Showing posts with label room. Show all posts
Showing posts with label room. Show all posts

Wednesday, 13 December 2017

The Walking Dead: Room for Improvement...

BE WARNED: the following contains spoilers for The Walking Dead up to (and including) the mid-season finale for Season 8.

Also: excuse the length of this article, but I have broken it down into segments. Bear with me.

Call this an 'open letter' or a train of thoughts written down or whatever you fancy, but suffice it to say The Walking Dead has caught some flack in the last couple of years and made some missteps. Here I address some of the bad - as well as landmark moments of good - that the show has represented on screen, with a few possible fixes. TWD is one of the best shows on television, but there is room for improvement...

SEASON SEVEN WOBBLES

The seventh season of AMC's thunderously successful zombie show caught a lot of flack. Some balked at the violence in the première episode, although to be quite honest, what were they expecting?! Having your head smashed in with a baseball bat wrapped in barbed wire is going to leave quite a mark. Did they forget the geysers of blood that gushed from slit throats in the season five première? Or how about the countless scenes of flesh eating, zombie slaying, bullet-spraying carnage that has been a staple of The Walking Dead since the get-go?


The main criticism of the seventh season however, was with the overall structure and pacing. All too often major characters went absent for several episodes at a time as Scott Gimple and his writers opted to focus on one contained story after another. Sometimes it worked, sometimes it didn't. The first half of Season 7 sums up the issue quite well: after the Lucille-swinging première (one of the finest episodes of TWD's entire run) we are introduced to The Kingdom, Sanctuary, and then Oceanside all within five episodes – each with a procession of new characters whose names, faces, and allegiances we struggled to remember. Basically, it was too much to take in and our long-running show started to feel unfamiliar. Although, I will say that 7x02 – the introduction of The Kingdom – was a very good episode, handling Shiva and King Ezekiel perfectly (especially how Carol – and we the viewers – were clued-in to the real Ezekiel by the end of the episode).


Some folks didn't like that Team Rick were under Negan's thumb. “Just kill him already!” they screamed, which was ironic considering that if they did that then it would be the exact same case of 'rinse & repeat' that the most ardent complainers accused the show of committing, when comics readers know that All Out War is an entirely different conflict to what we've seen before with the likes of Woodbury, Terminus, or even The Claimers. To be fair to Gimple & Co, a little patience was required from the audience – drama and tension aren't derived from getting what you want immediately, after all! You don't enjoy the thrill of getting the gang back together in 7x08 without going through a period of separation and subjugation. Resolution can't come five minutes down the road, or even next week!


Let's fast forward to Season 8 and how the structural problems were being faced head-on according to Scott Gimple, Greg Nicotero, and the cast as they headed into Comic-Con 2017. Now, certainly, there have been some structural improvements compared to the seventh season: We've not gone for long periods of time without seeing certain characters generally, although, yes, Negan, Michonne, and Rosita all went missing from the screen for three or four weeks in 'viewer time' (likely because of scheduling issues and the other commitments of a popular and in-demand cast). Meanwhile, the propensity to focus too much on a single “A Story” at the expense of any “B” and “C” stories taking place with other groups in other locations has been limited in Season 8A – but they can definitely go further...

Click "READ MORE" below to continue **SPOILERS UP TO 8x08 AHEAD** ...

Friday, 17 April 2009

The Game...

It's a rare thing to be able to watch a movie without knowing practically anything about it - but The Game is pretty much one of those movies for me - and for some reason, until just recently, it was the only David Fincher film I'd not seen ... ... well, out of those available on DVD anyway (providing I can find a good price for the special edition R1 release, I'll be hopping on the Benjamin Button wagon sometime soon - if only this useless gubment would hurry up and increase the import limit, because quite frankly, 18 quid - including shipping cost - is fucking stingy).

Anyway, where was I? Ah yes - I'd not seen it for some reason, and had been able to avoid any spoilers (and considering the plot, it's a film that could be easily ruined by spoilers), and knew barely anything about it.

I knew it was David Fincher's work (reason enough alone to see it), I knew it had Michael Douglas in the lead, and I knew it was about his rich guy protagonist getting involved in some kind of "game" that went tits up ... it's about the least you can know about a film before seeing it in this day-and-age really isn't it?

What did I make of it? Fucking great is what it is, a superb thriller with a spiffy final act full of twists, turns and everything inbetween. It's also interesting to see as it really does feel like "the film between Se7en and Fight Club" (the two 'if you liked' titles on the cover in fact). It's yet another film that marks out Fincher as an ex-music-video-director who really is of vast merit.

Alien3 isn't as bad as you remember it, although as a sequel to Aliens, it sucks - but Fincher's original vision, which is mostly provided on the double disc DVD's "assembly cut" is far superior in all respects to the theatrical version (well, it's not as polished of course, but other than that - simply better).

Se7en is an astonishingly good thriller - heck, it's practically a horror movie - intense visual style, a horrifying and gripping story, two enthralling lead performances, and a film which STILL freaks me out to this day ... and it's just so unrelentingly DARK - brilliant.

The Game - now that I've finally seen it, I can definitely say it rocks. I've not been this gripped by a movie in a long while alright ... in fact, one of the more recent times being gripped to such a degree by a film was with Fincher's Zodiac ... a fantastic slice of thriller action.

Fight Club - one of my absolute all-time favourites, and a film (and book ... and author) which has had a deep impact with me (and indeed many males in the 16-35 bracket). Again, the visuals are astonishing, the black so deep and harsh, the adapatation masterful, the pacing spot-on, the performances gripping ... etc etc etc. Much love indeed.

Panic Room - plot wise, it's probably Fincher's weakest film in his catalogue - but as far as home invasion/heist thrillers go - it's expertly and efficiently handled, but it's the technical aspects that (for me at least) really steal the show. The exhaustive 3-disc special edition DVD in itself is a masterwork of information - the technical wizardry involved in the making of the film is amazing, put simply.

Zodiac - back on top form - Fincher's intense attention to detail is abundantly clear throughout, the performances are awe-inspiring, the look and feel is stunning ... basically, it's another one of my top fifty of all time.

The Curious Case of Benjamin Button - the only Fincher film I've NOT seen ... ... YET ... it's not the sort of film I'd generally go to see in the cinema, as it's not exactly "lads night out" material, but it's a definite DVD purchase without a doubt. As soon as I heard about the plot, I was intrigued - and the more I heard about it, the more intrigued I got, and I certainly look forward to the DVD release (Se7en, Fight Club, Panic Room and Zodiac have all boasted fantastic DVD packages).

Anyway - The Game - thoroughly great. I can't surmise it any better, so why ramble any further - it's testament to the fact that David Fincher is a consistently superb filmmaker.