Father's Day:
What's it about?
Troma-produced low budget exploitation action/horror/comedy flick about a demonic killer who exclusively rapes and murders fathers - but now a male prostitute, a stripper, and her monocular gun-toting, syrup-loving brother must come together to track down the bloated beast and put an end to his reign of terror in this town north of Tromaville.
Who would I recognise in it?
Lloyd Kaufman, and the Astron-6 regulars.
Great/Good/Alright/Shite?
From genre-loving indie filmmaking collective Astron-6 (who together fulfil most duties on both sides of the camera), Father's Day is a brash, sleazy, gruesome, and knowingly-humorous dose of nouveau-grindhouse grot. Presented as if recorded onto videotape from a late night triple-bill on some dead-end TV channel that specialises in trash cinema (replete with "coming up" menu of programming and mid-film advert break), there's a charming sense of fondness for a bygone era of film viewing that people of my generation took to heart.
Click "READ MORE" below for more from Astron-6, Paul Rudd & Jennifer Aniston letting their hair down, and that film about the most dominant woman in British politics...
Monday, 21 January 2013
Triple Bill Mini Musings: Sleaze, Hippies, and Iron...
Labels:
action,
astron-6,
bill,
comedy,
drama,
exploitation,
father's day,
film,
jennifer aniston,
lloyd kaufman,
meryl streep,
mini,
movie,
musings,
review,
thatcher,
the iron lady,
triple,
troma,
wanderlust
Monday, 14 January 2013
Quadruple Bill Mini Musings: Carnies, Cinephiles, Adventure and Argento...
The Funhouse:
What's it about?
A group of teens go to the carnival on a double date and then dare each other to stay the night, but as they hide out inside the titular attraction, they witness the bloody results of the beast behind the Frankenstein's Monster mask getting out-of-hand. Will they get out alive?
Who would I recognise in it?
Elizabeth Berridge, Cooper Huckabee, Kevin Conway.
Great/Good/Alright/Shite?
Impatient viewers might tire of the build-up (it's at least forty minutes before the first blood is shed), but those into a beautifully captured atmosphere will be very happy indeed. Tobe Hooper's ghoulish little 1981 horror flick is a visual treat and populated by hyperbole-spouting carnies - the sort of crazy-eyed fringe-elements he covered so well in The Texas Chainsaw Massacre, and Eaten Alive. Violence-wise it's pretty tame by today's standards (and yet this flick was at one point caught up in the Video Nasties scandal here in the UK), but blood and guts isn't the business that The Funhouse is in - this flick is more interested in the carnival atmosphere and that garish sense of fun mixed in with (sometimes cheesy) scares. In some ways it's dated, and despite some apparent behind-the-scenes troubles regarding how certain scenes were shot, Hooper's film is jolly good fun. As an aside, it's interesting to note that while it does play along with genre conventions, it also breaks them too - the "final girl" smokes pot and gets saucy with her fella. It's a big, hearty "BOO!" scare from a grease-painted freak with booze on his breath. Good.
Click "READ MORE" for Hugo, Sherlock Holmes 2, and Inferno...
What's it about?
A group of teens go to the carnival on a double date and then dare each other to stay the night, but as they hide out inside the titular attraction, they witness the bloody results of the beast behind the Frankenstein's Monster mask getting out-of-hand. Will they get out alive?
Who would I recognise in it?
Elizabeth Berridge, Cooper Huckabee, Kevin Conway.
Great/Good/Alright/Shite?
Impatient viewers might tire of the build-up (it's at least forty minutes before the first blood is shed), but those into a beautifully captured atmosphere will be very happy indeed. Tobe Hooper's ghoulish little 1981 horror flick is a visual treat and populated by hyperbole-spouting carnies - the sort of crazy-eyed fringe-elements he covered so well in The Texas Chainsaw Massacre, and Eaten Alive. Violence-wise it's pretty tame by today's standards (and yet this flick was at one point caught up in the Video Nasties scandal here in the UK), but blood and guts isn't the business that The Funhouse is in - this flick is more interested in the carnival atmosphere and that garish sense of fun mixed in with (sometimes cheesy) scares. In some ways it's dated, and despite some apparent behind-the-scenes troubles regarding how certain scenes were shot, Hooper's film is jolly good fun. As an aside, it's interesting to note that while it does play along with genre conventions, it also breaks them too - the "final girl" smokes pot and gets saucy with her fella. It's a big, hearty "BOO!" scare from a grease-painted freak with booze on his breath. Good.
Click "READ MORE" for Hugo, Sherlock Holmes 2, and Inferno...
Thursday, 10 January 2013
Oasis of Fear (Umberto Lenzi, 1971) DVD Review...
Find more Shameless Screen Entertainment DVD reviews here.
