Recently I've been working on some short stories, a form I used to write in a number of years ago, but from which I got distracted by other creative endeavours. In addition to using the short story format to further improve my writing and try out some things, I'm also pursuing it for competitions as well as submissions to publications that specialise in short stories.
Right now I've just started putting together "We Should Eat Ice Cream Too" (sci-fi), and I've also got "The Seventh Rub" (no particular genre and more of a personal tale), and "Dug Deep" (horror). "Dug Deep" is a ghost story situated in a collapsed mine as trapped workers are painstakingly being rescued, while "The Seventh Rub" deals with the issue of Obsessive Compulsive Disorder. "We Should Eat Ice Cream Too" - a subtle kind of sci-fi story - deals with themes of immigration, societal cohesion, and family - particularly fathers and sons...
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Tuesday, 19 May 2015
Wednesday, 13 May 2015
Manborg (Steven Kostanski, 2011) DVD Review...
Find more DVD reviews here.
“Remember, it's not about the killing, it's about
family.” Astron-6, the crazy VHS-loving movie making machines behind
the Troma-tastic Father's Day and the much anticipated neo-giallo The
Editor, have been cranking out bizarre shorts and features that appeal to
the very best of 80s nostalgia for years. 'Lazer Ghosts' and 'Bio-Cops' are one
thing, but then there's Manborg – a low-fi large scale action sci-fi
chaos-mobile featuring Nazi demons, laser battles, and a home-made future
dystopia...
Click “READ MORE” below to continue the review and see more
screenshots…
Labels:
2011,
action,
adam brooks,
astron-6,
bio-cop,
comedy,
conor sweeney,
dvd,
film,
jeremy gillespie,
ludwig lee,
manborg,
matthew kennedy,
meredith sweeney,
quotes,
review,
sci-fi,
screen caps,
steven kostanski
Sunday, 3 May 2015
Galaxy of Terror (B.D. Clark, 1981) Review
Find more exploitation movie reviews here.
“ALIEN Was Just The Beginning … Hell Has Just Been
Relocated!” Produced by Roger Corman – on a relatively handsome budget
of $700,000 – if Battle Beyond The Stars (1980) was New World
Pictures' answer to 1977's Star Wars, then Galaxy of Terror was
clearly their less-than-subtle take on Ridley Scott's Alien (1979).
Swapping out H.R. Giger's iconic xenomorphs for – among other things – a giant
and rapacious worm-thing – and sticking with the basic setup (oblivious crew
sent to a hostile planet to investigate suspicious goings on), Bruce D.
Clark's sci-fi horror nonetheless throws up some pleasing surprises...
Click “READ MORE” below to continue the review and see more screenshots…
Labels:
1981,
alien,
b.d. clark,
erin moran,
exploitation,
film,
galaxy of terror,
grace zabriskie,
horror,
james cameron,
movie,
review,
robert englund,
roger corman,
sci-fi,
screen caps,
sid haig,
taaffe o'connell
Wednesday, 29 April 2015
Flavours of the Month: April 2015...
There's been a pervasive amount of Rob Zombie scattered throughout my April 2015, from his music (solo efforts and early White Zombie) to some of his cinematic outings such as "House of 1000 Corpses" and "The Devil's Rejects" ... but that's just a little of what's been tickling my fancy for entertainment.
Click "READ MORE" below for this month's looks, sounds, vibes and flavours...
Click "READ MORE" below for this month's looks, sounds, vibes and flavours...
Monday, 27 April 2015
Triple Bill Mini Musings: Bling, Deja-vu, and Clanging Metal...
The Bling Ring:
What's it about?
Based on a true story. A gang of self-involved, celebrity-obsessed teenage Californian materialists fulfil their narcissistic urges by stalking the Internet to find out which celebs are out of town and then - after Googling their home addresses - robbing them.
Who would I recognise in it?
Emma Watson, Leslie Mann, Taissa Farmiga, Gavin Rossdale, Paris Hilton.
Great/Good/Alright/Shite?
Sofia Coppola was starting to drift into slightly pompous territory with the sedated and meandering likes of Somewhere (melancholy movie star mopes around The Chateau Marmont for 90 minutes), but thankfully The Bling Ring injects a boost of glitzy, glamorous energy. Comment is rarely made in a direct manner, instead Coppola observes her protagonists without explicit judgement. Their actions are clearly wrong; their lives are founded on parental disinterest, prescription pills, and TMZ. The word "love" is reduced to a cheap affectation drizzled over the nearest object that briefly catches their eye, as they lazily chase dreams of reaching grandiose levels of self-worship. There is a bizarre thrill afforded to the wide-eyed raids on the unlocked (!!!) homes of the (absent) rich and famous, and a simultaneous sense of chic-revulsion. As grotesque as these people's lives are (vapid, soul-less, blissfully ignorant), the performances are universally strong and the pacing is brisk. The film is a little lacking in drama, but ultimately it's satisfyingly damning (from a distance) about the vulgarity of celebrity lifestyle obsession gone mad. Good.
Click "READ MORE" below for some Olympus and Optimus...
What's it about?
Based on a true story. A gang of self-involved, celebrity-obsessed teenage Californian materialists fulfil their narcissistic urges by stalking the Internet to find out which celebs are out of town and then - after Googling their home addresses - robbing them.
Who would I recognise in it?
Emma Watson, Leslie Mann, Taissa Farmiga, Gavin Rossdale, Paris Hilton.
Great/Good/Alright/Shite?
Sofia Coppola was starting to drift into slightly pompous territory with the sedated and meandering likes of Somewhere (melancholy movie star mopes around The Chateau Marmont for 90 minutes), but thankfully The Bling Ring injects a boost of glitzy, glamorous energy. Comment is rarely made in a direct manner, instead Coppola observes her protagonists without explicit judgement. Their actions are clearly wrong; their lives are founded on parental disinterest, prescription pills, and TMZ. The word "love" is reduced to a cheap affectation drizzled over the nearest object that briefly catches their eye, as they lazily chase dreams of reaching grandiose levels of self-worship. There is a bizarre thrill afforded to the wide-eyed raids on the unlocked (!!!) homes of the (absent) rich and famous, and a simultaneous sense of chic-revulsion. As grotesque as these people's lives are (vapid, soul-less, blissfully ignorant), the performances are universally strong and the pacing is brisk. The film is a little lacking in drama, but ultimately it's satisfyingly damning (from a distance) about the vulgarity of celebrity lifestyle obsession gone mad. Good.
Click "READ MORE" below for some Olympus and Optimus...
Labels:
aaron eckhart,
age of extinction,
deadshed,
emma watson,
film,
gerard butler,
mark wahlberg,
michael bay,
movie,
olympus has fallen,
review,
sofia coppola,
the bling ring,
transformers,
white house down
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