Flavours of the Month: November 2010...

LOOKS:

The Walking Dead - as you will have noticed I have been putting up my thouhts about each episode every week, so you can read what I've thought of this spiffing new undead TV series from AMC.

Twin Peaks - the Horror Channel has been having a David Lynch season this month, and the tentpole of it has been the showing, from start-to-finish (at the time of writing it's still part-way into season two), of Twin Peaks. I had never seen it before, but knew of it, and being a fan of the videogame Alan Wake, it's interesting to see where various elements of that game came from (indeed the creators are big fans of Lynch's dream-like drama).

Avatar 3-disc (Blu-Ray) - if only every studio/distributor would tell you in advance that a kick arse version of a movie on disc was coming later on. Fortunately Fox and James Cameron put it out on front street that Avatar would be getting a super-duper home video release in due course (when they were launching the vanilla disc). Naturally, being a whore for making-of documentaries and special features in general, I bided my time and finally I got my mits on Cameron's eco-actioner. It may not be in 3D this time, but now I get to view it without the 30% loss in brightness/contrast (such as you get with 3D glasses) and with 16 extra minutes (which, handily, you can view on it's own if you want to).

As far as the new footage goes, some is mere extensions, but quite a bit of it provides worthwhile new content and background. We get to see what Earth has become (providing good grounding and context, as well as visible reason, for mankind's actions on Pandora - it's a nice Blade Runner-esque counterpoint too), and learn more about Augustine's school and her relationship with the Na'vi. You can still see plotpoints coming from miles away, but Cameron's work has often (if not always) worked in popular broadstrokes. In short, it was great to get back to Pandora.

Toy Story 3 2-disc (Blu-Ray) - I never got to see it in the cinema, and I'll blog about the film separately, but it was great to finally get to see Pixar's latest, and well, that moment (if you've seen it, you'll know what I mean) was jaw dropping. That entire sequence was jaw dropping in fact. Bravo Pixar. Bravo.

The American Nightmare - I've seen Adam Simon's documentary on the American/Canadian horror flicks of the 1960s and 1970s several times over the last several years, and it's still a joy to watch. Informative, incisive and creepily stylish in its construction. A must-watch for any fan of the horror genre.


SOUNDS:

Airbourne "Runnin' Wild" - I already had the vice-rock group's second album, so it was about time I caught up with their debut. Fast, loud, wild and all about women, drink and everything in between. Inspired by the sound of AC/DC, it's a thrashingly good time.

Angelo Badalamenti "Twin Peaks Theme"/"Laura Palmer's Theme" - unsurprisingly, having gotten into Twin Peaks at long last, Badalamenti's dreamy score has become one of the constant sounds of November for me.

Godspeed You Black Emperor "Moya" - I'd always wondered what that mournful-then-energised music was in The American Nightmare, but I finally found it, and it's mesmerising.


VIBES & FLAVOURS:

Solitaire - sometimes when I'm listening to shows from the SModcast Podcast Network I'm not doing all that much, but then I remembered about Solitaire (which I used to play quite a bit in the 1990s), and I've become oddly fascinated by it again. It took me ages to get a win on it initially however as I kept running into dead ends - frustratingly so - fortunately the vagaries of a computer software's random card dealing didn't last long and I've been enjoying this little trip down memory lane.

Dead Rising 2 - I've got it for the 360, but I'm not good enough at it to do the story (or the rest of it anyway), so I got it for the PC so I could use cheats to just run around having all sorts of fun - and, importantly, actually get to play the story mode. You might think that slaying thousands upon thousands of zombies with a Light Machine Gun (or a Humvee) would get boring, but you'd be wrong.

STALKER: Call of Pripyat - I was a big fan of the original STALKER game (Shadow of Chernobyl), which provided the best atmospheric dose of gaming that year (2007, if memory serves), and while the follow-up (Clear Sky) was a bit disappointing towards the end it again provided that jolt of The Zone that we "STALKERs" crave ... in 2007 I got into the whole thing in a big bad way with the game, and the movie and book upon which it was based (not to mention absorbing documentaries about the real "Zone" itself). Anyway, it's been on the to-do list for a while, but I finally got around to it.

Unfortunately the DirectX 9 graphics are nowhere near as good as they were in Clear Sky (no doubt to push the DX10/11 technology), and while the pace is a bit slow so far, I'm getting into the world of STALKER all over again. It might be feeling a bit dated and too-samey to the previous two games, but you can't deny the lure of lurking around the rotting ruins of "The Zone".

Crystal Lake Memories: The Complete History of Friday 13th by Peter M. Bracke - I got this for my birthday and I've only just gotten around to it, and boy will it be a long old read. Nevertheless I've covered the first two movies in the long-running franchise. It's a must-have for any fan of the franchise as it's crammed with behind the scenes photos and mountains upon mountains of information from those involved.

