Showing posts with label sergio martino. Show all posts
Showing posts with label sergio martino. Show all posts

Tuesday, 10 December 2019

The Suspicious Death of a Minor (Sergio Martino, 1975) Blu-Ray Review

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“There's one death too many in this story.” The top two names associated with giallo cinema are that of its creator Mario Bava (Blood and Black Lace) and that of its master Dario Argento (Deep Red), but another director whose name should be closely associated with those two is Sergio Martino (The Mountain of the Cannibal God). In the first half of the 1970s, Martino, along with frequent collaborating screenwriter Ernesto Gastaldi (Almost Human), produced a slew of all-time greats in the feverish onslaught of Italian murder mysteries: The Strange Vice of Mrs Wardh (1971), The Case of the Scorpion's Tail (1971), All The Colours of the Dark (1972), Your Vice Is A Locked Room and Only I Have The Key (1972), and Torso (1973).


That's quite an impressive resume in itself, in careers that spanned 66 directorial efforts from Martino and 123 writing credits for Gastaldi. However, there is another gialli that was produced during their time working together, but one which has flown somewhat under the radar while the aforementioned titles have taken the lion's share of viewers' attention: 1975's The Suspicious Death of a Minor. Crafted with Martino's eye for style and Gastaldi's acerbic storytelling, it arrived at a time when the giallo (lurid tales of sex and death) was beginning to cool off and the poliziotteschi (gritty urban crime thrillers) were attracting audiences with rough 'n' tumble rogue cops tackling the sort of criminal conspiracies that were happening everyday beyond the cinema's doorstep...

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Sunday, 14 June 2015

The Case of the Scorpion's Tail (Sergio Martino, 1971) DVD Review


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“You know I'm dying to see you.” Sergio Martino – one of Italy's finest journeymen filmmakers – helmed an impressive run of giallo films during the early 1970s. Following on from the sublime The Strange Vice of Mrs Wardh (1970) came The Case of the Scorpion's Tail, a densely-plotted thriller/morality play packed with infidelity and greed – as well as a some particularly flashy murder sequences...


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Sunday, 4 January 2015

All The Colours Of The Dark (Sergio Martino, 1972) DVD Review


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“You don't understand, the dreams I have are like horror stories.” Could there be a better team in the history of the giallo film than Director Sergio Martino (Torso), Writer Ernesto Gastaldi (The Case of the Scorpion's Tail), and stars Edwige Fenech (The Strange Vice of Mrs Wardh) and George Hilton (My Dear Killer)? Arguably not. Striking out during the most productive years for gialli, All The Colours of the Dark sidesteps traditional murder mystery territory in favour of kaleidoscopic psycho-sexual thrills, trading black leather for black magic, and outward terror for inner turmoil...



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Wednesday, 11 December 2013

2019 After the Fall of New York (Sergio Martino 1983) Review


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“Since the nuclear holocaust, twenty years have passed.” Many of the Italian film-makers who became best known for a particular genre – be it giallo, cannibals, zombies, etc – were experienced in a range of genres. During the 1970s and 1980s the Italian film industry was booming as socio-political upheaval provided impetus for change and ideas for screenplays, and productions sought to become ever more ambitious. In 1983, Sergio Martino (The Strange Vice of Mrs Wardh, Torso) unleashed an audacious – if derivative – sci-fi action extravaganza that stretched its modest budget far and wide with obliterated cityscapes, vehicular combat, and even a space shuttle.


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Monday, 12 August 2013

Your Vice Is A Locked Room And Only I Have The Key (Sergio Martino, 1972) Review


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In the year following his masterpiece giallo The Strange Vice of Mrs Wardh (1971), Director Sergio Martino returned to the genre with this sordid tale of the Italian aristocracy gone wrong.



“Of course, you'd much rather be drinking from my skull.” Kick-starting under the oil-painted gaze of the recently deceased matriarch of the Rouvigny family, Martino introduces us to the excesses of the Italian aristocracy, housed within a crumbling and hollow mansion. As free-loving guests from a nearby commune enjoy the free booze, and a grope of slave/servant Brenda, the bitter marriage of Oliviero (Luigi Pistilli, The Good The Bad & The Ugly) and Irina (Anita Strindberg, Who Saw Her Die) is laid bare to all without a care in Oliviero's mind.



