Flavours of the Month: February 2018...

Empty landscapes, middle-aged buffoons, and exceedingly dark comedy are some of what's been setting the tone of my February 2018...

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Flavours of the Month: January 2018...

Tech-savvy portmanteau tales, numerous shades of horror, and Hollywood tell-alls are just some of what's been setting the tone of my January 2018...

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Return to "Vengeance"...

The last time I worked on "A Sideline In Vengeance" (a conspiracy thriller screenplay) was over a year ago. Naturally, in that time I've been doing a lot of writing - what with For Want Of A Nail (currently in the editing stage - and I've seen the rough cut), as well as Murder at the Grindhouse (out of which I've also crafted a 'TV pilot' screenplay in the last few weeks).

When you come back to something you wrote a while back you invariably find new changes to make. When I last set eyes on the script I had no further ideas on how to work it - I'd gone as far as I could at that point in time. Now, though, it's a different story. I've got a list of tweaks I want to make - but first: the red pen comes out!

Where once was cleanly printed pages, now lies a wash of red ink (sometimes it's nice to be able to refer back to to editing process in this 'analogue' way, something which you lose when editing a document ... this way you get to see your mental process around your writing). I'm picking my way through the script line-by-line making initial changes and generally hacking out dialogue that I thought was necessary at the time, but now no longer need. It'll be interesting to see what happens to the page count when I apply all of these initial 'red pen on the paper' changes and cuts. More on this as-and-when...

"A Sideline In Vengeance" update #6...

Quick update on "A Sideline In Vengeance", my conspiracy thriller screenplay: just the other day it made it through to the Quarter Finals (feature category) of the Shore Scripts 2016 competition ... which is nice (to use a random quote from The Fast Show).

The Quarter Finals represents the Top 6% of entries, and this year has seen the largest number of entries in the competition's history.

You can see the list here:
http://www.shorescripts.com/2016s-quarter-finalists/

"A Sideline In Vengeance" is underway...

After getting the bulk of the planning done during December (and a little bit of last minute tinkering in the first few days of 2016), I've started writing my new screenplay called "A Sideline In Vengeance".

It's a conspiracy thriller inspired by some dark and twisted stories that have been hitting the headlines in the UK over the last couple of years...

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Short stories and other writing projects...

Recently I've been working on some short stories, a form I used to write in a number of years ago, but from which I got distracted by other creative endeavours. In addition to using the short story format to further improve my writing and try out some things, I'm also pursuing it for competitions as well as submissions to publications that specialise in short stories.

Right now I've just started putting together "We Should Eat Ice Cream Too" (sci-fi), and I've also got "The Seventh Rub" (no particular genre and more of a personal tale), and "Dug Deep" (horror). "Dug Deep" is a ghost story situated in a collapsed mine as trapped workers are painstakingly being rescued, while "The Seventh Rub" deals with the issue of Obsessive Compulsive Disorder. "We Should Eat Ice Cream Too" - a subtle kind of sci-fi story - deals with themes of immigration, societal cohesion, and family - particularly fathers and sons...

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Flavours of the Month: October 2014...

Gangsters, jokesters, rockers, zombies, and celebrities ... just some of the flavours of my October 2014.

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Flavours of the Month: November 2013...

LOOKS:

Crystal Lake Memories: The Complete History of Friday the 13th (Blu-Ray/DVD) - an exhaustive seven hour documentary on the entire Friday the 13th franchise. It's a shame that an early stab at covering the series ("His Name Was Jason", by some of the same people) recurs so frequently here - pre-existing interview footage is used liberally. However, even if you're familiar with HNWJ, you're in for a real treat (particularly with fresh interviews and rare clips). Based on the exceedingly excellent book of the same name by Peter M. Bracke.

Click "READ MORE" below for more looks, sounds, vibes & flavours for my November 2013...

Flavours of the Month: September 2013...

LOOKS:

The Newsroom Season 2 - I rather enjoy watching this quick-witted TV news drama, even if some of the characters leave me cold and every single protagonist talks in the same fast-lipped, quick-fire come-back style. There's just something about it that keeps me watching and keeps me entertained.

