Showing posts with label story. Show all posts
Showing posts with label story. Show all posts

Friday, 7 August 2026

Murder at the Grindhouse - available now...


Murder at the Grindhouse, my new coming-of-age murder mystery thriller novel set during the last notorious years of New York City's 42nd Street, is now available to purchase in paperback and eBook formats worldwide via Amazon.

UK Paperback 

UK eBook

USA Paperback

USA eBook

Or just search for "Murder at the Grindhouse" on your home nation's Amazon website.

Set during the dying years of the most notorious street in America: New York's 42nd Street between 7th and 8th Avenues, Murder at the Grindhouse is a coming-of-age murder mystery thriller set against a backdrop of social upheaval, the encroachment of corporate America, and a sensational killing streak. The propulsive story is told primarily through Calvin, a scorned small town zero forever chasing to catch up only to arrive too late, who is drawn to the city by a stunning, morbid mystery: who was the second body hidden inside his Aunt's funeral casket?

Calvin enters this extraordinary land of outlaw film culture and illicit freedoms as a wide-eyed innocent seeking answers and personal redemption, drawing him into a world of copycat murders, temptation, and mob intrigue. Besieged by alluring distractions, he is guided by Angela, a hard-nosed punk rocker; Carol-Ann, a jocular dancer with Broadway dreams; and their coterie of misfit friends. However, when Calvin's amateur sleuthing puts him in the middle of one too many crime scenes, Detective Armstrong begins to like him as a prime suspect for 'The Devil of The Deuce' serial killer. Will Calvin be able to peel back the layers of secrets, lies, and sordid actions to unveil horrifying truths – and at what cost to his soul?

A vivid and gleefully lurid journey through society's edge during a bygone era, Murder at the Grindhouse consumes the reader in a world populated with humorous, vibrant, and emotionally flawed personalities cast against a mix of absurd fringe fantasia and sudden danger.

Wednesday, 29 July 2026

Murder at the Grindhouse - a little sample to read...

My new novel "Murder at the Grindhouse" is coming out August 7th 2026, available worldwide on paperback and eBook via Amazon - so here's a little sample to read: the prologue that kicks things off.

 

Murder at the Grindhouse

Copyright 2026 Nick Thomson 

PROLOGUE

January 1982


Granted, I've never rode behind a hearse before, but I don't think they're supposed to ride that low to the ground. Aunt Teresa was a robust woman, and yeah, she's only been present in occasional letters since sixty-nine, but there's no way she's put on this much weight since then.

The black Caddy up ahead wallows along the freeway, its undulating rear bumper scraping against the patchwork tarmacadam as the winter sun, wreathed in freezing clouds, slithers across the soft curves and sharp details of its gleaming body.

Uncle Gene's up front. He hasn't said a word since this morning at JFK, his frosty silence imposed upon everyone else in the limousine.

“At least the sun came out for her,” I say, disregarding the verbal embargo.

In the middle row of seats, Dad's gaze refuses to peel away from the world passing by, as Mom turns her head an inch or two, that all-too-familiar blankness on her face. Neither utter a word. The same goes for Angela, head to toe in black and keeping her distance. Despite the veil, there's a hint of a smile under the brim of her hat. She must like folks stewing in their awkwardness...

Click "READ MORE" below to contiue...

Sunday, 19 July 2026

Murder at the Grindhouse - my new novel...

Murder at the Grindhouse - my new novel - is releasing on August 7th 2026 worldwide via Amazon.


The eBook is already up for pre-order worldwide (e.g. UK, USA) and the physical print edition of the book will go live for purchase on August 7th.

Set during the dying years of the most notorious street in America: New York's 42nd Street between 7th and 8th Avenues, Murder at the Grindhouse is a coming-of-age murder mystery thriller set against a backdrop of social upheaval, the encroachment of corporate America, and a sensational killing streak. The propulsive story is told primarily through Calvin, a scorned small town zero forever chasing to catch up only to arrive too late, who is drawn to the city by a stunning, morbid mystery: who was the second body hidden inside his Aunt's coffin?

