Pervert! (Jonathan Yudis, 2006) DVD Review...

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“I'm like a French bread – the longer I'm around, the harder I get.” In his heyday of the 1960s and 1970s, Russ Meyer was the king of the American sexploitation film. Voluptuous women bouncing and bonking around the desert, crazy characters chewing the scenery, and a scatter gun editing style that pre-dated music videos by many-a-year provided a heady mix for audiences. However, in the age of super fast broadband, such softcore silliness is positively tame – but Director Jonathan Yudis and Writer Mike Davis buck reality to combine their Meyer nostalgia, and fondness of the female form, for Pervert! – a whacked-out 'n saucy dose of jiggly boobs, dutch angles, and heat-driven madness...

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Satan's Baby Doll (Mario Bianchi, 1982) DVD Review

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“Tender young flesh seduced by the ultimate evil.” / “When the Devil calls, she comes...” Mario Bianchi, here credited as Alan W. Cools, directed this lurid film Satan's Baby Doll, sometimes known in America as 'A Girl For Satan', mixing pornographic pleasure with possession and pain. Within the confines of the Aguilar castle, a lushly decorated tomb resting high upon an emerald hill (the same exterior in Antonio Margheriti's Seven Deaths in the Cat's Eye), the forces of evil are about to sink their teeth into some delicious revenge.

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Love Goddess of the Cannibals (Joe D'Amato 1978) DVD Review

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“You'll die of pleasure!” Also known as 'Papaya dei Caraibi', Love Goddess of the Cannibals concerns itself with Papaya, a voracious lover and apparent voodoo priestess, who uses the lure of enduring sexual adventure in a tropical paradise to ensnare the male workers at a nearby nuclear reactor. Given a lingering sexual charge by the mucky mind of Joe D'Amato, director of Death Smiles on a Murderer (1973) and the notorious Emmanuelle in America (1977), this is certainly a film for fans of classic European sleaze.

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Oasis of Fear (Umberto Lenzi, 1971) DVD Review...

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Umberto (Almost Human, Cannibal Ferox) Lenzi toured a variety of genres during his time as a director, bringing exuberant smash & grab style to his films. Interestingly, Oasis of Fear (aka Dirty Pictures), is a more claustrophobic and restrained effort from Lenzi when compared to some of his more famous flicks. That said, the first act is a typically Lenzi opening – all crash zooms, fast cuts, spiralling camera angles and a generally fevered pace (good work from editor Eugenio Alabiso) with a hip-swinging pop soundtrack.

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