Back to the Future Trilogy (Blu-Ray) - I've got them taped of the telly, I've got the 3-disc DVD boxset, and now I've got the 3-disc BluRay boxset. The films look stunning and the new special features are a treat. One thing though - whoever put the discs together needs a slap - there's so many screens of bullshit before you even get to the menu, and then when you finally do get to it, there's these awful button sound effects which re-appear, even when you've turned them off, when you re-insert the disc. Every. Single. Time. Pages of bullshit ... you can cumulatively feel minutes of your life wasting away ... some discs are very good about getting you where you want to be very quickly, while others are very happy to repeatedly waste your time (non-skip-able warnings and endless trailer-reels are particular affronts to viewing pleasure). Aside from that it's Back to the Future, so what's not to love?!

Click "READ MORE" below for more looks, sounds, vibes and flavours of my September 2013...

Flavours of the Year: 2012...

For the last few years I've done monthly run-downs of what's been flavouring that past four weeks - the sorts of things I've been watching, listening to, reading, playing, or doing that have been most prominent - and so I figured I'd do a retrospective of the fullest flavours of the year of 2012.

Click "READ MORE" below to see the Flavours of the Year 2012...

"Summer Road" getting re-drafted...

In 2010 I wrote a screenplay called "Summer Road", which was submitted to the BBC Writersroom and got a full read-through. It's important to note that getting a full read-through at the Writersroom is a tough ask in itself. They get 10,000 scripts a year and kick back the vast majority after a mere 10 pages - regardless of whether you agree with their system and approach to vetting unsolicited screenplays or not, those are the breaks when it comes to the Writersroom - so, point being, getting a full read-through is not exactly a common occurrence there.

Anyway - I've returned to this comedy drama to give it a bit of a bashing around to bring it up to my current screenwriting standard - and then put it out to a couple more places and bank it before advancing onto the next screenplay project I have in mind (which won't be feature length, by the by) ... after which I'm planning on seeking out an agent.

So that's future plans, but right now I've just started the re-writing process on Summer Road (Draft 4.1) - I'm at page 20 (of 107, currently) and so far the biggest changes have come to a handful of flashback sequences. In the previous incarnation of the script I was telling more than I was showing, so I'm reversing that situation and re-writing it according to my current standard.

It has been a good 18 months since I touched this screenplay and I'm able to weed out bits that no longer work, or which feel too 'on-the-nose', while adding a few more flourishes here and there. A key aim will be to re-work the entire second act - re-aiming the focus of the plot - and hopefully bring the page count down. 90 pages would be lovely, but I don't think I can tell this story quite that tightly (you don't want to hack and slash at the expense of your script after all) - but I'll be looking to try and get closer to that figure, even if the page count has - for the moment - packed on a couple of pages up front.

I think it will take a good couple of deep passes to do everything to it that I want to do, but it's kind of nice to head back to this script after spending so long on Allen Bridge, which I'm immensely proud of, but it's a good change of pace. That said, I'm also really looking forward to what I have planned for my next new screenplay and what will come after that - as I've aluded to above.

Flavours of the Month: January 2011...

LOOKS:

Kick Ass (Blu-Ray) - still a great flick. I'd forgotten how thrilling the action set pieces were, too.

Scott Pilgrim VS. The World (Blu-Ray) - three of the four commentaries and another viewing on top, plus all the special features. I must have heard the menu music a hundred times by now.

Inception (Blu-Ray) - Nolan's mind-bender blockbuster is still as spiffing as it was in the cinema, if not more so.

The Expendables (Blu-Ray) - Ultimate Recon Mode is quite impressively done, and one of the best Picture-in-Picture tracks I've seen so far. While I generally prefer Rambo to this, it's still a bloody good time and I look forward to a sequel.

Black Books - years late to the party, but we barged through the rest of the complete box set.

Boardwalk Empire - it took a couple of episodes to get into it, but you find yourself becoming really quite invested in the characters and the complexities of their relationships. Plus the re-creation of the 1920s is superb.