Calvin enters this extraordinary land of outlaw film culture and illicit freedoms as a wide-eyed innocent seeking answers and personal redemption, drawing him into a world of copycat murders, temptation, and mob intrigue. Besieged by alluring distractions, he is guided by Angela, a hard-nosed punk rocker; Carol-Ann, a jocular dancer with Broadway dreams; and their coterie of misfit friends. However, when Calvin's amateur sleuthing puts him in the middle of one too many crime scenes, Detective Armstrong begins to like him as a prime suspect for 'The Devil of The Deuce' serial killer. Will Calvin be able to peel back the layers of secrets, lies, and sordid actions to unveil horrifying truths – and at what cost to his soul?

A vivid and gleefully lurid journey through society's edge during a bygone era, Murder at the Grindhouse consumes the reader in a world populated with humorous, vibrant, and emotionally flawed personalities cast against a varied mix of absurd fringe fantasia and sudden danger.

Monday, 6 October 2025

Monster: The Ed Gein Story - a quick rant...

Season 3 of Netflix's true crime drama series from Ian Brennan and Ryan Murphy has appeared on our screens, and after detailing the life and crimes of Jeffrey Dahmer (season 1) and the Menendez Brothers (season 2), their sights have now been fixed upon the so-called Butcher of Plainfield, Ed Gein.


The excellent first episode suggests a less gaudy and in-your-face tone, something with a splash of relative class (helped in no small part by an excellent performance from Laurie Metcalf as Gein's ultra-religious and overbearing mother) ... but this brief flirtation with taking the material seriously rapidly devolves, to the point that already by episode four Ed Gein is stalking babysitters and chasing two lost hunters through the woods with a screaming chainsaw while wearing a flesh mask, which was most certainly something he never did. Such moments become increasingly common as it becomes crystal clear that hewing close to the horrifying truth is of no real interest to the showmakers...


Click "READ MORE" below to continue...

Wednesday, 13 December 2017

The Walking Dead: Room for Improvement...

BE WARNED: the following contains spoilers for The Walking Dead up to (and including) the mid-season finale for Season 8.

Also: excuse the length of this article, but I have broken it down into segments. Bear with me.

Call this an 'open letter' or a train of thoughts written down or whatever you fancy, but suffice it to say The Walking Dead has caught some flack in the last couple of years and made some missteps. Here I address some of the bad - as well as landmark moments of good - that the show has represented on screen, with a few possible fixes. TWD is one of the best shows on television, but there is room for improvement...

SEASON SEVEN WOBBLES

The seventh season of AMC's thunderously successful zombie show caught a lot of flack. Some balked at the violence in the première episode, although to be quite honest, what were they expecting?! Having your head smashed in with a baseball bat wrapped in barbed wire is going to leave quite a mark. Did they forget the geysers of blood that gushed from slit throats in the season five première? Or how about the countless scenes of flesh eating, zombie slaying, bullet-spraying carnage that has been a staple of The Walking Dead since the get-go?


The main criticism of the seventh season however, was with the overall structure and pacing. All too often major characters went absent for several episodes at a time as Scott Gimple and his writers opted to focus on one contained story after another. Sometimes it worked, sometimes it didn't. The first half of Season 7 sums up the issue quite well: after the Lucille-swinging première (one of the finest episodes of TWD's entire run) we are introduced to The Kingdom, Sanctuary, and then Oceanside all within five episodes – each with a procession of new characters whose names, faces, and allegiances we struggled to remember. Basically, it was too much to take in and our long-running show started to feel unfamiliar. Although, I will say that 7x02 – the introduction of The Kingdom – was a very good episode, handling Shiva and King Ezekiel perfectly (especially how Carol – and we the viewers – were clued-in to the real Ezekiel by the end of the episode).


