the prize, and then hopefully after the dust settles you can sit back and enjoy some quality footage as you debrief ... then the weary journey home.
So what stuff was on show? Well, a steam engine leading one procession, another procession with the show's Sabrina on-board a decorated cart meeting the first at the main performance area, live music, fancy lighting, a boat on the river adorned with lights, a bunch of fireworks and then a load of waterjets either side of a woman rigged with hoses up her back and along her arms firing more jets of water (which was actually quite spectacular, very well performed and a joy to film in itself).
All in all it's probably not the sort of thing I'd usually go and see of my own volition ... but is if I was living in a city that did such things, with a group of friends (but I'm not as I certainly can't afford that just yet) ... but that said, while I didn't quite "get" it all, I certainly enjoyed the spectacle of it all and thought everyone did a great job. The audience were certainly all behind it, so that too, in itself, was a pleasure to witness.
The only downside - my back decided to play up throughout the day, and I woke up the morning after with my back a little better, but still a bit 'hung over' and stiff.
Thursday, 18 September 2008
Pineapple Express...
Yep ... Apatow strikes again, and it's actually rather spiffing too. Drillbit Taylor was neutered and merely fairly decent, Forgetting Sarah Marshall was oftentimes hilarious but just missing a little something extra golden. Perhaps the Apatow flavour is beginning to pale a bit now, the dude is certainly shelling out 'produced by' credits like the British government shell out departmental reviews. Oh yeah, then there was that Zohan movie ... I have absolutely no interest in seeing that at all.
Likewise Rogen has been flapping back and forth from movie to movie with gleeful abandon, and continues to leave me baffled that he's pretty much my age (perhaps a smidge older - even though he looks thoroughly thirty plus). Then again, he is a funny fucker - so Pineapple Express (obviously sans censor neutering like Drillbit Taylor - despite one UK-specific trim) is a continuation of form for Rogen (he hasn't dropped form, so there's no need for the "return to" precursor).
Again it was myself and the lads off on a trip to the cinema - which, as we all live in a (semi) rural area is a good old distance away ... hence movie choices have to be informed and considered. If you're splashing out six-sodding-fifty for a ticket and a fiver in fuel (if you're senoir designated), then you want to be seeing something of quality. Fortunately, the lads and I have rarely been let down (en masse at least) and once again Pineapple Express failed to piss us off - so huzzahs all round!
Who wouldn't love a stoner-action-comedy? Boring people methinks, either that or people over thirty (generally). You've got weed jokes, you've got creative swearing, you've got stoned randomness, you've got fiesty comedy-battles, classic moments to chuckle about on the drive home (death by Daewoo, for example) and James Franco NOT playing Harry Osbourne. Don't get me wrong, I really dig the Spider-Man flicks and have them all on double-disc-DVD, but I just feel Franco's having a lot more fun when he's uncut and let loose.
Needless to say, as a big fan of the likes of Superbad, there'll be a pre-order for a double disc extended uncut super-duper-lots-of-other-exciting-words DVD from me post haste!
All-in-all, wickedly hilarious fun. Ya-boo-sucks to the hatin' minority...go direct your ire in the general direction of 'Disaster Movie' and its ilk of putrid ass expulsions.
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