Flavours of the Month: August 2010...

A bit earlier this month, and I'm trying out a new style of doing this monthly blog post.

LOOKS:

Blade Runner - finishing off that 5-disc DVD box set.

Everybody Loves Raymond - repeats during lunch time.

Creature Comforts - repeats recorded from late night ITV2.

Friday 13th: Parts 2, 3 and 4 - what with it being a Friday 13th, they showed several of the films from the franchise. I'd forgotten how relatively tame the second movie was, with its really brief moments of violence, I finally got to see the third movie in its full 2.35:1 original aspect ratio (rather than the grainy Pan & Scan 4:3 VHS I've been used to), and to round things off I got to see the uncut version of the fourth movie.

SOUNDS:

Alan Wake OST by Petri Alanko - the perfect compliment to thinking about the game a lot (and giving the prequel short film Bright Falls another viewing).

The Black Angels "Passover" - linked to Alan Wake with the opening track "Young Men Dead", I've really gotten into this 'rock dirge' album.

VIBES & FLAVOURS:

I finally got around to, and finished, reading "Driven to Distraction" by Jeremy Clarkson. As is customary at Christmas, any self-respecting Top Gear fanatic will end up with one or more books written by one or more of the presenters. "Distraction" was an epic tome; a weighty hardback too large for comfortable reading ... but once I got back into the style of Clarkson's aritcles I enjoyed it as I always do.

I've been getting some good prep work done on "Allen Bridge" - my next script - but there's plenty left to think about. Speaking of scripts, "Summer Road" was finished off and posted off to the BBC Writersroom.

Finally there's been a lot of summer time painting and decorating going on (a task I'm good at, but find utterly mind-numbing), as well as some rather late (or rather early) spring cleaning - I've been digging through my chock-full cupboard, weeding out junk for recycling and items for charity shops. On top of all that my entertainment centre in the corner of my room has changed significantly. My trusty 21 inch Samsung CRT has been replaced with a 24 inch Goodmans HDTV ... my Naiko VHS player has been swapped-out for a 12 year old Sony monster chock-full of bells and whistles ... and to cap it all off the hand-me-down DVD player that had been gradually going on the fritz has been replaced by a Samsung Blu-Ray player. I've even got a new cable for my Xbox360 so I can game in HD.


It was the announcement - after three years of waiting - of the home video release of the theatrical version of Grindhouse that pushed me over the edge. The 2-disc DVD has no new extras, whereas the Blu-Ray has all the existing ones and a whole shedload of new content ... and as a huge Grindhouse fan, it was the straw that broke the camel's back - I had gotten utterly fed up of home video releases of movies I was most looking forward to buying getting shafted on DVD in favour of Blu-Ray. Some other examples would be Cop Out, Kick Ass, and Iron Man 2. I'm an extra features whore (especially for making ofs, particularly if they're feature length), and so that Grindhouse announcement was the last straw and more than three hundred quid later, here I am!

Slasher flick revisiting, and Nightmare on Elm Street 4,5,6,7...

So I've been into a right old slasher flick rampage of late - what with the Friday 13th and My Bloody Valentine remakes coming out, it got me thinking about revisiting some of the slasher flicks I'd only seen once or twice on DVDs that were otherwise collecting dust on my DVD shelves - I'll point out that I saw Friday 13th 2009 in the cinema back in February, which is when this slasher revisiting rampage started.

I'll also point out that back in my teenage years, and then again during my time at uni when DVD exploded big time, I was frequently watching slasher flicks ... and that last year I had a whole Halloween franchise revisit ... but you know how it is, there's so many movies out there, that you just happen to stop watching certain flicks or certain sub-genres for a while through no actual intention, it's just how it goes.

Anyway - I started off, after the Friday 13th remake, with My Bloody Valentine (the original), then there was (in no particular order), Madman, Nightmare In A Damaged Brain, The Burning, and Maniac ... then I fished out Friday 13th Part 5 as I'd only seen it once on the DVD that had otherwise been sat around for a few years not getting watched at this point ... then I got the His Name Was Jason DVD, which in itself was great, and in a wider context got me all hot and bothered to rewatch some of the Friday 13th flicks again - I ended up doing all of them (but not in full chronological order, oddly enough).

Then a poll on Homepage of the Dead - about picking your favourite slasher icon (Jason, Freddy, Michael or Leatherface) got me intrigued in going back to Nightmare on Elm Street 4 through 7 - movies I'd only seen once-a-piece many years ago (the first three I've seen more than once each though), so, without further delay, some thoughts...

Nightmare 4: The Dream Master - it's pretty tame, the kids are annoying, they're poorly written, Freddy is miles away from being scary or intimidating, and I just couldn't help but be continually annoyed (for this and the two following movies) by the lead telling all their friends about Freddy - if they didn't do so, their friends wouldn't have a clue about Freddy, so therefore the lead is murdering their chums by proxy ... silly bastards. Also - Freddy raps in the credits ... oh dear lord.