Some folks didn't like that Team Rick were under Negan's thumb. “Just kill him already!” they screamed, which was ironic considering that if they did that then it would be the exact same case of 'rinse & repeat' that the most ardent complainers accused the show of committing, when comics readers know that All Out War is an entirely different conflict to what we've seen before with the likes of Woodbury, Terminus, or even The Claimers. To be fair to Gimple & Co, a little patience was required from the audience – drama and tension aren't derived from getting what you want immediately, after all! You don't enjoy the thrill of getting the gang back together in 7x08 without going through a period of separation and subjugation. Resolution can't come five minutes down the road, or even next week!


Let's fast forward to Season 8 and how the structural problems were being faced head-on according to Scott Gimple, Greg Nicotero, and the cast as they headed into Comic-Con 2017. Now, certainly, there have been some structural improvements compared to the seventh season: We've not gone for long periods of time without seeing certain characters generally, although, yes, Negan, Michonne, and Rosita all went missing from the screen for three or four weeks in 'viewer time' (likely because of scheduling issues and the other commitments of a popular and in-demand cast). Meanwhile, the propensity to focus too much on a single “A Story” at the expense of any “B” and “C” stories taking place with other groups in other locations has been limited in Season 8A – but they can definitely go further...

Click "READ MORE" below to continue **SPOILERS UP TO 8x08 AHEAD** ...

Saturday, 22 July 2017

The Walking Dead Season 8 Comic-Con Trailer Analysis...



It's that time of year again – San Diego Comic-Con – and, naturally, that means the trailer for the new season of The Walking Dead!

Now, as I've written about before, Season 7 undoubtedly had some problems – however, the show makers have proved in the past that they do listen to fans' concerns and make changes. I've read a few interviews with Scott Gimple (the show runner) where he has stated that not only will the pace of the 8th Season be ramped up, but the structure of the storytelling will be changed. In other words, aside from the possibility of a flashback episode detailing Negan's back story, the 'isolated episodes showing just one character/story' are out. These stand alone episodes can work in moderation: The Governor's flashback episodes in Season 4, for example, or the episode in which we saw how Morgan came to regain his sanity and find a path to peace, or indeed, 7x02 in which we follow Carol and Morgan as we were introduced to The Kingdom (with a satisfying conclusion at the end, justifying Ezekiel's more outré characteristics).

Season 7's biggest problem was definitely the structure, which made the overall story feel fractured with main characters disappearing for a handful of episodes at a time while the writers played for time in-between the premières and finales, sapping considerable momentum. The low point for all this? Episode 7x06: the Oceanside episode – Tara couldn't carry the weight of introducing the third new community of people inside five episodes after The Kingdom and The Sanctuary. Indeed, the introduction of those scumbag trash pile people (lead by the irritating Jadis) proved problematic for the back-half of the seventh season, too.

Anyway – enough of that, because Season 8 is shaping up to be an exciting thrill ride that will reward viewers' patience. All Out War has been declared and the battles are upon us!

Click “READ MORE” below to see what's what in the Season 8 trailer...

Friday, 3 February 2017

Only God Forgives: quick review...

What's it about?
An American drug dealer living in Bangkok is sent into the criminal underworld by his domineering mother to seek revenge for the murder of his brother. Bloody, stylish, straight-faced chaos ensues.
Who would I recognise in it?
Ryan Gosling, Kristin Scott Thomas, Vithaya Pansringarm, Tom Burke.
Great/Good/Alright/Shite?
I recently posted my thoughts on Nicolas Winding Refn's latest film - The Neon Demon - and found it to be extraordinarily stylish and obsessed with obtuse symbolism, but I was disappointed by how it sought to dispense with as much plot, story, characterisation, and redemption as possible (and it was decidedly over-long at an indulgent two hours). So I figured it was time I caught up with Only God Forgives, the film that sits between TND and Refn's 2011 film Drive (a richly textured, yearning, ultra cool modern classic). Where, I wondered, would it fall on the scale between those two films...

Click "READ MORE" below to continue...

Thursday, 27 October 2016

"A Sideline In Vengeance" update #6...

Quick update on "A Sideline In Vengeance", my conspiracy thriller screenplay: just the other day it made it through to the Quarter Finals (feature category) of the Shore Scripts 2016 competition ... which is nice (to use a random quote from The Fast Show).
The Quarter Finals represents the Top 6% of entries, and this year has seen the largest number of entries in the competition's history.