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Sunday, 20 May 2012

The Strange Vice of Mrs Wardh (Sergio Martino, 1971) DVD Review

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One of Sergio (The Mountain of the Cannibal God, Torso) Martino's earliest films, The Strange Vice of Mrs Wardh exhibits a confident grasp of tension-building and exploitable elements, which would be seen just as strongly in his later work (such as the equally superb Torso aka Carnal Violence). This prime example of the greatest the giallo genre has to offer, partly inspired by Les Diaboliques (Henri-Georges Clouzot, 1955), follows Julie Wardh (screen siren Edwige Fenech, Strip Nude For Your Killer), the wife of an American diplomat who has been left stifled and unfulfilled by her marriage, and resorts to fantasising about her fiery relationship with the sexually aggressive Jean (Ivan Rassimov, Eaten Alive), who she once again comes face-to-face with when she arrives in beautiful Vienna.



Similar to Torso, The Strange Vice of Mrs Wardh kicks off with a first half that is fuelled by frequent sex and violence, with a second half that focuses on the psychological torture of the female protagonist. Ninety seconds into the film and you've already been confronted by bare flesh and a slashing straight razor – the tool of choice for the so-called 'Sex Fiend' killer who is on the loose. During this first half, there's more bared arses and breasts than you can shake a stick at (Martino deliberately shot much of this content so the conservative Italian film censors would have something to edit out – content which has returned for this DVD release, the first-ever in the UK) – and then by ten minutes in we've had four nude scenes.

 

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Friday, 20 January 2012

Torso (Sergio Martino, 1973) - DVD Review

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The following is the second of three reviews which I'll be posting for the "Shameless Slasher Nasties Box Set" - it's a 3-disc DVD comprised of Killer Nun, Torso, and Night-Train Murders.

Like Killer Nun (included in this box set), this Italian giallo flick is presented uncut in anamorphic widescreen with a handful of newly re-inserted scenes that were previously expurgated – scenes that provide some extra connections between the dots. Sergio Martino had previously delivered The Strange Vice of Mrs Wardh (1972) starring giallo legend Edwige Fenech, and would go on to unleash Mountain of the Cannibal God (1978) starring Stacy Keach and a certain Bond Girl by the name of Ursula Andress. However Torso (appropriately sub-titled “Carnal Violence”) has perhaps brought the director the most acclaim in wider circles, as it stands as an excellent example of the slasher movie during the early gestation of the sub-genre.


In advance of early American slashers like Black Christmas (Bob Clark, 1974) and The Texas Chainsaw Massacre (Tobe Hooper, 1974), Martino’s film features examples of some of the most common themes and iconography found in such fare. Writers such as Carol J. Clover, Reynold Humphries, and many more have discussed these elements – particularly the so-called ‘final girl’ – the one female to make it out alive due to her superior moral standing. Indeed here the femme who escapes fatal consequences is played by Suzy Kendall – who also starred in Dario Argento’s superb debut The Bird with the Crystal Plumage (1971).

However, Martino and his screenwriting partner Ernesto Gastaldi, and his Director of Photography Giancarlo Ferrando seem far more interested in gazing at any one of the other girls who populate the film’s bevy of gorgeous babes – gals who are no strangers to getting their kit off at a moment’s notice. That all said, once we move into the second half of the movie the focus finally lands squarely on Kendall’s shoulders – indeed it’s very much a film of two halves.


The first half rapidly makes it way through a whole succession of tense stalkings, bared breasts (even in the very first shot!), violent murders, and no end of red herrings and possible suspects. True to gialli, practically anyone is a suspect, and in a film populated by sex-obsessed men who lustfully/creepily leer at the central female cast non-stop, there’s no end of potential slashers. It is then with the second half that the pace slows and the spotlight lands on mystery and suspense – indeed a triple-slaying is entirely off-screen – but Kendall more than makes up for it as she becomes a captivating captive.


Making exceptionally good use of locations, Martino’s film certainly isn’t lacking in the looks department, but pleasingly it’s no “F Grade” student either. “Carnal Violence” might not be especially catchy as a title, but it matches the content perfectly. Themes of sex, death, and where the two collide are central to the plot, which also features an underlying dose of socio-political commentary. Not only is there a clear gender gap on display (many of the surviving males are sexually defunct, unlike the females), but so too is there a distinct generation gap (the students versus the ineffective police).


Shameless Screen Entertainment provides a solid transfer, however it isn’t without some problems: the audio source shows wear & tear at times, as does the video source – but being that this is the sort of film that epitomised the video nasty era (while, incredibly, never becoming one!), the slightly rough look only adds to the experience. We’re unlikely to get a prettier looking Torso in the future; finally, a series of trailers round out the disc. The 3-disc 'Shameless Slasher Nasties Box Set' also comes with an essay insert from noted film writer Kim Newman (providing brief but informative context), and the set itself comes with impressive cover art that mimics a rental videotape (complete with "Be Kind and Rewind" sticker).

Slasher fans and giallo fans are both exceedingly well-served here, as Sergio Martino crafts a murder mystery that is as sleazy as it is involving; a must-see.