Nightmare 5: The Dream Child - thoroughly sick of "Dream" sub-titles now, plus it's a direct follow-on from #4, which was naff anyway - plus, it's decidedly NOT scary ... while the dream elements are creative, I don't find them scary, nor especially interesting ... also, how come everybody falls asleep in the blink of an eye? I wish I could do that, but no, it always takes at least ten or twenty minutes to actually drift off. Plus, Freddy is far from scary or intimidating - he's just stupid, but still the best part of the movie ... then, once again, more end credits rapping - geeeeeeeez.

Nightmare 6 ... or rather Freddy's Dead: The Final Nightmare - oh my fuckbeans, this is bad ... I mean really, really bad. It's not scary (again), the dream sequences have gotten more ludicrous and downright shit (such as the videogame sequence with a horrendous Power Glove advert-cum-spoof), Freddy is a complete joke, the script is awful, the acting is pish - especially by that black-haired woman who turns out to be *sigh* Freddy's daughter from when he tried to 'be a family man' (with added childhood abuse flashbacks for extra cheese) ... she is really shit - "aaaaaaaarrrrggghhhh ... oh wait, my hair's flopped over my right eye, let me break the moment completely and move it out of the way ... ahem ... aaaaaaarrrrrggggghhhhh" ... I mean for fuck sake ... then there's that bullshit with the 3D glasses.

Oh, and the bullshit about killing Freddy - with a few knives and a pipe bomb - WHAT THE FUCK?! That's how you kill him? If you can't kill him by burying his bones in sacred ground, or by that weird shit in the church in #4, or whatever it was in #5, how is a few knives and a pipe bomb gonna do it?

Nightmare 7 ... or rather Wes Craven's New Nightmare - a pre-cursor to Scream in many ways, it's actually quite interesting, but sadly it takes too long to really get moving. I feel it could have been 15 minutes tighter with ease, or how about putting a bit more Freddy into it - who, while only really there in the second half, is finally scary again - no more Power Glove gags, no more rapping, no more "oh just forget he was a child killing kiddy fiddler as we sell soft toys of him to children far too young to watch these movies" - no - he's bad ass once again, rocking a kick ass trench coat and boots and sporting a genuinely fucked up face (the make up in 4 through 6 was crap) ... the dude's scary again.

Now - as is the trend - A Nightmare On Elm Street is getting remade. Is this necessary? Of course not, but it's happening, and at least they've got the dude that played the decidedly messed-in-the-head Rorschach filling the sharp-fingered one's boots. Let's hope they at least make it scary, and make Freddy a dark and disturbing figure.

His Name Was Jason...