You can see the list here:
http://www.shorescripts.com/2016s-quarter-finalists/

Saturday, 22 October 2016

FREE eBooks for Halloween...

The season for spooky-doings and ghastly goings-on is upon us, and with that in mind how do you fancy a FREE horror eBook for some Halloween reading? How about two free horror eBooks to give your e-Reader a ghoulish glow?

Available worldwide via Amazon from October 27th 2016 through October 31st 2016, you can get yourself a FREE digital copy of "Dug Deep" as well as "How Mr Snuffles III and Others Met Their Maker" (click each link to find out more about the stories).

Simply visit your local Amazon during the promotion period (October 27th through October 31st 2016) and download the book(s) to your Kindle or to your favourite digital device (phone, tablet, etc) or computer by using the (free to download) Kindle App.

Dug Deep - Amazon US - Amazon UK - and Worldwide!

How Mr Snuffles III and Others Met Their Maker - Amazon US - Amazon UK - and Worldwide!

Friday, 1 April 2016

"Snuffles III" eBook FREE April 4th - 8th (2016)...


"How Mr Snuffles III and Others Met Their Maker" is FREE to download Monday April 4th 2016 through Friday April 8th 2016!


It's available worldwide through Amazon for Kindle or the free Kindle App (all computers, tablets, and smart devices).

Find more information on "How Mr Snuffles III and Others Met Their Maker" HERE.

Tuesday, 23 February 2016

"Dug Deep" - eBook FREE this week!


"Dug Deep" - my new supernatural horror thriller eBook - is FREE this week: Monday 22nd February through Friday 26th February 2016.


It's available worldwide through Amazon for Kindle or the free Kindle App (all computers, tablets, and smart devices). Check it out, why don't you?

Thursday, 11 February 2016

"Dug Deep" - new eBook out February 15th 2016...


I've got a new eBook coming out on February 15th 2016, exclusive to the Amazon Kindle platform.

Find out more info (and links) on it HERE.

Monday, 22 December 2014

"Celebrityville" update 22/12/2014...

After a few delays - such as having surgery to remove my gallbladder - I've finally been getting underway with "Celebrityville". First of all I got cracking with the short story ("The Great and The Good") that will tie-in to the main narrative (and accompany it in the book), but now I'm well underway with the primary text...

Click "READ MORE" below to continue the update...

Friday, 5 December 2014

"Celebrityville" is getting there...

Planning out "Celebrityville" (my second book) is coming along very nicely indeed. Today, after a few weeks away due to another project I was working on, I finalised the layout of the story. The break was good though, as I could spread out the index cards for all the major beats of the story (something I talked about in an earlier post) and see it all with a fresh pair of eyes. I plugged a few plot holes and motivation gaps, so the events and pacing of the story is locked-in. Next up I'll be doing a rough map of each chapter (where it starts, where it ends, the basic beats of what happens when, and who says what to whom and why) ... and then it'll be time to getting my fingertips waggling.

Click "READ MORE" below for a teasy little tease...

Monday, 14 October 2013

Story Time Edition: The Walking Dead 4x01 Memes...

Find more Walking Dead memes here.

Season 4 is finally underway and that means it's time for some more TWD memes!

Click each image to view FULL SIZE.

Click to Enlarge: The boy's growing up...

Click to Enlarge: The new-look season!

Click "READ MORE" below for more memes from the season 4 premiere (SPOILERS AHEAD)...

Monday, 23 May 2011

Hextuple Bill Mini Musings: Art, Ponciness, Hard 10s, Mowers, Aliens, and Speeding...

The Stendhal Syndrome:
Another season of Dario Argento movies is running on The Horror Channel, which has improved a hell of a lot over the last 12-18 months. The eponymous syndrome is that when the victim suffers a collapse after being overwhelmed by artwork, after which they suffer the effects of a split personality. It's an intriguing concept, but for my liking it isn't explored quite enough. It needed to go into darker and stranger territory for me, but it felt somewhat lacking and - oddly - in need of some classic Argento flourishes. A great idea at heart, but the execution is disappointing. Definitely not one of his best works, but even still, it's one of his most interesting ideas.