Clarkson: The Italian Job - I think his DVD from 2009 was better, but it was still good for a bit of a Top Gear-like fix. The best sequence was the race at the end.

Lost: Season Three & Four DVD Extra Features - now I just need to get my mits on the last two seasons.

Video Nasties: The Definitive Guide - 3 discs of video nasty goodness, and surprisingly informative. Definitive, most definitely.


SOUNDS:

The Black Angels "Directions To See A Ghost" - I love their first album (Passover), and I've come to really dig this second outing too.

Daft Punk - Tron: Legacy Soundtrack - the flick was the visual and aural treat of 2010, so Daft Punk's superb soundtrack has been in my CD autochanger ever since.

Sex Bob-Omb, Metric "Black Sheep", and Nigel Godrich "Hillcrest Park" - there's been a distinctly Scott Pilgrim flavour to January, so that naturally extended to the aural world too.

Kick Ass OST - not only was it a great action superhero movie, but it had a cool score to boot.

Black Spiders "Just Like A Woman" - as recommended by a fellow fan of Airbourne.

Bo Diddley "Hey, Bo Diddley" - as heard during one of the Mafia 2 cutscenes.


VIBES & FLAVOURS:

Cold - I haven't had one since January 2009, so that was a rubbish few days. I do maintain however that some people who say they have "the flu" actually have a cold, and they're just trying to sound tough. Cold or Flu, they both suck. As if the time of year when you're packing away all the festive decorations wasn't depressing enough, eh?

Script Writing - working on the new version of the short version of zombie mini-epic "The End" (working title), as well as working on an idea to enter for a Public Information Film.

The Big Book of Top Gear 2011 - it's just a bunch of silly old nonsense mostly, but I do love Top Gear.

Cyanide & Happiness Vol. 2: Ice Cream & Sadness - my favourite online webcomic in book form for a second year running.

The Walking Dead Vol. 5: The Best Defense - I continue to make my way through the trade paperbacks for the first time, and while the dialogue is still needlessly filled with unrealistic exposition, the scenarios are intense and gripping. By the end of this volume I was gagging to read the next.

Scott Pilgrim's Precious Little Life (Vol. 1) - the Scott Pilgrim feel to January extended to the first two (of six) volumes of the graphic novels.

Scott Pilgrim vs. The World (Vol. 2) - it's interesting to see that volumes 1 and 2 basically make up an hour of the movie (which runs for an hour and 50 minutes), but it's also cool to see further exploration of the characters and entire sequences that never made it to the film version (such as Ramona and Knives' library battle).

Call of Duty: Black Ops - the second time around, like with the previous CoD, it's not about the hype and all about playing the game on its own level. It also helps that you know what to do, so you don't have moments where the action gets too confusing, which has been the case with first-runs for the last couple of CoD games.

Mafia 2 - I fancied some 1950s gangster action, so I gave this another spin. It's no GTA IV or Red Dead Redemption (essentially being a linear game in a sandbox world), but I still found myself really enjoying it as the story continues to make you invest in the characters. I even got to nab some more achievements and collectibles I'd missed the first time around.

Jeremy Klaxon - Driving Us Insane (A Parody) - just a bit of fun, and one of those pleasant surprise gifts you get at Christmas.

"Allen Bridge" script planning a-go-go...

It's been an absolute hive of activity when it comes to my next script "Allen Bridge" - a drama/mystery - as I spent all afternoon yesterday furiously scribbling down ideas for entire scenes and a whole backstory to the titular town.

It really is a case of the muse working her magic - the inspiration is coming thick and fast - so much so that when I thought I'd finished I returned to my notebook not once, but twice, to scribble in yet more ideas that suddenly sprung to mind. It's like a giant jigsaw puzzle is forming of its own accord inside my head and I'm just trying to keep up with the thought process that seems to be beyond traditional thought ... that sounds kind of weird, I'm sure, but that's how inspiration works I guess.

As for "Summer Road", I'm currently working on the covering letter to go along with the script to the BBC Writersroom. It's amazing how tricky it can be to really get everything you want to say into one sheet of A4, and without talking about the specific plot or characters directly (so sayeth the Writersroom website).