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“Anything that has something happening has a purpose to it.” An experimental bitter-sweet romance drama is not what you'd expect to be directed by George A. Romero, the Godfather of the modern zombie, whose seminal 1968 film Night of the Living Dead not only defined a new sub-genre, but a new way of utilising horror to examine the world in which we live. Seeking to not be pigeon-holed by the horror genre, Romero and production company The Latent Image embarked on this character piece, which turned into a scattered and tense production with a final product that limped onto the silver screen after which it became a 'lost' film in Romero's catalogue. Indeed, Romero himself described the film as “an awful experience and I care very little about it”, but even with – seemingly – so little going for it, There's Always Vanilla now proves to be an intriguing time capsule of Pittsburgh, and America, in 1970...
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