Rubber:
The movie about a killer car tyre - who the hell wouldn't want to see it?! Well, half of it anyway. The half that follows the tyre discovering its powers and exploding heads is enjoyably daft ... but the other half is an eye-rollingly pretentious load of old bollocks, that is so self aware it's not in the slightest bit funny, witty, or entertaining. If all that wasn't in the movie, it'd be a spiffing 40 minutes - or personally, I would have gone in a different direction with such an idea as a killer car tyre.

The opening monologue, about "no reason", is apparently supposed to be ironic. Now, is that because none of the examples given demonstrate "no reason" at all, or is it ironic for another reason and the annoying monologue is actually being serious? I enjoyed the silliness of the cop arriving in the trunk of a police car, which knocked over a series of chairs in the middle of a road, but for goodness sake I didn't need the poncy-arsed bullshit that came afterwards and was dotted throughout the movie. So it's a very split flick - one half of it is total crap that thinks far too much of itself, and the other half is an enjoyable askew idea of a killer car tyre blowing up people's heads in and around the desert motel that was memorably featured in Rob Zombie's wonderful The Devil's Rejects.


She's Out Of My League:
A nerdy guy who works for TSA (a "5") meets and gets into a relationship with a jaw-droppingly gorgeous girl (a "hard 10"), and nobody can quite believe it. I really enjoyed this somewhat raunchy comedy, which packed a perky and funny script populated by entertaining characters. Not much to say about it, but I thoroughly enjoyed it.


The Straight Story:
Another dose of David Lynch with this tale of an OAP who treks across state lines on his ride-on lawnmower to visit his ailing brother with whom he hasn't spoken for a decade. It's a simple story - a straight story if you will - but at the same time, it's an odd one. Lynch's film, a typically idiosyncratic ode to rural America, finds the curious in the normal, and the normal in the curious. It's a meandering yarn with a gentle, laid back feel, and despite being quite different from the likes of Blue Velvet or Mulholland Drive, you can feel Lynch's hand at work throughout - indeed, the same can be said of long-time Lynch composer Angelo Badalamenti, who scored the flick.


Monsters:
A lot has been made of this film - mostly down to the micro budget and that Gareth Edwards (the Writer/Director) put the visual effects together "on his laptop". However, the pace is too slow and the male lead is too annoying for too long ... but on the other hand the subtleness of the fact that South America is now a quarantine zone populated by giant alien squids provides some nice tension. The plot is a bit sparse, and it doesn't quite convince at certain points (most notably the reason the two leads have to trek through the zone), but the low-key-yet-involving spectacle of the finale is impressive. It's also an impressive feat technically and stylistically, but it's a bit lacking at points throughout the uneven script. That said, it's a solid debut from a fellow Brit, and I look forward to seeing what Edwards can do with a bigger budget and a tighter script.


Gumball 3000: Coast To Coast:
I'm a bit of a fan of Gumball 3000 (and Bullrun), keeping up with them through the DVD releases and TV shows made about them over the years. This one I've only just discovered, and it's about the L.A. to Miami rally in 2009. It's nowhere near as good as Gumball 3000: The Movie, nor 3000 Miles, so it's a disappointing effort. 'Nuff said.

Monday, 3 January 2011

My Chronological Top Ten Films of 2010:

The Book of Eli (17/1/2010):
More of a movie apocalypse than the realism of The Road, with arse kicking action, superb visuals, and a great soundtrack. It's not perfect, and the central theme might turn some away, but I really quite enjoyed it from start-to-finish.

Shutter Island (27/3/2010):
A B-Movie genre flick with the talent and budget of an A-Movie. Scorsese excelled at forboding atmosphere and paranoid asylum-bound mystery, while DiCaprio delivered yet another quality performance.

Kick Ass (4/4/2010):
Superheroes that aren't so super, but who cause a lot of violent havoc and have filthy mouths. Pure, unrestrained entertainment. Sequel please.