Out of the collection of 'franchise slashers' - the main three being Freddy, Jason, and Michael (with Leatherface hovering around in fourth place - at least in terms of sequels anyway) - it has always been Jason Voorhees who was my favourite. Freddy is alright, but he's too based around quips and chit-chat, plus he turned into a joke far too soon - not to mention too large of a cultural figure, which is especially disturbing considering he's originally a child-murdering paedophile! Beyond part 3 there's bugger all point in watching a Freddy movie - I mean part 6's 'death by map' says it all really. Michael Myers, my second place slasher figure (tied with Leatherface admittedly) - he's silent, but deadly, with a penchant for heavy breathing behind an iconic, but creepy-as-fuck, mask. #1 rules, #2 is decent, #3 (while not including Myers or a Myers-a-like AT ALL) is surprisingly good, but then #4 comes along and it all turns to shit - shit mask, boring plots, and Michael Myers just becomes a pale immitation of what he once was. H20 vaguely increased the franchise's standing somewhat, but it was massively in debt to Scream, and then of course there was the 'sequel that dare not speak it's name' - Halloween 8. Nuff said really. However, Rob Zombie came along with his remake - and yes, it's most definitely a Rob Zombie movie, and while flawed and not up to the standard of Zombie's original effort The Devil's Rejects, I still dig it. One of the best things the remake did, was make Michael Myers scary again - he regained his standing as a formiddable foe, a position long since lost by shoddy sequels. Leatherface - well, TCM#1 is simply a genre classic of epic proportions, nuff said. TCM#2 is gleefully OTT in every respect. TCM#3 has its moments, but ends up drifting wide of the mark. TCM#4 ... "real sequel" my arse, quite frankly. TCM2003 - it was never going to be a patch on the original, and it wasn't - but you know what, I quite like it on it's own you know? The follow-up to TCM2003 was completely unnecessary though. Now - the main man himself - Jason Voorhees. He's got the coolest look, including his burlap sack hillbilly-ish outing in #2, he's got the second-coolest signature weapon in the shape of his trusty machete (nothing beats a screaming chainsaw, natch), he's got the coolest name, coolest signature theme (two echoed half-words and everybody knows who you mean), and the greatest number of cool sequels. Also of particular interest, Jason was merely talked about in #1, and then only seen in a 'final scare' dream sequence - it was his mother doing the slaying. Freddy, Michael, and Leatherface never had that to contend with that when they showed up on the scene. But let's just whip through the Friday 13th franchise with my brief thoughts, shall we? #1 - gore-ific fun. Teenage camp counsellors getting offed in the woods, Jason's crazy-ass mother, Savini's masterful gore effects, it really kicked off the 'slasher set at a camp' craze, and the introduction of Manfredini's fantastic score. #2 - Jason turns up, and rocks the burlap sack look with style. Classic kills, classic plot of - yep - camp counsellors in-training being picked off one-by-one, a cast of interesting-but-simple characters that you like watching - and well, a legend is born. #3 - 3D playfulness, Jason gets his signature hockey mask, funky themetune, it picks up right after #2, plus I got to to-and-fro a couple of emails with Larry Zerner a number of years ago concerning the alternate ending, which was cool ... mind you, Miner's directing skill seems to have taken a nose-dive since #2 as it's an endless succession of characters seeking out strange noises and being scared to do so because we the viewer knows something might happen - but they don't know, so why are they creeping around with a scared look? Plus the dialogue is awful, and that hippy chick's 'scared' moment is nothing short of laughable. However - Jason rocks up and you get basically 30 minutes of awesome to cap-off a kinda rocky flick. #4 - follows #3 directly which is just awesome, Savini is back, the characters are again interesting-but-simple (and genuinely entertaining), it looks great, Crispin Glover gets the best death - and dance, Jason gets killed, it looks fantastic, the woods are dark, scary and it's lashing down a storm when shit kicks off - which is how the franchise works best. #5 - aye, it's not good really is it? At least it still looks like #4, so this is the last time we'll see the night-time lit and shot in such as a way as they had been doing ... and, well, there is some nice totty throughout. Certainly the lowest point in the franchise thus far unfortunately. #6 - JASON LIVES! The birth of 'zombie' Jason, Alice Cooper on the soundtrack, pure OTT fun, Thom Mathews being thoroughly 1980s, and I have fond memories of watching it on Christmas Day many years ago (it was a present, along with...) #7 - Jason's best un-masked appearance - the effects are simply jaw-dropping - Kane Hodder's first character-defining entry, telekenesis is an interesting addition, some nice totty, a last hurrah for the 'kids having a house party' plot ... such a shame that it was neutered by the MPAA - the uncut footage would have made it much ballsier. #8 - the last properly good Jason movie, one could argue - although calling it "Jason Takes Manhattan" is a bit daft when it takes an hour to get to the Big Apple, and the whole 'kids voice, vomits lake water, turns into boy Jason' bit at the end was just stupid, and again the MPAA stuck their stupid nose in and neutered it - still though, this is Hodder's finest moment as Jason - the dude just rocks throughout - it's amazing how much joy you get out of him punting a ghetto blaster down the pavement ... everything in Manhattan rocks, if only they'd had some more cash to extend all that ... the themetune of "The Darkest Side of the Night" kicks ass, Jason's 'pruned and soggy' look is cool, it's nowhere near as shoddy as I originally thought it was when I first saw it as a teenager, and despite it's flaws I'm now quite fond of it. #9 - the gore is cool, and any time Kane Hodder is on screen I'm liking it ... then they come along and think 'outside of the box' and forget to bring Jason with them, so instead we get a bunch of twats we don't care about whatsoever farting around being chased by Jason's soul ... ugh ... then there's the distracting inclusion of a couple of Evil Dead references in the final act, Jason getting taken to hell, the utterly daft "Final Friday" moniker (New Line were never going to buy a franchise to kill it off, sheesh!) and the seed for a turd-festival "VS" mash-up happens. #10 - I enjoyed the idea of 'Jason in space', but converse to my thoughts 'then and now' on #8, #10 isn't as good as I once thought ... anyway, the final appearance of Kane Hodder who simply IS Jason is good, there's some nice kill gags, some interesting ideas (even though Uber-Jason doesn't look as cool as he should really). Freddy VS Jason - a spin off, rather than a franchise-follower in my view, it was complete gash when I saw it and I've never been back. Cringey Nu-Metal soundtrack, not at all scary, it's got 'that one out of Destiny's Child ... I think' in it, it's too slick, Kane Hodder isn't in it anymore and ugh ... I just didn't care for it at all ... at least it had Monica Keena in it though. Friday 13th 2009 ... well, you can see my thoughts on that here: http://deadshed.blogspot.com/2009/02/friday-13th-2009and-another-rant-about.html