Umberto (Almost Human, Cannibal Ferox) Lenzi toured a variety of genres during his time as a director, bringing exuberant smash & grab style to his films. Interestingly, Oasis of Fear (aka Dirty Pictures), is a more claustrophobic and restrained effort from Lenzi when compared to some of his more famous flicks. That said, the first act is a typically Lenzi opening – all crash zooms, fast cuts, spiralling camera angles and a generally fevered pace (good work from editor Eugenio Alabiso) with a hip-swinging pop soundtrack.
Umberto (Almost Human, Cannibal Ferox) Lenzi toured a variety of genres during his time as a director, bringing exuberant smash & grab style to his films. Interestingly, Oasis of Fear (aka Dirty Pictures), is a more claustrophobic and restrained effort from Lenzi when compared to some of his more famous flicks. That said, the first act is a typically Lenzi opening – all crash zooms, fast cuts, spiralling camera angles and a generally fevered pace (good work from editor Eugenio Alabiso) with a hip-swinging pop soundtrack.
Click "READ MORE" below to see more screenshots and to continue the review...
Labels:
1971,
cannibal ferox,
dirty pictures,
dvd,
film,
irene papas,
italian,
italy,
movie,
oasis of fear,
ornella muti,
ray lovelock,
review,
sexploitation,
shameless screen entertainment,
umberto lenzi
Wednesday, 9 January 2013
Triple Bill Mini Musings: Hobbits, Sounds, and Cockneys...
The Hobbit: An Unexpected Journey:
What's it about?
Peter Jackson & Co return to Middle Earth with Lord of the Rings prequel The Hobbit (a new three-part movie extravaganza), where a young Bilbo Baggins is reluctantly pulled into a quest with a collection of Dwarves to take back their home from the dragon Smaug.
Who would I recognise in it?
Martin Freeman, Ian Holm, Ian McKellan, Cate Blanchett, James Nesbitt, Richard Armitage, Ken Stott, Graham McTavish, Hugo Weaving, Elijah Wood, Christopher Lee, Andy Serkis, Sylvester McCoy.
Great/Good/Alright/Shite?
If you didn't like The Lord of the Rings trilogy, you won't like this, but inversely, if you were into those films (or, indeed, the original texts) then you should be happy here. A lovingly crafted fantasy world, unending glory shots for the New Zealand tourist board, Orcs, Elves, Dwarves, Hobbits, Goblins and so on - you know what to expect by this point if you're familiar with "the other trilogy" that took the cinematic world by storm in the early 2000s. It has to be said though, that the pace is a bit slow up front - there's only so much time you can spend at the dinner table in the company of Dwarves before you start thinking "shouldn't we be cracking on with this quest of yours?", and those who complained about the LOTR trilogy being nothing but 'three movies about people walking' (the Randall Graves' of this world) won't be in any danger of changing their tune.
Click "READ MORE" below for more Hobbits, weird noises, and undead rhyming slang...
What's it about?
Peter Jackson & Co return to Middle Earth with Lord of the Rings prequel The Hobbit (a new three-part movie extravaganza), where a young Bilbo Baggins is reluctantly pulled into a quest with a collection of Dwarves to take back their home from the dragon Smaug.
Who would I recognise in it?
Martin Freeman, Ian Holm, Ian McKellan, Cate Blanchett, James Nesbitt, Richard Armitage, Ken Stott, Graham McTavish, Hugo Weaving, Elijah Wood, Christopher Lee, Andy Serkis, Sylvester McCoy.
Great/Good/Alright/Shite?
If you didn't like The Lord of the Rings trilogy, you won't like this, but inversely, if you were into those films (or, indeed, the original texts) then you should be happy here. A lovingly crafted fantasy world, unending glory shots for the New Zealand tourist board, Orcs, Elves, Dwarves, Hobbits, Goblins and so on - you know what to expect by this point if you're familiar with "the other trilogy" that took the cinematic world by storm in the early 2000s. It has to be said though, that the pace is a bit slow up front - there's only so much time you can spend at the dinner table in the company of Dwarves before you start thinking "shouldn't we be cracking on with this quest of yours?", and those who complained about the LOTR trilogy being nothing but 'three movies about people walking' (the Randall Graves' of this world) won't be in any danger of changing their tune.
Click "READ MORE" below for more Hobbits, weird noises, and undead rhyming slang...
Tuesday, 1 January 2013
Flavours of the Year: 2012...
For the last few years I've done monthly run-downs of what's been flavouring that past four weeks - the sorts of things I've been watching, listening to, reading, playing, or doing that have been most prominent - and so I figured I'd do a retrospective of the fullest flavours of the year of 2012.
Click "READ MORE" below to see the Flavours of the Year 2012...
Click "READ MORE" below to see the Flavours of the Year 2012...
Labels:
2012,
alice cooper,
breaking bad,
call of duty,
deadwood,
flavours,
hunter s. thompson,
james bond,
james ellroy,
mad men,
married with children,
olympics,
screenwriting,
the rum diary,
walking dead,
year
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