Inception (19/7/2010):
A mind-bending blockbuster with a thunderous score, the best trailer of the year, and the ability to mix wow-factor visuals with huh?-factor smarts.

The A-Team (1/8/2010):
One of the pleasant surprises of the year. I thought it was going to be a disaster upon first hearing about it, but it grew on me gradually, and then proved to be an thoroughly enjoyable action romp.

The Expendables (22/8/2010):
I prefered Rambo, but the sheer bad-assery of this 1980s throwback actioner employing modern techniques provided an addictive dose of adrenaline. Plus Terry Crews' shotgun was amazing.

Scott Pilgrim Vs. The World (28/9/2010):
It's a shame it didn't do a bit better at the box office, but it was clear from the first frames that this was going to be a cult hit all the way. This unappologetically niche flick has kept coming back into my mind over the months since its summer release, and I look forward to delving deeper into the Pilgrim universe with the graphic novels.

Jackass 3D (7/11/2010):
The whole 3D thing hasn't evolved beyond a flashy visual gimmick, and I doubt it ever truly will, so a bunch of idiots hurting themselves and flinging various bodily fluids at the camera was an ideal use for this technology. An ideal audience participation experience, filled with absurdly gross-out moments.

Toy Story 3 (Blu-Ray) (23/11/2010):
Perhaps the best one of the three, but certainly tied with the original, this series closer provided guffaws and lumps-in-throats in equal measure. A visual treat with a heart-felt script to match. It tugged on your heart strings with Pixar's perfected storytelling skills and was a definite 2010 Top Five moment. That sequence in the final act alone was enough to earn it endless kudos.

Tron Legacy (2/1/2011):
The script could have used a touch more shading for certain aspects, but as a visual and aural experience it was second-to-none for 2010. The 3D wasn't employed to particularly involving effect as the neon glitz of The Grid overtook any depth-of-field snazziness with ease, and the soundtrack by Daft Punk was pulse-poundingly perfect. I really enjoyed this flick, and while the original was a very important moment in cinematic history, this sequel really delivered the goods for me.


Honourable Mentions:

The Road (31/1/2010):
This is exactly how the apocalypse would be in real life - unlike The Book of Eli's darkly entertaining movie-apocalypse - a harrowing and tough experience. It didn't quite have the hauntingly memorable quality of Cormac McCarthy's superb book, but the heartfelt father/son tale translated perfectly to devestatingly moving effect. It's a film for fathers to deal with the fact that one day they'll be gone and their offspring will have to fend for themselves, and it's a film for sons to deal with the realisation that one day their guiding light will be extinguished. Like I said - devestatingly moving.

Machete (28/11/2010):
Perhaps I had amped it up in my head too much since the release of the thoroughly enjoyable Grindhouse, but Machete didn't quite fire on all cylinders after an uproariously entertaining opening. However, despite the slight disappointment, it was filled with that gleeful grindhouse vibe and I'm sure I'll enjoy it time-and-again on home video.

The Town (26/9/2010):
Ben Affleck's heist thriller might have treaded similar boards to many other heist thrillers, but it's honest and detailed approach to Boston's criminal class, and the three superbly crafted heists made it stand above its peers who have come out in the wake of influential flicks like Michael Mann's Heat.

Back to the Future (re-release, 3/10/2010):
I didn't include this in the 2010 Top Ten as it's a re-release, but it was easily one of - if not the - best cinema-going experience of 2010. The movie is perfect already, so it was glorious to see this life-long favourite on the big screen, but more than that it was heart warming to see young parents bring their young children to see this film that had been so important to them and successfully pass their enjoyment onto their offspring.

Tuesday, 7 December 2010

Hextuple Bill Mini Musings: December 2010...

Toy Story 3:
Having not had the chance to see it in the cinema, I was eager to see this closing chapter the founder of Pixar's continuing success and creative superiority to various imitators of what they do best.

It's a nostalgic trip, a chortle-inducer, a touching human/toy drama, and even a stunningly dramatic flick. On the latter I'm of course referring to the final act, particularly that one scene - and those who have seen it, know exactly what I'm talking about. Hands down it's the single most moving and stunning moments in Pixar's history. Bravo Pixar. Bravo.


DeadGirl:
A fellow Homepage of the Dead poster mentioned this undead indie flick, so I took a punt and checked it out on DVD. A couple of high school outcasts ditch school and go to the local abandoned mental hospital to drink, smoke and cause havoc. During their exploration of the basement they discover a naked girl bound to a metal gurney - but as it turns out, she's undead.

I'm sure from that sentence you can surmise what happens afterwards, and it is indeed bizarre at least, and rather gross at most. Turns out this is from the Trent Haaga's back catalogue of banked screenplays - Haaga being one of those who has had a lot of experience at long-running exploitation merchants Troma. Indeed at times it feels like a Troma movie - but only after an entirely different, more serious coming-of-age tone has been established - and this is where the movie feels uneasy, but not in terms of the content (as disturbingly weird as it is). When these 'Troma moments' strike (albeit rarely) you feel wrong-footed, so ultimately the film feels a little confused as to what kind of horror flick it wants to be - but nevertheless by the final act it's gotten itself back on track and figured itself out to a solid conclusion.


Law Abiding Citizen:
I had zero interest in seeing this at the cinema, but Sky Movies were showing it and so I checked it out to see if it was any cop - turns out it was pretty average, as I'd figured. With lesser names behind it you could imagine it being some kind of straight-to-DVD thriller, because for the most part it's pretty ... well, average.

Until moments of SAW-like violent strikes, and then you wonder what sort of thriller this is supposed to be. There's a couple of genuine shocks in it, but it's fairly standard stuff. Only a couple of jolt-moments will linger in your memory for any time afterwards.


Four Christmases:
Sometimes you just want to watch something that's a bit rubbish, like eating food you know full-well is bad for you. So I guess that's why, deep down in my subconscious somewhere, that I ever bothered to watch this entirely predictable (as in not just from a mile of, but from the surface of the Sun predictable) chortle-free affair.

Two pretty unlikeable successful people are forced to attend the titular number of festivities and just a load of old cobblers happens for 90 minutes, with each Xmas that succeeds the one before it becoming increasingly throw-away to the four - count 'em, FOUR - credited screenwriters.

Seriously. How on earth did it take FOUR people to write this lightweight tosh?


The Informant!
Full of Soderbergh's style, and rather dry comedy, but at least Damon turns in a good performance. It went on a bit too long and I never got into the vibe of it all, but it was a nice surprise to see Thomas F. Wilson (Biff from Back to the Future) turn up.


Happy Birthday To Me:
It's been on the 'to do list' for quite some time, so when The Horror Channel inserted it into their schedules I figured it was about time to barge it out. Compared to some of the other slashers of the era, it's got a decent production value behind it, and the plot - albeit a bit long winded and confusing at times - is ultimately interesting. That said, it takes entirely too long to get to the point, and the crescendos (i.e. the kills) are mostly let downs for their insanely brief screen time. So it was a mixed bag for a slasher, which had some really off-moments tossed into the mix (like attempts to suggest 'could this guy be the killer?' in the second act), but over-the-piece it was pretty decent.

Tuesday, 30 November 2010

Flavours of the Month: November 2010...

LOOKS:

The Walking Dead - as you will have noticed I have been putting up my thouhts about each episode every week, so you can read what I've thought of this spiffing new undead TV series from AMC.

Twin Peaks - the Horror Channel has been having a David Lynch season this month, and the tentpole of it has been the showing, from start-to-finish (at the time of writing it's still part-way into season two), of Twin Peaks. I had never seen it before, but knew of it, and being a fan of the videogame Alan Wake, it's interesting to see where various elements of that game came from (indeed the creators are big fans of Lynch's dream-like drama).

Avatar 3-disc (Blu-Ray) - if only every studio/distributor would tell you in advance that a kick arse version of a movie on disc was coming later on. Fortunately Fox and James Cameron put it out on front street that Avatar would be getting a super-duper home video release in due course (when they were launching the vanilla disc). Naturally, being a whore for making-of documentaries and special features in general, I bided my time and finally I got my mits on Cameron's eco-actioner. It may not be in 3D this time, but now I get to view it without the 30% loss in brightness/contrast (such as you get with 3D glasses) and with 16 extra minutes (which, handily, you can view on it's own if you want to).

As far as the new footage goes, some is mere extensions, but quite a bit of it provides worthwhile new content and background. We get to see what Earth has become (providing good grounding and context, as well as visible reason, for mankind's actions on Pandora - it's a nice Blade Runner-esque counterpoint too), and learn more about Augustine's school and her relationship with the Na'vi. You can still see plotpoints coming from miles away, but Cameron's work has often (if not always) worked in popular broadstrokes. In short, it was great to get back to Pandora.

Toy Story 3 2-disc (Blu-Ray) - I never got to see it in the cinema, and I'll blog about the film separately, but it was great to finally get to see Pixar's latest, and well, that moment (if you've seen it, you'll know what I mean) was jaw dropping. That entire sequence was jaw dropping in fact. Bravo Pixar. Bravo.

The American Nightmare - I've seen Adam Simon's documentary on the American/Canadian horror flicks of the 1960s and 1970s several times over the last several years, and it's still a joy to watch. Informative, incisive and creepily stylish in its construction. A must-watch for any fan of the horror genre.


SOUNDS:

Airbourne "Runnin' Wild" - I already had the vice-rock group's second album, so it was about time I caught up with their debut. Fast, loud, wild and all about women, drink and everything in between. Inspired by the sound of AC/DC, it's a thrashingly good time.

Angelo Badalamenti "Twin Peaks Theme"/"Laura Palmer's Theme" - unsurprisingly, having gotten into Twin Peaks at long last, Badalamenti's dreamy score has become one of the constant sounds of November for me.

Godspeed You Black Emperor "Moya" - I'd always wondered what that mournful-then-energised music was in The American Nightmare, but I finally found it, and it's mesmerising.


VIBES & FLAVOURS:

Solitaire - sometimes when I'm listening to shows from the SModcast Podcast Network I'm not doing all that much, but then I remembered about Solitaire (which I used to play quite a bit in the 1990s), and I've become oddly fascinated by it again. It took me ages to get a win on it initially however as I kept running into dead ends - frustratingly so - fortunately the vagaries of a computer software's random card dealing didn't last long and I've been enjoying this little trip down memory lane.

Dead Rising 2 - I've got it for the 360, but I'm not good enough at it to do the story (or the rest of it anyway), so I got it for the PC so I could use cheats to just run around having all sorts of fun - and, importantly, actually get to play the story mode. You might think that slaying thousands upon thousands of zombies with a Light Machine Gun (or a Humvee) would get boring, but you'd be wrong.

STALKER: Call of Pripyat - I was a big fan of the original STALKER game (Shadow of Chernobyl), which provided the best atmospheric dose of gaming that year (2007, if memory serves), and while the follow-up (Clear Sky) was a bit disappointing towards the end it again provided that jolt of The Zone that we "STALKERs" crave ... in 2007 I got into the whole thing in a big bad way with the game, and the movie and book upon which it was based (not to mention absorbing documentaries about the real "Zone" itself). Anyway, it's been on the to-do list for a while, but I finally got around to it.

Unfortunately the DirectX 9 graphics are nowhere near as good as they were in Clear Sky (no doubt to push the DX10/11 technology), and while the pace is a bit slow so far, I'm getting into the world of STALKER all over again. It might be feeling a bit dated and too-samey to the previous two games, but you can't deny the lure of lurking around the rotting ruins of "The Zone".

Crystal Lake Memories: The Complete History of Friday 13th by Peter M. Bracke - I got this for my birthday and I've only just gotten around to it, and boy will it be a long old read. Nevertheless I've covered the first two movies in the long-running franchise. It's a must-have for any fan of the franchise as it's crammed with behind the scenes photos and mountains upon mountains of information from those involved.